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Inclusifying The Rehearsal Room: Creating Accessible And Accommodating Theatrical Spaces For Young People, Christian Anderson

Graduate Thesis and Dissertation 2023-2024

In youth theatre spaces, it is up to the facilitators to discover and create new ways to include more students, especially those who previously didn't have a seat at the table. Making rehearsal spaces inclusive and accessible to all starts by establishing inclusion as an innate practice integrated into every step of the process. This thesis focuses on creating inclusive and accessible rehearsal spaces outside of the traditional classroom for young people ages 8-22, specifically in community theatre and collegiate spaces. The director's role is explored in two projects: Home of the Brave, a Theatre for Young Audiences production …

Theatre As Resistance: Application Of Queer And Feminist Theories To Theatrical Practice And Pedagogy, Chanel H. Gomaa

Graduate Thesis and Dissertation 2023-2024

Throughout my time at UCF, I have committed my studies to better understanding my positionality as someone who both benefits and suffers from systems of oppression. I have dedicated my pedagogy and artistry to questioning how I can apply theatre as a tool to resist these systems through my work, as well as wondering how I may communicate my thoughts and concerns to the colleagues I collaborate with as I am to hold myself accountable for my involvement in works that I recognize as being in need of revision in order to resist systems of oppression. I conceptualize that to …

Music Direction And Piano Accompaniment In Musical Theatre: A Practical Guide, Danielle Hayes

Electronic Theses and Dissertations, 2020-

Music direction for musical theatre is not a topic that has been widely theorized, defined, or researched; there are a handful of resources available to the inclined reader, and a scant few universities that offer a degree in Music Direction for Musical Theatre. Due to this, many music directors, myself included, have had to piece together our educations á la carte, researching each aspect of the job individually. Thus, I have created a practical "how to" guide that can be used to advance you, the reader, through a production as the music director from booking the gig to closing night. …

Flow Theory In The Actor's Process: Can The Pursuit Of Optimal Experience Alleviate Anxiety?, Kimberly (Kimber) King

Electronic Theses and Dissertations, 2020-

Using techniques from acting scholars and practitioners, this practice as research study seeks to lesson anxiety in actors by measuring the actor's preparation, rehearsal and performance process against each of Mihaly Csikszentmihalyi's conditions of flow. Csikszentmihalyi's flow theory describes flow as an "optimal experience" in which a person is so invested in their goals, there is "no threat for the self to defend against" (M. Csikszentmihalyi 76). His research identified conditions that when present, can induce a state of flow. However, actors can be plagued by negative thoughts and self-consciousness. While a certain amount of anxiety is expected and normal, …

Theatrical Intimacy: Navigating A New Normal, Elizabeth Smith-Cortelyou

Electronic Theses and Dissertations, 2020-

This thesis explores theatrical intimacy choreography and coordination during current significant social shifts. Covid restrictions, keen awareness of "correctness", and a desire to "do better" have allowed protective practices like theatrical intimacy to become not only generally accepted but expected in rehearsal spaces. Using techniques such as consent-based spaces, actor disclosures, and common language acquired through training with Chelsea Pace and Laura Rikard, the founders of Theatrical Intimacy Education (TIE), I explore choreographing close relationship moments through high school productions of Jane Eyre and Footloose presented in 2021-22 at Lake Highland Preparatory in Orlando and with older BFA/MFA student actors …

Transforming Costuming Design: Costuming For The Actor's Comfort, Lisa Evenson

Electronic Theses and Dissertations, 2020-

This thesis explores ways to transform costuming concepts for theatre productions that provide a more inclusive and comfortable environment for actors while still maintaining the essence of the characters they are portraying. This thesis examines theatrical bodies of work as case studies to illustrate options for incorporating costume designs that take into consideration the emotional and physical welfare of the actors. The purpose of this study is to inform theatre teachers how to create costumes that aid in psychological comfort of students regarding gender identity and age, as well as for flexibility in casting due to disproportionate gender ratios that …

Safety Evaluation Of Amusement Rides Using Accumulated Accident Data: Accident Data Framework, Kathryn Woodcock

Journal of Themed Experience and Attractions Studies

Amusement rides and devices are a popular form of recreation and important component of the tourism industry. Injury-producing accidents are rare, and the viability of the industry relies on perceived safety of the activity. Some existing metrics use accumulated accident reports. Several metrics tabulate the number of injuries, but none collect enough information about the context of accidents to analyse the accumulated data to deduce patterns. This paper describes an Accident Data Framework for a minimal set of variables from reports of amusement device accident, and the structure for a useful narrative to aid reporters and recorders to avoid introducing …

¿Dónde Están? Latin American Representation In Theatre For Young Audiences, Ximena Gonzalez Toledo

