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Phil 130: Dimensions Of Diversity (Spring 2014), Dylan Kissane
Phil 130: Dimensions Of Diversity (Spring 2014), Dylan Kissane
Dylan Kissane
No abstract provided.
Star Trek As An Agent Of Cultural Reproduction, Jacob H. Pullis
Star Trek As An Agent Of Cultural Reproduction, Jacob H. Pullis
Senior Theses and Projects
No abstract provided.
Black Men As College Athletes: The Real Win-Loss Record, Shaun R. Harper, Ph.D.
Black Men As College Athletes: The Real Win-Loss Record, Shaun R. Harper, Ph.D.
Shaun R. Harper, Ph.D.
Point of view published on the back cover of The Chronicle of Higher Education, January 24, 2014.
Spectacles Of Reform: Theater And Activism In Nineteenth-Century America By Amy E. Hughes (Review), Jocelyn Buckner
Spectacles Of Reform: Theater And Activism In Nineteenth-Century America By Amy E. Hughes (Review), Jocelyn Buckner
Theatre Faculty Articles and Research
In Spectacles of Reform Amy Hughes advocates for “spectacle as methodology” (4), a means of interpreting spectacle in nineteenth-century melodrama, as well as a wide variety of other media, that rehearses and reforms concepts of citizenship and identity related to race, class, gender, and morality. Through this lens, Hughes seeks to answer the questions “where and how do activist spectacles appear before and beyond the theatrical encounter?” and “why is spectacle kept alive through reinvention, revision, and repetition long after the drama is over?” (5). Hughes traces her theory of the spectacular instant through three popular sensation themes of the …
Isamu Noguchi's Modernism: Negotiating Race, Labor, And Nation, 1930-1950, Stephanie Takaragawa
Isamu Noguchi's Modernism: Negotiating Race, Labor, And Nation, 1930-1950, Stephanie Takaragawa
Sociology Faculty Articles and Research
In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production …