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A Natural Pairing: Social Justice And Theatre Education, Danielle Wright
A Natural Pairing: Social Justice And Theatre Education, Danielle Wright
Theses and Dissertations
Social justice curricula are often solely geared toward middle and high school students. I intend to prove that a social justice curriculum can be creatively paired with a theatre curriculum. I also intend to prove that social justice can be taught as young as pre-kindergarten. I will design a social justice curriculum for various grade levels, beginning with pre-kindergarten. Through research and age-appropriate strategies, I will develop curriculum goals and learning experiences for all grade levels. The curriculum is not an end point for teachers, but rather a starting point for theatre teachers who want to integrate social justice into …
Should You Judge A Book By Its Cover? The Authentic Relationship Between Religion And The Stage In Fiddler On The Roof, Godspell, And The Book Of Mormon, Patricia H. Oliver
Should You Judge A Book By Its Cover? The Authentic Relationship Between Religion And The Stage In Fiddler On The Roof, Godspell, And The Book Of Mormon, Patricia H. Oliver
Theses and Dissertations
Theatre and religion have often found themselves at opposing spectrums since Thespis stepped out from the chorus. This conflict usually plays out in the audience's response to what is presented on the stage. Fiddler on the Roof relies on the tradition and values of the Jewish faith to create an authentic experience for the audience. Godspell is based on the parables, mostly from the Gospel of St. Matthew. Some people have an issue with the fact that the musical doesn't have a resurrection, but Tebelak and Schwartz meant the play to reflect joy and community. Experiencing The Book of Mormon …
Tya Adaptations For The Theatre Educator, Laura Ashley Butler
Tya Adaptations For The Theatre Educator, Laura Ashley Butler
Theses and Dissertations
Over the last century, adaptations in the field of Theatre for Young Audiences (TYA) have been the subject of some debate. While adaptations are currently the most produced type of play by children’s theatre companies and professional theatre organizations, original TYA scripts are the ones that receive the majority of the praise and acclaim, In addition, theatre educators throughout the United States struggle to produce quality plays with the limited funds they have been allotted. This paper serves multiple purposes. It aims to give theatre educators the tools they need to overcome the stigmatized opinions of adapted works. Additionally, it …