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Motion As Music: Hypermetrical Schemas In Eighteenth-Century Contredanses, Alison N. Stevens
Motion As Music: Hypermetrical Schemas In Eighteenth-Century Contredanses, Alison N. Stevens
Masters Theses
An important part of the recent growth in scholarship on meter focuses on reconstructing 18th-century listening practices. Danuta Mirka (2009) studies contemporary accounts of meter in theory treatises to build a model of 18th-century metric listening, while Stefan Love (2016) takes a corpus studies approach, arguing that surveying repertoire provides a more accurate view of meter than 18th-century theorists. But despite the known debt that much 18th-century art music owes to dance and dance music, Mirka and Love only briefly mention dance. In touching so lightly on dance, these and other authors overlook the more fundamental connection between meter and …
A Step Of Two Or The Pas De Deux, Molly A. Hoisington
A Step Of Two Or The Pas De Deux, Molly A. Hoisington
Masters Theses
The second part of a two-part MFA Thesis presentation, this paper distills the content from the preceding exhibition A Step of Two or The Pas de Deux: an installation of paintings, drawings and projected video. It touches on various themes that surround [well researched] ideas about perception, dissociation, the gaze, and relationships. Most of all, this paper and the body of work it describes is about the visual representation of a sensual understanding of the world.