Electronic Theses and Dissertations, 2020-

¿Dónde están los Latinos? As a Latina theatre practitioner born and raised in Venezuela now studying Theatre for Young Audiences (TYA) in the United States, I perceive a generalization and oversimplification of Latin American culture or culturally specific pieces across available TYA dramatic literature and other forms of children's entertainment, with Mexican culture as a monolith for all Hispanics and Latin Americans. My thesis asks: What tropes exist within the representation of Latin American cultures? What might those tropes offer about authentic representation, and opportunities for broadened representation, within the field of TYA? My research pulls from two formative experiences …

Eco-Tya: An Exploration Of Youth Agency And The Role Of Environment In Creating Balanced Theatrical Collaborations, Sage Tokach

Electronic Theses and Dissertations, 2020-

Systems of power in traditional theatrical and educational models may lead to controlled, efficient classrooms, but they do not help us facilitate creative, collaborative spaces. These power structures privilege some people over others and all people over environmental concerns. Eco-theatre artists emphasize the agency of more-than-human materials and encourage us to see our environment as a collaborator. Using eco-theatre theories in a synthesized methodology, this thesis explores how facilitators might interact differently with students and surroundings to disrupt power structures and lead to more inclusive collaborations. What tools and practices help students embrace challenges and work through tensions on their …

Exploring Best Practices Of Teaching Theatre For Social Change To Youth, Samantha Reser

Electronic Theses and Dissertations, 2020-

What does it look like to have youth embody activism through theatre, and how do they take what they learned through theatre and implement it in their everyday lives? Many enter the field of Theatre for Young Audiences because they believe young people (that is, youth that are 18 and younger) have the power to change the world. While the Theatre for Young Audiences field often produces plays that teach young people about the power of change, it is also important to consider how we center and amplify youth voices in the conversations about societal change. As a teaching artist …

Utilizing Dramaturgy To Activate Creativity In Young Audiences, Joni Newman

Electronic Theses and Dissertations, 2020-

Theatre for Young Audiences companies in the United States rely heavily on recognized titles to bring in audiences. As a result, most of their productions are adapted from recognizable titles, including films, television series, and popular literature. These adaptations draw audiences in that may not otherwise go to the theatre, which is especially important within the world of TYA where the target audience (children) only gains access to a theatre through adult caregivers. Additionally, most children go to the theatre as part of school field trips, further encouraging season selections that will fill educational needs in addition to providing theatrical …

¡Controlamos La Narrativa!: Collaborative Dramaturgy As A Tool For Latine Representation In Secondary Theatre Education, Domenika N. Moncayo

Honors Undergraduate Theses

Current secondary theatre education in America places a priority on Western ideals of theatre history and practices. Latine theatre history is hardly taught, and if it is, it is touched minimally. Latine culture places an emphasis on a collective, both in theoretical and practical work. Similarly, the practice of dramaturgy itself is rarely mentioned in curriculums, rather intertwined within lessons of acting, directing, and design. This creates an imbalance in practice versus theory in theatre education. I intend to introduce the concept of collaborative dramaturgy: a form of dramaturgy where students collaborate as dramaturgs to bring about discussions about identity. …

"Keep Your Facts, I'M Going With The Truth": Toward An Ethical Perfromance Of Satire In The Age Of Hyper-Polarization And Culture War, Carson Betts

Electronic Theses and Dissertations, 2020-

Satire is having a unique cultural moment. Conversations about what constitutes satire, why it should be performed, and how can it be done ethically are abundant in American popular culture. As with many forms of art and entertainment, satire has become a major subject of discussion in the great American Culture Wars: the conflict between the highly stratified ideological poles of right and left over the dominance of each's closely held social values, political ideals, and aesthetic sensibilities. Divides, real and imagined, in the American public have given popular discourse a sharp and biting edge, driven by growing political polarization …

The Death Of Beowulf: Exploring The Conception, Process, And Lessons Of An Original Solo Performance Based On A Classic, Jeffrey Sneed

Electronic Theses and Dissertations, 2020-

The Death of Beowulf: Exploring the Conception, Process, and Lessons of an Original Solo Performance Based on a Classic is the exploration of a performer's journey understanding how their own identity and aesthetic has been defined by other works of art and how it affects their creative expression. The author examines the nature of classics as culturally and personally formative texts, and how the artist's experiences and interpretation can potentially deliver fresh understandings of a familiar text. Then, by applying this to his own process of devising a script based on the epic poem Beowulf, he grapples with the challenges …

Performing Belvile: Developing A Transformative Method, Brian Wiegand

Electronic Theses and Dissertations, 2020-

Learning to act is a difficult process, particularly for a young adult who is still discovering the wide variety of human experiences that make up much of dramatic literature. As an actor in training, I have struggled to play characters whose experiences and given circumstances differ from my own. I am not resistant to this idea, I have, however, come to realize that my own personal habits continue to get in the way of making a full transformation into the inner life of the character. As a result, my characters are often similar to one another, even if these characters …

