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Articles 1 - 9 of 9
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Scenarios Of Intractability: Reframing Intractable Conflict And Its Transformation, Kerry Whigham
Scenarios Of Intractability: Reframing Intractable Conflict And Its Transformation, Kerry Whigham
Genocide Studies and Prevention: An International Journal
For those working toward long-term conflict transformation and atrocity prevention, cases of so-called “intractable conflict” are an enduring source of frustration, continually resisting what seems to be an otherwise useful toolbox of "lessons learnt" and "best practices." Referring to these cases as intractable, however, only serves to naturalize their intractability, rendering it an essential and immutable quality of the conflicts, and thus foreclosing options for engagement and prevention. Moreover, it obscures interventions that may have already emerged from within these conflicts that are transforming the way they play out. This article suggests, instead, to perceive these cases as scenarios of …
A Review Of Annika Mann, Reading Contagion, By Michael Edson, Michael Edson
A Review Of Annika Mann, Reading Contagion, By Michael Edson, Michael Edson
ABO: Interactive Journal for Women in the Arts, 1640-1830
A review of Annika Mann, Reading Contagion, by Michael Edson
Review Of Novel Ventures: Fiction And Print Culture In England, 1690-1730 By Leah Orr, Susannah Sanford
Review Of Novel Ventures: Fiction And Print Culture In England, 1690-1730 By Leah Orr, Susannah Sanford
ABO: Interactive Journal for Women in the Arts, 1640-1830
A review of Novel Ventures: Fiction and Print Culture in England, 1690-1730 by Leah Orr by Susannah Sanford
Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd
Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Reseña de Historia de la ciencia ficción en la cultura española, editada por Teresa López-Pellisa. Madrid: Iberoamericana, Vervuert, La Casa de la Riqueza, Estudios de la Cultura de España 44, 2018. 523p; la cual aborda la historia de la literatura, el teatro, el cine, la televisión, la poesía y la narrativa gráfica en España
Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido
Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
La ciencia ficción no es uno de los géneros más practicados en el teatro español del siglo XX. Ello no obsta para que exista algún que otro título merecedor de atención y estudio. El presente artículo se centra en Sodomáquina, del italiano afincado en España Carlo Frabetti (Bolonia, 1945). Publicada en 1970 en las revistas especializadas –en ciencia ficción y en teatro, respectivamente– Nueva Dimensión y Yorick, constituye uno de los más dignos intentos de aclimatar el género en las tablas, con todo su potencial imaginativo y discursivo. En nuestro análisis, valoramos su condición de distopía crítica, …
Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle
Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article reviews the world premiere of Kate Hamill's Mansfield Park directed by Stuart Carden and produced for the Northlight Theatre in Chicago in November and December 2018. Hamill’s bold new adaptation is notable for foregrounding the contexts of empire and the slave trade undergirding the novel, and in ultimately offering a feminist fairy-tale of radical self-assertion and self-determination for its heroine.
Neoclassicism And Camp In Sir William Hamilton’S Naples, Ersy Contogouris
Neoclassicism And Camp In Sir William Hamilton’S Naples, Ersy Contogouris
ABO: Interactive Journal for Women in the Arts, 1640-1830
Susan Sontag, in her now-classic “Notes on Camp” (1964), traces the origins of camp to the eighteenth century (13, 14, 33). And although it is precisely the baroque and rococo art movements against which Winckelmann rebelled that Sontag identifies as camp, it is worth reflecting on whether the notion of imitation that is central to both movements – imitation of ancient works in the case of neoclassicism, and imitation as parody in the case of camp (Meyer 7) – might not bring the two closer. Once the conceptual chasm separating neoclassicism and camp has begun to be bridged, we can …
Sterne’S Sentimental Temptations: Sex, Sensibility, And The Uses Of Camp, Julie Beaulieu
Sterne’S Sentimental Temptations: Sex, Sensibility, And The Uses Of Camp, Julie Beaulieu
ABO: Interactive Journal for Women in the Arts, 1640-1830
Laurence Sterne’s lack of commitment to the tenets of sentimentality in A Sentimental Journey—present in his ability to mock and praise the individual capacity to feel, and more precisely, in his satirical reading of the “cult of sensibility,” the new ideological imperative to have and to showcase deep, sentimental feelings—remains as one of the central challenges for readings of the novel. To explore Sterne’s portrayal of sensibility in A Sentimental Journey, I turn to camp sensibility, and the discussions that followed Susan Sontag’s “Notes on Camp.” Sterne’s novel could be read as camp, perhaps most notably in his …
Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler
Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler
ABO: Interactive Journal for Women in the Arts, 1640-1830
A blend of the silly and the extravagant that puts the serious into conversation with the ridiculous, camp today is often signified by elements of eighteenth-century Europe with its elaborate hairstyles, exaggerated silhouettes, affected courtiers, and a rise in the consumption of exotic goods, candelabras, masks, and other markers of elite excess (often with a nod to the era’s demise in the form of either the French Revolution or subsequent Victorian strictures). Camp’s relation to queer modes of performance and its prioritization of style over (or in conjunction with) substance offers a queer aesthetic lens to re-evaluate the eighteenth century …