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Social and Behavioral Sciences

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Virginia Commonwealth University

1991

Popular Immigration Music Text

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Informal Education. Sociocultural Expression. And Symbolic Meaning In Popular Immigration Music Text, Jose Macias Jan 1991

Informal Education. Sociocultural Expression. And Symbolic Meaning In Popular Immigration Music Text, Jose Macias

Explorations in Ethnic Studies

One February morning as I noted the events of the primary school talent show, a sixth-grade boy belted out this song made popular in two countries by the Mexican rock group, Los Bukis. It was 1987, and I was doing fieldwork in a rural Mexican immigrant-sending community I call San Felipe, for an ethnography of families and their children who emigrated from Mexico to the United States[2]


Critique [Of Informal Education. Sociocultural Expression. And Symbolic Meaning In Popular Immigration Music Text By Jose Macias], Gloria Eive Jan 1991

Critique [Of Informal Education. Sociocultural Expression. And Symbolic Meaning In Popular Immigration Music Text By Jose Macias], Gloria Eive

Explorations in Ethnic Studies

The role of song texts in evaluating human behavior has received relatively little attention by either anthropologists or ethnomusicologists and their value as social documents, consequently, has been sadly overlooked. As Macias observes, the texts of corridos popular in San Felipe function simultaneously on several levels. As historical chronicle, social commentary (and criticism), and as vehicles for teaching and proslytizing [proselytizing], these texts reinforce a sense of community and cultural identity, and serve, also, as reminders of economic reality, articulating their subjects' aspirations and incumbent moral obligations.