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Articles 1 - 16 of 16
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From ‘Sots-Romanticism’ To Rom-Com: The Strugatskys’ Monday Begins On Saturday As A Film Comedy, Yvonne Howell
From ‘Sots-Romanticism’ To Rom-Com: The Strugatskys’ Monday Begins On Saturday As A Film Comedy, Yvonne Howell
Languages, Literatures, and Cultures Faculty Publications
The Strugatskii brothers’ novella Ponedel’nik nachinaetsia v subbotu (Monday Begins on Saturday; 1965) imagines bright young scientists working at the cutting edge between quantum physics and folktale sorcery in a setting that was undeniably contemporary and local. I argue that the story can be best understood as ‘soc(ialist) romanticism’ – an aesthetic mode that celebrates the possibilities for individual questing and agency in late Soviet socialism. Konstantin Bromberg’s 1982 adaptation of the Strugatskiis’s story abandons both the romanticism and complexity of the novella, but, by incorporating elements of the‘youth film’, it represents a different kind of Soviet rom-com.
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Made In Germany: Integration As Inside Joke In The Ethno-Comedy Of Kaya Yanar And Bülent Ceylan, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
As the largest “foreign” population in Germany, Turkish immigrants have been the primary target for concerns about integration and the impact of immigration on German culture. Since the founding of the first Turkish German cabaret in 1985 by Şinasi Dikmen and Muhsin Omurca, the misconceptions and one-sided expectations associated with integration have been played, parodied, and satirized by Turkish German performers. As producers of contemporary ethno-comedy, Kaya Yanar and Bülent Ceylan appeal to mass audiences with a new approach, inverting questions of integration by creating communities through laughter in which audiences are at once in on the joke and its …
Piège Ou Mésaventure, Ordres Des Connaissances Et Des Croyances En Rivalité : Échos Dans Deux Œuvres De V. Y. Mudimbe, Kasongo Mulenda Kapanga
Piège Ou Mésaventure, Ordres Des Connaissances Et Des Croyances En Rivalité : Échos Dans Deux Œuvres De V. Y. Mudimbe, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Cependant, même l'action résultant de la Convention de 1906 entre le Saint Siège-signée par de Cuvelier et Monseigneur Vico-et ce qui était l'État Indépendant du Congo, jugée mieux Iotie à certains égards, elle souffrait des mêmes carences que les enseignements dispensés par d'autres organisations confessionnelles. En l'absence d'une politique cohérente suivie, ce mariage noué entre deux partenaires de circonstances, la religion et l'enseignement des connaissances, menait vers des avatars, et pourquoi pas vers des crises identitaires qui sourderont plus tard avec force. Ma communication traite de cette disparité d'abstraction et de la crise identitaire d'une collusion mal assortie dont la …
Serdar Somuncu: Reframing Integration Through A Transnational Politics Of Satire, Kathrin M. Bower
Serdar Somuncu: Reframing Integration Through A Transnational Politics Of Satire, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
Founded by Şinasi Dikmen and Muhsin Omurcu in Ulm in 1985, Knobi-Bonbon is widely recognized as the first Turkish German cabaret in the Federal Republic. Dikmen and Omurcu focused on ethnic stereotypes, integration, and coexistence in their early programs, with an emphasis on the German misunderstanding of integration as cultural assimilation (Boran 202, 219). With a run of successful performances, Knobi-Bonbon established a momentum that has carried through to the present day, making Turkish German comedy a fixture on the German stage. Responding to the wave of nationalism and xenophobia that followed in the wake of unification, Knobi-Bonbon’s shows became …
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Serdar Somuncu: Turkish German Comedy As Transnational Intervention, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
A reconceptualization of Germanness, combined with a reconsideration of what constitutes “Germanness” and “Turkishness” and how they are linked, is a central theme in the programs of a younger generation of Turkish German cabaret artists and comedians. As a member of the new generation of performers, Serdar Somuncu stands out, not only for his unapologetic embrace of political theater critical of both German and Turkish social politics, but also for his assertion of a right and responsibility to engage with Germany’s past, coupled with an insistence on differentiation and balanced comparison when discussing integration. After gaining notoriety through his Mein …
Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower
Minority Identity As German Identity In Conscious Rap And Gangsta Rap: Pushing The Margins, Redefining The Center, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
After rap entered the German music scene in the 1980s, it developed into a variety of styles that reflect Germany's increasingly multiethnic social fabric. Politically conscious rap assumed greater relevance after unification, focusing on issues of discrimination, integration, and xenophobia. Gangsta rap, with its emphasis on street conflict and violence, brought the ghetto to Germany and sparked debates about the condition of German cities and the erosion of civic consciousness. Alternately celebrated and reviled by the media, both styles utilize rap's synthesis of authenticity and performance to redefine the relationship between minority identity and German identity and debunk Leitkultur.
