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Articles 1 - 29 of 29
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“It Is Not All That Bad”—Hitler And Identity-Building In Er Ist Wieder Da (Look Who’S Back), Yuan Xue
“It Is Not All That Bad”—Hitler And Identity-Building In Er Ist Wieder Da (Look Who’S Back), Yuan Xue
CLCWeb: Comparative Literature and Culture
In Germany, multiculturalism and “leading culture” (Leitkultur) are a pair of closely connected but opposite concepts. Multiculturalism has been accused of being the main reason why culture loses its core cohesion. Despite the persistence of calls for a leading culture in Germany in recent years, many scholars argue that the concept is also problematic. A monopolistic leading culture may be hard to realize in an already pluralistic Europe. I argue that the choice between the two reflects the dilemma of the establishment of German cultural identity. Focusing on the German bestseller Er ist wieder da (Look Who’s Back, 2012), this …
More Migrants With Nowhere To Go?, Mary E. Theis
More Migrants With Nowhere To Go?, Mary E. Theis
CLCWeb: Comparative Literature and Culture
In "More Migrants with Nowhere to Go?” Mary Theis reframes the stories of the Tai Dam and discusses this group of people, who migrated from Vietnam and Laos to Thailand and then to Iowa in 1975 after the wars in Southeast Asia when they virtually had nowhere to go. It is based on interviews with some of the 1,200 Tai Dam who were invited by Governor Robert Ray to resettle in Des Moines, Iowa, and nearby cities. The stories are contextualized by research on U.S. policies on immigration and the current precarious fates of other migrants in the United States …
Toward An Empirically-Generated Typology Of Weblog Genres, Maciej Maryl, Krzysztof Niewiadomski, Maciej Kidawa
Toward An Empirically-Generated Typology Of Weblog Genres, Maciej Maryl, Krzysztof Niewiadomski, Maciej Kidawa
CLCWeb: Comparative Literature and Culture
In their article "Toward an Empirically-generated Typology of Weblog Genres" Maciej Maryl, Krzysztof Niewiadomski, and Maciej Kidawa propose a typology of weblog genres based on empirical data, namely on the analysis of metadata and the study of blogs' content. In Study 1 they explore 287 categories used by Polish bloggers to classify their blogs. The analysis shows that most categories are topical, but some could be useful for genre analyses. In Study 2 they analyse "syntagma" combinations of 2-3 categories assigned to 88 252 blogs on one of the Polish blog platforms. Through quantitative analysis and clustering 3 main groups …
Pullinger's And Joseph's Inanimate Alice And Intercultural Engagement, Ana Abril
Pullinger's And Joseph's Inanimate Alice And Intercultural Engagement, Ana Abril
CLCWeb: Comparative Literature and Culture
In her article "Pullinger's and Joseph's Inanimate Alice and Intercultural Engagement" Ana Abril analyzes Kate Pullinger's and Chris Joseph's digital graphic novel and game. Inanimate Alice offers a model for online education environments and has been widely acclaimed. However, Abril's ana-lysis suggests possible ways for improving the empathic and educational potential of the novel/game for interpersonal and intercultural benefit. Abril bases her analysis on the theories of human interpersonal communication and then applies these findings to Inanimate Alice and suggests improvement so that participants would be able to decide if they want to play from the viewpoint of their own …
Postmodernist Poetics And Narratology: A Review Article About Mchale's Scholarship, Biwu Shang
Postmodernist Poetics And Narratology: A Review Article About Mchale's Scholarship, Biwu Shang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Strangeness And World Literature, Mads Rosendahl Thomsen
Strangeness And World Literature, Mads Rosendahl Thomsen
CLCWeb: Comparative Literature and Culture
In his article "Strangeness and World Literature" Mads Rosendahl Thomsen argues that world literature has emerged as a supplement to the two dominant paradigms for studies of literature beyond the nation: comparative literature and postcolonialism. Key questions for all three paradigms are first, what kinds of otherness or strangeness are desirable in literature, and second, how literary circulation is dependent on the representation of otherness. Through a variety of literary examples, Thomsen discusses how strangeness is mediated through genres, bicultural references, and (im)migrant experiences, and how making the local enchanted makes the world stranger to everyone.
