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Looking Forward, Looking Back: Collective Memory And Neighborhood Identity In Two Urban Parks, Sofya Aptekar

Publications and Research

Collective memory and narratives of local history shape the ways people imagine a neighborhood’s present situation and future development, processes that reflect tensions related to identity and struggles over resources. Using an urban culturalist lens and a focus on collective representations of place, I compare two nearby New York parks to uncover why, despite many similarities, they support different patterns of meaning making and use. Drawing on ethnographic observation, interviews, and secondary analysis, I show that multi-vocal and fragmented contexts of collective memory help explain the uneven nature of gentrification processes, with one park serving as its cultural fulcrum while …

Tarrying With The "Private Parts", Robert F. Reid-Pharr

Publications and Research

Two-thirds of the way through Object Lessons (2012), Robyn Wiegman's provocative study of the institutional and ideological development of what she names identity-based modes of inquiry in US colleges and universities, the author recounts a 2003 trip she took to Leiden to attend the inaugural meeting of the International American Studies Association. There, she was regularly met with the claim that American studies, at least as it is practiced by citizens and long-term residents of the United States, was deeply provincial and too caught up with rehearsals of the humdrum difficulties of American social and cultural life, particularly our always …

Intervention: Reality Tv, Whiteness, And Narratives Of Addiction, Jessie Daniels

Publications and Research

Purpose – Reality TV shows that feature embodied “transformations” are popular, including Intervention, a program that depicts therapeutic recovery from addiction to “health.” The purpose of this chapter is to address the ways whiteness constitutes narratives of addiction on Intervention.

Methodology – This analysis uses a mixed methodology. I conducted a systematic analysis of nine (9) seasons of one hundred and forty-seven (147) episodes featuring one hundred and fifty-seven individual “addicts” (157) and logged details, including race and gender. For the qualitative analysis, I watched each episode more than once (some, I watched several times) and took extensive notes on …

Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins

Publications and Research

Archie Bunker, the central character and patriarch of Norman Lear’s “All in the Family,” (1971-1979) has been referred to as an “everyman” and an “angry-man prototype” with “hard had prejudice.” The name Archie Bunker itself has become synonymous with a blue-collar, racially chauvinistic mentality. The title of the show’s pilot and theme song, “Those Were the Days,” emphasized Archie’s dream of a simpler (though idealized) time, a world that he could understand and upon which he could exert some control. In 1970s America, Archie seemed to feel that the world was against him – economically, socially, politically and culturally – …

Becoming European? Constructing Identity In Urban Regeneration Discourse In Ireland, Alan Gerard Bourke

Publications and Research

Drawing upon policy documents and interview data, this article critically assesses how the conservation, interpretation and promotion of built heritage is used as a categorical identity referent within urban regeneration discourse in Ireland. The paper is critical of two inter-related dynamics. First, it addresses the relation between "culture-led" urban regeneration and the construction of a "sense of place." Second, it problematizes parallel attempts to constitute a sanitized and marketable urbanism expressed via a rhetorical and contrived veneer of European identity. A fundamental premise of the discussion is that the challenge of articulating a coherent and "distinctive" sense of urban cultural …

Discovering, Again, The Meaning Of "American", Peter Hegarty

Center for LGBTQ Studies (CLAGS)

In his essay, "The discovery of what it means to be an American," James Baldwin described how his exile in Paris led him to new self-knowledge about his national identity. Baldwin left the US to survive what he called "the color problem," but was surprised to find he shared a sense of being "not at home" with white Americans in Europe. He was American in ways he had not realized. Exile afforded him intellectual freedom, but his growing consciousness of the French-Algerian war led him to understand that "there are no untroubled countries in this fearfully troubled world." Leaving home …