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Mormonism And The Family (Forum), Terryl Givens
Mormonism And The Family (Forum), Terryl Givens
English Faculty Publications
When we speak of the family in Mormonism, the term can mean many things. There is an idealized Mormon family, the one described in church magazines, General Conference talks, and Mormon public service commercials. There is the family of the Mormon theological tradition, stretching endlessly off into the eternities, bound together with temple ordinances, the forever family of Mormon bumper stickers. There is another family, product of a more speculative bent in Mormon theology, which comes of an eschatological reading of the Abrahamic covenant, and which imputes to a temple-sealed Mormon couple the right to an endless seed, a posterity …
Playing In A New Key, In A New World: Virtual Worlds, Millennial Writers, And 3d Composition, Joe Essid
Playing In A New Key, In A New World: Virtual Worlds, Millennial Writers, And 3d Composition, Joe Essid
English Faculty Publications
In the author’s courses, students have been augmentationist, not immersionist, in their approaches to using technology. In a virtual world, however, they are born with new skins into strange settings, doing things that might be impossible in the world of matter. Their frequent discomfort at this rebirth corroborates findings in two studies (Mosier, 2009; Howe & Strauss, 2000) that American "Millennials" distrust activities that seem to have no direct bearing on their educational outcomes, established social circles, or professional desires. The chapter describes assignments for such students, in the context of Rouzie s (2005) "serio-ludic "pedagogy. Several touchstones for educators …
These - Are - The "Breaks": A Roundtable Discussion On Teaching The Post-Soul Aesthetic, Bertram D. Ashe, Crystal Anderson, Mark Anthony Neal, Evie Shockley, Alexander Weheliye
These - Are - The "Breaks": A Roundtable Discussion On Teaching The Post-Soul Aesthetic, Bertram D. Ashe, Crystal Anderson, Mark Anthony Neal, Evie Shockley, Alexander Weheliye
English Faculty Publications
We met at Duke University - mid-summer, in the mid Atlantic, at mid-campus - to talk about teaching courses that focused on the post-soul aesthetic. We met outside the John Hope Franklin Center, and soon enough we five youngish black professors were walking a hallway towards a conference room near the African and African American Studies program. Not at all surprisingly, the walls of the hallway were lined with framed photographs of the esteemed John Hope Franklin at various stages throughout his long and storied career. For me, given the topic I was about to raise among these professional colleagues, …
Theorizing The Post-Soul Aesthetic: An Introduction, Bertram D. Ashe
Theorizing The Post-Soul Aesthetic: An Introduction, Bertram D. Ashe
English Faculty Publications
It's time. Clearly, it's time. As I begin this introduction, in the spring of 2006, landmark anniversaries press in on me from every side: 20 years ago, Greg Tate wrote "Cult-Nats Meet Freaky-Deke: the Return of the Black Aesthetic" for the Village Voice in the fall of 1986. And Spike Lee's She's Gotta Have It - that totemic post-soul anthem - was released in the summer of 1986, as well. More personally, I first taught Trey Ellis's essay "The New Black Aesthetic" in 1991,15 years ago, and I inaugurated my post-soul aesthetic course in the Spring semester of 1996 - …
Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka
Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka
English Faculty Publications
Midway through E. M. Forster’s Howards End, the newly married Margaret Schlegel Wilcox returns to the titular country house to find it the recipient of an unexpected makeover. Closed since the death of the first Mrs. Wilcox and for months used as a warehouse for the Schlegels’ possessions, the house has been unpacked and reconstituted by the housekeeper, Miss Avery, who creates a new interior built from moments of Margaret’s own history. As Margaret moves through the house in surprise, she takes a virtual tour of her past: her umbrella-stand greets her in the entrance way, the infamous sword …
Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna
Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna
English Faculty Publications
Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …
Race Relations, Suzanne W. Jones
Race Relations, Suzanne W. Jones
English Faculty Publications
Since the early nineteenth century, when white southern writers began to defend slavery, relationships between blacks and whites became a central concern in southern literature. Many nineteenth-and early-twentieth-century works by white writers exacerbated racial prejudice by reproducing southern white society's racist ideology. But other southern writers, both white and black, have attempted to redress this problem by using literature to dismantle stereotypes and to imagine new relationships. The results of the 1960s Civil Rights Movement speeded up the process, suggesting new plots, new endings, and new points of view to southern writers of both races.
"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe
"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe
English Faculty Publications
This study consists of a cultural reading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-American male rap star, and the three anonymous African-American female models that surround him. The study interprets the cover through the long, straightened hair of the models, locating the models' hair in a historically-informed context of black hair theory and practice. The study argues that the models' presence on the cover, particularly their "bone straight and long" hair, "enhances" Mase in much the same way breast-augmented "trophy women" "enhance" their mates. Ultimately, the study …
Born And Made: Sisters, Brothers, And The Deceased Wife's Sister Bill, Elisabeth Rose Gruner
Born And Made: Sisters, Brothers, And The Deceased Wife's Sister Bill, Elisabeth Rose Gruner
English Faculty Publications
We are--almost all--born into families, born into relationship. Like Mary Ann Evans, I was born a little sister--but had I encountered her "Brother and Sister" sonnets at twelve, I might have thrown the book across the room. George Eliot's fantasy of a perfected brother-sister relationship in these sonnets rings hollow and yet resonates profoundly with me. As a little sister myself, I wonder what could make the relationship--so often fraught with competition, envy, and neglect, yet potentially so richly rewarding--seem so powerfully right, so important to and adult woman's self-identification? For the narrator of the sonnets is certainly an adult …
"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe
English Faculty Publications
African-Americans, with their traditionally African features, have always had an uneasy coexistence with the European (white) ideal of beauty. According to Angela M. Neal and Midge L. Wilson, "Compared to Black males, Black females have been more profoundly affected by the prejudicial fallout surrounding issues of skin color, facial features, and hair. Such impact can be attributed in large part to the importance of physical attractiveness for all women" (328). For black women, the most easily controlled feature is hair. While contemporary black women sometimes opt for cosmetic surgery or colored contact lenses, hair alteration (i.e., hair-straightening "permanents," hair weaves, …
Dismantling Stereotypes: Interracial Friendships In Meridian And A Mother And Two Daughters, Suzanne W. Jones
Dismantling Stereotypes: Interracial Friendships In Meridian And A Mother And Two Daughters, Suzanne W. Jones
English Faculty Publications
When pondered together, these mediations on difference raise some perplexing questions. How do we discover a shared humanity without erasing difference? How do we use difference to enrich our vision if we fear it? How can we come to understand difference differently? When Zora Neale Hurston wrote "What White Publishers Won't Print" in 1950 before the civil rights movement began, she believed literature could help reduce white prejudice by proving blacks to be "just like everybody else" (171). When Audre Lorde called for new patterns of relating across differences at Amherst College in 1980, she ended her powerful plea with …