Selected Bibliography For Work In Reading, Literacy, And Pedagogy, Geert Vandermeersche, Kris Rutten, Steven Tötösy De Zepetnek
Selected Bibliography For Work In Reading, Literacy, And Pedagogy, Geert Vandermeersche, Kris Rutten, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
No abstract provided.
Metropolitan (Im)Migrants In The "Lettered City", Stacey Balkan
Metropolitan (Im)Migrants In The "Lettered City", Stacey Balkan
CLCWeb: Comparative Literature and Culture
In her article "Metropolitan (Im)migrants in the 'Lettered City'" Stacey Balkan employs Ángel Rama's discussion of audience as a means of analyzing a Latin American diaspora that exists beyond the "rational periphery" of the state. Herein, the term diaspora is redefined as a translocal phenomenon wherein the metropolitan (im)migrant moves from rural margin to urban center. Normative definitions of exile — persons displaced from autonomous nation-states — are likewise scrutinized in the context of what the Rama terms a post-contemporary "city of letters." This post-contemporary city is the subject of what Mabel Moraña refers to as a "subaltern boom" — …
Bellow's Letters And Biographies About Bellow: A Book Review Article Of New Work By Atlas And Taylo, Gustavo Sánchez-Canales
Bellow's Letters And Biographies About Bellow: A Book Review Article Of New Work By Atlas And Taylo, Gustavo Sánchez-Canales
CLCWeb: Comparative Literature and Culture
No abstract provided.
Comics And The Graphic Novel In Spain And Iberian Galicia, Antonio J. Gil González
Comics And The Graphic Novel In Spain And Iberian Galicia, Antonio J. Gil González
CLCWeb: Comparative Literature and Culture
In his article, "Comics and the Graphic Novel in Spain and Iberian Galicia," Antonio J. Gil González develops a comparative and interart analysis of graphic novels by examining the evolution of the genre on the Spanish peninsula in general and in Galicia in particular. Gil González builds his analysis on Roman Ingarden's concept of literature as not only traditional fiction, but also theater and cinema. Gil González presents his argumentation by identifying the peculiarities of the comic as a medium, starting with its historical beginnings, and discussing its principal formats and generic and thematic variants. Further, he discusses the principal …
Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction, Alla Ivanchikova
Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction, Alla Ivanchikova
CLCWeb: Comparative Literature and Culture
In her article "Commodity and Waste as National Allegory in Recent South African and Post-Soviet Fiction" Alla Ivanchikova analyzes the issue of commodity in its relation to identity. The article contains a reading of two novels: The Quiet Violence of Dreams by K. Sello Duiker and Dukhless. Povest o nenastoiaschem cheloveke (Douh-Less: The Tale of an Unreal Person) by Sergey Minaev. Rapid political changes, both in South Africa and the former Soviet Bloc were accompanied both by rapid changes in the practices of consumption and also by often inconsistent cultural efforts to establish the meaning of these practices. Ivanchikova …
Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert
Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert
CLCWeb: Comparative Literature and Culture
In their article "Intermediality as Cultural Literacy and Teaching the Graphic Novel" Geert Vandermeersche and Ronald Soetaert argue for the inclusion of the graphic novel for the teaching of cultural literacy and literature. As the printed book is no longer the sole carrier of cultural literacy, Vandermeersche and Soetaert postulate that literary culture must be repositioned in intermedial culture and practices. In order to do so, Vandermeersche and Soetaert apply Werner Wolf's typology of intermediality, aspects of narratology, and scholarship about comics. Following a theoretical discussion they analyze the graphic novel series The Unwritten, a text that thematizes the …
Plotting The Pixel In Remediated Word And Image, Sarah Wyman
Plotting The Pixel In Remediated Word And Image, Sarah Wyman
CLCWeb: Comparative Literature and Culture
In her article "Plotting the Pixel in Remediated Word and Image" Sarah Wyman argues that art's historic negotiation of culture continues into the new digital media age as it both asserts the materiality of the medium and acknowledges the impact of embodied perception. She demonstrates that however revolutionary, the new digital media still relate to many traditional paradigms of aesthetic expression. Problems of representation and simulation continue to catch on questions of time, space and human perception. The contingent relationships between categories and entities once kept separate — word/image, observer/observed — determine and define the process of globalization. The new …
Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek
Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
No abstract provided.
