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Musical Play Across Ethnic Boundaries In Western Jamaica, Ronald Eric Dickerson
Musical Play Across Ethnic Boundaries In Western Jamaica, Ronald Eric Dickerson
LSU Master's Theses
An ethnography of music, ritual, and festival in western Jamaica, this thesis reports on fieldwork performed in St. Elizabeth and St. James Parishes between June 2002 and January 2003. Featured field sites include rural dancehall events, Kumina performances, Accompong Town's Maroon Heritage Festival, and a Rastafarian music and nutrition festival called "The Supper of Rastafari." Building an account of these and other sites of cultural performance, this study focuses on social connections between groups of participants, traced through poetic, historical, and personal relationships among performers, especially across boundaries of ethnic, stylistic, or religious difference within Jamaica's national cultural identity.
Audiating The Lsu Drumline: An Ethnographic Performance, Andrew Michael Causey
Audiating The Lsu Drumline: An Ethnographic Performance, Andrew Michael Causey
LSU Master's Theses
This is an ethnographic study of the drumline of the LSU Marching Band and the mock-fraternity they created called Phi Boota roota (ΦBr). I argue that ΦBr was created as a site to flesh out the various tensions members experience as members of the LSU drumline; they create a rite of passage ritual that functions as a carnivalesque and celebratory inversion of the system they find themselves submerged within. Phi Boota roota marks a created articulation of the transition members make when they become part of the larger ritual of Tigerband; it is a voluntary or liminoid ritual that allows …