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Professional Wrestling: Local Performance History, Global Performance Praxis, Neal Anderson Hebert
Professional Wrestling: Local Performance History, Global Performance Praxis, Neal Anderson Hebert
LSU Doctoral Dissertations
Professional Wrestling: Local Performance History, Global Performance Praxis, is a work of interdisciplinary scholarship (combining elements of theatre history, performance studies, and philosophy) that addresses an area of performance currently under-researched within the liberal arts and humanities: professional wrestling. My dissertation directs much-needed attention to the fact that professional wrestling is the only kind of live drama many Americans ever see (or even want to see). Although it is no doubt easy for theatre historians and performance theorists to dismiss this performance practice because of its location somewhere between “illegitimate sport” and “lowbrow popular entertainment,” I contend that United States …
From Thin Air : The Creation Of A New American Musical, Jason Bayle
From Thin Air : The Creation Of A New American Musical, Jason Bayle
LSU Master's Theses
During the fall of 2011 and spring of 2012, each MFA candidate began work on solo theatre projects ranging in a wide array of topics and genres. The goal was not to present a complete piece of theatre necessarily, but begin work on a project that could continue as we left LSU. Instead of constructing a solo piece, the faculty and I agreed that I could begin work on a multi-actor script based on the concept of setting a collection of country songs close friends of mine wrote as a new musical. I would create the story, write as much …
Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson
Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson
LSU Doctoral Dissertations
This dissertation aims to establish the importance of Charles II in the shaping and evolution of Restoration theatre. Even more so than the playwrights themselves, Charles II determined the future of the theatre, both by his conscious efforts to do so, as well as unintentionally through his own behavior and image. The tradition of Restoration theatre began in 1660 with Charles’s efforts at establishing a consensus theatre, in which it would appear that he enjoyed unanimous support for his return to England from exile. Consensus theatre was determined by the perception of Charles’s rule and character, his power to manipulate …
The Role Of Fabiana Aziza Cunningham In Stephen Adly Guirgis' The Last Days Of Judas Iscariot: A Production Thesis In Acting, Leigh-Erin Balmer
The Role Of Fabiana Aziza Cunningham In Stephen Adly Guirgis' The Last Days Of Judas Iscariot: A Production Thesis In Acting, Leigh-Erin Balmer
LSU Master's Theses
This thesis will follow the experience of Leigh-Erin Balmer in creating the role of Fabiana Aziza Cunningham, a character written by Stephen Adly Guirgis in his play, The Last Days of Judas Iscariot. The role of Cunningham is the topic of this production thesis in acting, which will be submitted to the Graduate School of Louisiana State University in partial fulfillment of the requirements for graduation with the Master of Fine Arts degree in Theatre. The thesis contains an introduction; textual analysis and research (regarding author and original production history as well as other text materials); a character study, including …