Braving The Discomfort: An Examination Of Hate Speech And Racially-Motivated Violence Onstage, And How We Should Approach It, Sarah Hubert

Electronic Theses and Dissertations, 2020-

This thesis is an exploration of best practices in regards to creating a safe space within the theatre for artists to feel comfortable creating without risk to their emotional or physical safety. These safe spaces are particularly needed around shows which call for onstage racial violence or racist language. Methodology for these best practices includes theatrical intimacy, safe space creation as utilized by various advocacy groups, Theatre of the Oppressed, and drama therapy. In addition to these best practices that apply to the entire production, ideas for individual practice are explored. As a case study, Theatre UCF's production of Sweat …

Combating Performance Anxiety: Reflections Of A Personal Anti-Anxiety Plan For Onstage And Filmed Media, Megan Friend

Electronic Theses and Dissertations, 2020-

As a performer, I am still challenged with thoughts of anxiety, fear, and premeditated responses. This anxiety often prevents me from exploring choices in the rehearsal room and impedes my character's given circumstances during a performance. It has become imperative for me to explore a new way to approach a role psychologically, emotionally, and physically. I hope to eliminate the persistent problem that occurs in my process; the common gap between mind and body that prevents me from creating a dynamic, holistic performance. This document will examine two vital stages of the development and application of my new process. As …

Towards A Postdramatic Jazz Aesthetic: Per(Form)Ance And Its Discontents, Johann Robert Wood

Electronic Theses and Dissertations, 2020-

In Karen Jürs-Munby's introduction to her English translation of Hans-Thies Lehmann's Postdramatic Theatre (2006), she positions a single African American theatre practitioner, Suzan-Lori Parks, within the canon of postdramatic writers in spite of Lehmann's blind spot for the contribution of Black artists to innovations in theatre practice and aesthetics. This thesis draws from critical jazz studies, particularly Parks's "Rep & Rev" and Fred Moten's analysis of jazz improvisation from his seminal work, In the Break: The Aesthetics of the Black Radical Tradition (2003), in order to visibilize Black contributions to theatre innovation through what has often been overlooked as merely …

Metatheatre And Critical Race Theory: A Combination For Compelling Storytelling And Effective Changemaking, Andrew Coleburn

Electronic Theses and Dissertations, 2020-

Vaclav Havel once said that "[t]heatre is always a sensitive seismograph of an era, perhaps the most sensitive one there is; it's a sponge that quickly soaks up important ingredients in the atmosphere around it." One of the more important "ingredients" in our cultural atmosphere in modern America is the issue of identity. In his book on metatheatre, Richard Hornby posits that theatre is "a kind of identity laboratory, in which social roles can be examined vicariously." In this thesis, I examine Hornby's theory of the five different modes of metatheatre, critique each, and argue for the addition of a …

How Artists Can Capture Us: Educating About The Works Of Stephen Sondheim Through Parody, Jarrett Poore

Electronic Theses and Dissertations, 2020-

This thesis examined the modern renaissance man and his relationship between musical theatre history and parody; it examined how the modern artist created, produced, and facilitated an original parody in which humor can both influence and enhance an individual's interest in the art form. In the creation and production of The Complete Works of Stephen Sondheim [abridged], I showcased factual insight on one of the most prolific writers of musical theatre and infused it with comedy in order to educate and create appeal for Stephen Sondheim's works, especially those lesser known, to a wider theatrical audience. My two greatest research …

Playing Disability, Daniel Romano

Electronic Theses and Dissertations, 2020-

Disability in performance has a long history, starting with fictional characters such as Shakespeare's Gloucester/Richard, progressing through the freak shows of the early twentieth century, and finally with artists such as Neil Marcus, Mat Fraser and Deaf West Theatre in the past twenty years. Looking to the work of disabled artists, activists, and theorists such as Petra Kuppers and Carrie Sandahl, I will examine the history of both disability in performance and the performance of disability. I will discuss my performance of Garret, a man with muscular dystrophy, in my original play, The Sick Parents Club. Through analysis of what …

Stages Of Color: An Exploration Of Drama Through A Chromatic Lens, John Norton

Electronic Theses and Dissertations, 2020-

The human eye can see approximately seven million different colors and within this vastly wide spectrum of refracting and reflecting light waves, an almost equal number of connotations have been attached to these various shades and tones. Whether originating from cultural histories, religious traditions, or a myriad of other sources, these associations succeed at quite literally coloring one's view of what is illuminated in front of them, especially when it comes to any and all attached emotional implications. This knowledge raises the question of how does an artist navigate not only the utilization of color in their work, but the …

