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Theatre and Performance Studies

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University of Central Florida

Theses/Dissertations

Music

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Musical Autodidacts, Can We Do It Ourselves?: Exploring The Histories Of Those Who Have, Abigail Cline Dec 2015

Musical Autodidacts, Can We Do It Ourselves?: Exploring The Histories Of Those Who Have, Abigail Cline

HIM 1990-2015

Artistry, particularly musical, is subjective and success in artistry can be achieved by more than one route. I consider myself an autodidactic musician by the musical and compositional achievements I have made without formal music training. I chose to research the compositional traits of other autodidacts to see their successes and challenges with their knowledge. George Gershwin, Danny Elfman, and John Bucchino come from a different background, a different time period in music, and each comes from a different stylistic genre. This research describes each of these composers’ influences, approach to composing, and any advantages or disadvantages they have faced …


Turning Tricks And The Modern Female Protagonist: An Analysis Of The Portrayal Of The Role Of The Demimonde From Viennese Operet, Melissa Nay Jan 2008

Turning Tricks And The Modern Female Protagonist: An Analysis Of The Portrayal Of The Role Of The Demimonde From Viennese Operet, Melissa Nay

Electronic Theses and Dissertations

The demimondaine, an exclusive courtesan in nineteenth-century Europe, and the modern mezzo-soprano protagonist are prevalent characters in American musical theatre and can be observed in various styles throughout European music and drama. In Arthur Schnitzler s The Little Comedy, the female protagonist is both a romantic heroine and mistress; and in Jules Renard s Le Pain de Ménage, the lead player is anything but the classic ingénue. In preparation for performance and to further the research in the contemporary music comedy realm, I prepared for the roles of Josefine and Monica in the University of Central Florida s production of …


Not Quite The Ingenue: The Development Of The Middle-Aged Female Character In Musical Theatre, Tara Snyder Jan 2007

Not Quite The Ingenue: The Development Of The Middle-Aged Female Character In Musical Theatre, Tara Snyder

Electronic Theses and Dissertations

Not Quite the Ingenue: The Development of the Middle-Aged Female Character in Musical Theatre is an exploration of the influences which have defined the function of middle-aged female characters within the musical theatre genre. This author was cast in the role of Arlene MacNalley, a forty-three year old woman, in the University of Central Florida's fall 2006 production of the musical Baby. Preparation for performance of this thesis role required identification of the traits and factors which would be vital for a realistic and relevant portrayal of Arlene. This document provides the reader with a working definition of middle age. …


Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick Jan 2006

Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret, Deborah Tedrick

Electronic Theses and Dissertations

Music and Theatre have always captivated me. As a child, my parents would take me to live performances and cinematic shows and I would sit rapt, watching the theatrical events and emotional moments unfold before my eyes. Movie musicals and live shows that combined music and theatre were my favorite, especially theatrical banter and improvisation or sketch comedy. Some of my favorite youthful memories were my annual family summer trips to Las Vegas to visit my grandparents for six weeks. As a youngster, I got to experience the "old school" Las Vegas, replete with extravaganza, spectacle, cabaret, circus, lounge and …


Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner Jan 2006

Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner

Electronic Theses and Dissertations

Cabaret as a genre has influenced and is influenced by musical theatre. As cabaret has evolved throughout history, musical theatre has often paralleled its journey. Cabaret thrived before the term "musical theatre" was coined and suffered hard times during the Golden Age of Musical Theatre. The correlation of the two genres cannot be denied, and exploring cabaret history will reveal how deeply the connection lies. My collaborator Debbie Tedrick and I will attempt to define cabaret through a two-woman cabaret show we will write, produce, and perform together. The show, Black Cats, Berlin, Broadway and Beyond, will be a one-act …