Science Fiction And A Rhetorical Analysis Of The 'Literature Myth', Kris Rutten, Ronald Soetaert, Geert Vandermeersche
Science Fiction And A Rhetorical Analysis Of The 'Literature Myth', Kris Rutten, Ronald Soetaert, Geert Vandermeersche
CLCWeb: Comparative Literature and Culture
In their article "Science Fiction and a Rhetorical Analysis of the 'Literature Myth'" Kris Rutten, Ronald Soetaert, and Geert Vandermeersche discuss what we can learn from science fiction about cultural literacy in general and literary culture in particular. From a theoretical and methodological perspective the authors start from the work of rhetorician Kenneth Burke. First, the authors conceptualize literature as "equipment for living" followed by a discussion of science fiction as "equipment for living" based on a description of the genre as "satire by entelechy." Second, they analyze a selection of science fiction narratives using the "dramatistic pentad" as …
Authorship, Collaboration, And Art Geography, Martin De La Iglesia
Authorship, Collaboration, And Art Geography, Martin De La Iglesia
CLCWeb: Comparative Literature and Culture
In his article "Authorship, Collaboration, and Art Geography" Martin de la Iglesia explores the connection between geographical spaces and works of art, a connection often made, but hardly theorized, by scholars in the field of art geography. He suggests that the link between space and object is established by the creator of the object. A feasible method is devised to determine the creator's geographical identity, which in turn determines which space is assigned to the object. Particularly, the implications of multiple authorship for such a methodology are considered. The procedure is exemplified by a geographical analysis of the comic book …
Bibliography For Work In Holocaust Studies, Agata Anna Lisiak, Louise O. Vasvári, Steven Tötösy De Zepetnek
Bibliography For Work In Holocaust Studies, Agata Anna Lisiak, Louise O. Vasvári, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
No abstract provided.
Why Fantasy Matters Too Much, Jack Zipes
Why Fantasy Matters Too Much, Jack Zipes
CLCWeb: Comparative Literature and Culture
In his article "Why Fantasy Matters Too Much" Jack Zipes proposes that fantasy in contemporary culture functions as a celebrity and money-making machine. Fantasy mobilizes and instrumentalizes the fantastic to form and celebrates spectacles as illusions of social relations based on power. Thus, spectacles violate and drain our imagination by glorifying social relations of power made spectacular and involve the magic of fetishism. Generally, the results bring about delusion and acclamation of particular sets of social relations that are commodified, sold, and consumed. We acclaim commodities that we do not know and products not of our own making we consume …
Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi
Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi
CLCWeb: Comparative Literature and Culture
In his paper "Towards a Cultural Framework of Audience Response and Television Violence" Lajos Császi argues that media violence is not a reification of social violence; rather, a popular ritual allowing contemporary societies to sublimate, to substitute, and to discuss aggression in the public sphere. Császi reviews the central questions of contemporary debates about television violence including Stuart Hall's thought on this topic and introduces the ideas of Elias, Geertz, Turner, Bettelheim, Benjamin, Girard, and others in order to locate the representation of violence in an interdisciplinary context. Using the genre of the horror film as an example, Császi suggests …
Natives, Nostalgia, And Nature In Children's Popular Film Narratives, C. Richard King
Natives, Nostalgia, And Nature In Children's Popular Film Narratives, C. Richard King
CLCWeb: Comparative Literature and Culture
In his paper "Natives, Nostalgia, and Nature in Children's Popular Film Narratives," C. Richard King offers a critical reading in an effort to appreciate the entanglements of nature, natives, and nostalgia in children's narratives. In this context, an analysis of Spirit: Stallion of the Cimarron Spirit affords an ideal occasion for such a reading because it centers on the relations between Native Americans, Euroamericans, and the natural world as it tells the story of a wild mustang living in western North America in the late nineteenth century. Indeed, as close examination reveals, the film uses race, gender, civilization, and wildness …
Introduction To Racialized Narratives For Children, C. Richard King
Introduction To Racialized Narratives For Children, C. Richard King
CLCWeb: Comparative Literature and Culture
No abstract provided.