His Voice: The Portrayals Of Lgbtq+ Issues In Musical Theatre Seen Through Terrence Mcnally's A Man Of No Importance, Alex Mendez

Electronic Theses and Dissertations, 2020-

As a young theatre educator and director, I have found myself to be most impacted by LGBTQ+ works that provide perspectives on controversial topics that exist in today's society. It has dawned on me that representation through theatre is impactful for audiences who are able to relate to the characters in the story that is being told, and through this, can find their own voice in a world where they may feel silenced. In an ever-changing educational world, we as educators are always pushed to innovate and create strategies that can elevate how stories are told through theatre. Through conversations …

Gender Disparity Of Women In Theatre Design, Madison M. Valesky

Honors Undergraduate Theses

The question of why there is gender disparity in the field of theatre design continues to be an issue that has been widely debated in the field of theatre; scholars such as Tish Dace argue that workplace environments and family support are two of the main reason women leave the field of design. However, there are works, articles, arguments and perspectives that have not been adequately addressed regarding why the issue of why gender disparity in theatrical design still exists. My thesis addresses the issue of gender disparity in theatre design with special attention to the underlying issues that exists. …

Addressing The Elephant On The Stage: Mental Health In Theatre Education, Alexandra M. Meridionale

Honors Undergraduate Theses

This thesis examined the ways in which present-day 6^th through 12^th grade theatre educators approach the topic of mental health, both implicitly and explicitly, in theatre education. Through a survey of existing literature, as well as interviews with 6^th through 12^th grade theatre educators, the researcher examined ways in which theatre educators were aware of the mental health needs of their students in any of the following capacities: explicit discussions regarding mental health, theatre curriculum, show selection, script analysis, and casting choices.

The reveal the educator perception that mental health issues are increasingly relevant to 6 …

Casting As A Pedagogical Practice In Educational Theatre Spaces, Scott Savage

Electronic Theses and Dissertations, 2020-

Casting might be the most exciting thing in theatre to happen off-stage. Actors, agents, directors, producers, and outside observers are keenly interested in who plays a given part. In a professional space, casting seeks to ask, "Which performer is the best fit for this part?" But what happens when an educational theatre director instead asks, "Which role will best enable the learning of this performer?" This thesis explores the process of casting in an educational theatre space as being distinctly different from casting in a professional theatre space. By examining theoretical underpinnings of casting through literature and reflexive practice, I …

Performing Feminism: Boy Gets Girl During The #Metoo Movement, Amanda Dayton

Electronic Theses and Dissertations

Sexual misconduct is currently a very hot topic in the media. Not only has the #MeToo Movement encouraged many women to come out with their stories of sexual assault, but it has also given women of many different backgrounds an opportunity to band together in support. I will be exploring the role of Theresa Bedell in Boy Gets Girl, by Rebecca Gilman. I will use the given character relationships to build an honest portrayal of the struggles Theresa faces as a woman in the world. I will touch on the mindset behind as well as the effects of victim blaming, …

Performing Bernarda: Activating Power And Identity, Ana Martinez Medina

Electronic Theses and Dissertations

The musical Bernarda Alba tells the story of a woman who is confined within the heavily patriarchal and Catholic society that was 1930s Spain. Because of this, I thought it the perfect arena to explore power dynamics on stage. My thesis will explore status, hierarchies, relationships, and identity via the stolid matriarchal character Bernarda Alba. Through analyzing the playwright's words, fleshing out the character, and exploring the character's relationships with others in rehearsal, I have studied how to activate status on stage. There are many sociology theories and psychological studies that can be applied to theatre-making in order to create …

Gender Performance In Shakespeare's Twelfth Night, Amanda Lee

Electronic Theses and Dissertations

Cross-dressing is a recurrent theme in Shakespeare's comedies, and the theatrical trend of gender bending casting has added an extra layer of complexity to performing his work. How does the gender of the actor affect the performance of a role in Shakespeare? How does it affect the perception of the role, and how can an actor utilize that perception to connect more fully with the audience? How does the female perspective illuminate hitherto unexplored elements of Shakespeare's text and characters? I was inspired by Orlando Shakes' all male production of Twelfth Night to research gender theory in relation to classical …

Disability And Participation In Amusement Attractions, Kathryn Woodcock

Journal of Themed Experience and Attractions Studies

Eligibility to participate on an amusement attraction may be limited for patrons with certain characteristics, including size, age, disability, and health conditions. Human rights and equal access laws increasingly mandate the inclusion of people with disabilities in as many activities as possible, although safety is an accepted basis for exemption. This paper reports on practices and evidence pertaining to eligibility and safety of patrons with disabilities, including a content analysis of status quo criteria from 100 amusement ride manufacturers’ manuals and prevalence of references to disability in reports of serious and fatal injury. The analysis found that restrictive criteria exclude …