Children's Video Games As Interactive Racialization, Cathlena Martin
Children's Video Games As Interactive Racialization, Cathlena Martin
CLCWeb: Comparative Literature and Culture
Cathlena Martin explores in her paper "Children's Video Games as Interactive Racialization" selected children's video games. Martin argues that children's video games often act as reinforcement for the games' television and film counterparts and their racializing characteristics and features. In Martin's analysis the video games discussed represent media through which to analyze racial identities and ideologies. In making the case for positive female minority leads in children's video games, Martin examines the games and franchises of Rugrats and Dora the Explorer. She argues that the influx of games with a greater diversity of minority female characters has only been a …
Selected Bibliography Of Scholarship In (Comparative) Cultural Studies And Popular Culture, Steven Tötösy De Zepetnek, Yilin Liao
Selected Bibliography Of Scholarship In (Comparative) Cultural Studies And Popular Culture, Steven Tötösy De Zepetnek, Yilin Liao
CLCWeb: Comparative Literature and Culture
No abstract provided.
An Introduction To Comparative Cultural Studies And Popular Culture, Benton Jay Komins
An Introduction To Comparative Cultural Studies And Popular Culture, Benton Jay Komins
CLCWeb: Comparative Literature and Culture
No abstract provided.
Selected Bibliography Of Work In Cultural Studies And Us-American Popular Culture, Marta Guirao, Benton Jay Komins
Selected Bibliography Of Work In Cultural Studies And Us-American Popular Culture, Marta Guirao, Benton Jay Komins
CLCWeb: Comparative Literature and Culture
No abstract provided.
Qu(E)Erying Comic Book Culture And Representations Of Sexuality In Wonder Woman, Brian Mitchell Peters
Qu(E)Erying Comic Book Culture And Representations Of Sexuality In Wonder Woman, Brian Mitchell Peters
CLCWeb: Comparative Literature and Culture
In his paper, "Qu(e)erying Comic Book Culture and Representations of Sexuality in Wonder Woman," Brian Mitchell Peters proposes that youth culture is responsible for an arbitrary yet highly structured appropriation of what we can call high-contemporary culture. Hence, notions of pop-culture take from the past and use the present to create a highly fluid now, capable of transcending its present moment in a stereotypical fifteen minutes of fame. Part of twentieth-century pop-culture phenomena is the evolution of the comic book. The comic, in its habitual split of binaries, creates a space where young people have tapped consistently into queer themes. …
Reading Liksom's Short Story "We Got Married" In A Cultural And Political Perspective, Erkki Vainikkala
Reading Liksom's Short Story "We Got Married" In A Cultural And Political Perspective, Erkki Vainikkala
CLCWeb: Comparative Literature and Culture
In his paper, "Reading Liksom's Short Story 'We Got Married' in a Cultural and Political Perspective," Erkki Vainikkala examines Rosa Liksom's short story as well as one reader's response to the text. In Vainikkala's analysis, the short story is described as a structure of inversions and reversals where sequences are opened and cut short, standpoints are offered and taken back immediately, and where the code of realism is suggested but not carried out as the development of the story lacks convincing motivation. The resulting effect of exhaustion, evident also in the manifestation of pathological narcissism in the story, is seen …
"We Got Married" [Untitled Short Story], Rosa Liksom
"We Got Married" [Untitled Short Story], Rosa Liksom
CLCWeb: Comparative Literature and Culture
No abstract provided.
Wrestling And Popular Culture, Dalbir S. Sehmby
Wrestling And Popular Culture, Dalbir S. Sehmby
CLCWeb: Comparative Literature and Culture
In his article "Wrestling and Popular Culture" Dalbir S. Sehmby investigates a phenomenon of television culture. Wrestling has been for a long time now a main feature of television with a sizable audience. However, scholars in popular culture, audience studies, or television studies have paid little attention to this phenomenon and Dalbir argues that the study of wrestling in popular culture ought to be of interest to scholars of culture. In his discussion, Dalbir addresses notions of high art versus low art along with notions of high television versus low television. He continues with a discussion of the recent history …