Ferdinand Oyono, Kasongo Mulenda Kapanga
Ferdinand Oyono, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Ferdinand Oyono was a Cameroonian statesman and a Francophone novelist of the first generation of African writers who became active after World War II. He entered the literary scene at a time when writers such as his fellow Cameroonian Mongo Beti and the Senegalese Sembene Ousmane and Leopold Sedar Senghor were at their peak. Oyono and Mongo Beti are known as "the forefathers of modern African Identity" for their anticolonial novels.
Une Nouvelle Voix Narrative À La Recherche De Son « Moi », Kasongo Mulenda Kapanga
Une Nouvelle Voix Narrative À La Recherche De Son « Moi », Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Trente ans après les crises d'indépendances, l'Afrique a connu des secousses particulièrement paralysantes dont le prix en vies humaines se mesure au nombre élevé de personnes décimées par des fléaux tels que la famine, les épurations ethniques, les guerres, les génocides et la mauvaise gouvernance. Devant cette tragique situation, l'art, en tant qu'expression du beau, se vide de son attrait sous la pesanteur de l'anormal (l'horreur) qui nécessite, sinon une réparation imminente, tout au moins une dénonciation immédiate. Se sentant abandonnée à son propre sort - l'élite a misérablement échoué - le petit personnage issu du peuple, le délinquant, le …
Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga
Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Postcolonial discourses describe colonization as a process of invention to impose the will of a conquering West on "backward" societies. The will to power conjugated with the need for row materials served as the main catalysts. They put side by side a hegemonic intruder bent on duplicating itself, and a powerless and compliant native unable to react to the blitz of transformations. Hence, the master/slave or father/child relationships that describe the colonial framework. The task is to interrogate these generally accepted assumptions and binary oppositions. Although marginalized, the Congolese native was unwilling to become on object for the colonizer's gaze. …
Efroimson, Vladimir Pavlovich, Yvonne Howell
Efroimson, Vladimir Pavlovich, Yvonne Howell
Languages, Literatures, and Cultures Faculty Publications
EFROIMSON, VLADIMIR PAVLOVICH ( 1908-1989). Geneticist, seminal figure in the development of population and medical genetics, author of works on sociobiology and the genetics of human ethical and aesthetic behavior.
Language, Racism, And Ethnicity, Thomas Paul Bonfiglio
Language, Racism, And Ethnicity, Thomas Paul Bonfiglio
Languages, Literatures, and Cultures Faculty Publications
While ethnic prejudices can be expressed in and through language, they are not, however, intrinsically linguistic in nature. They are, instead, supralinguistic concepts that become disguised as linguistic ones and imported into the theater of language. The pathways that facilitate this importation have been made by the repeated interconnections between the concept of language and the concept of race. In other words, language in the service of racism and ethnocentrism cannot occur without conceptualizing language and race in similar ways. Accordingly, the identification of language with race is not possible without the genetic misprisions that create the myth of race …
African Literature (Francophone), Kasongo Mulenda Kapanga
African Literature (Francophone), Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
The term "Francophone African literature" is widely used to designate sub-Saharan African literature written in French by authors living in Africa or abroad. It derives from Francophonie, the nineteenth-century neologism coined by the French geographer Onesine Redus (1837-1916). In the African context, the concept gained relevance in the 1960s under the aegis of Leopold Senghor and Habib Bourguiba, two African presidents who advocated the creation of an organization linking all the nations sharing the French language and culture.
Holocaust Avengers: From "The Master Race" To Magneto, Kathrin M. Bower
Holocaust Avengers: From "The Master Race" To Magneto, Kathrin M. Bower
Languages, Literatures, and Cultures Faculty Publications
In the classic genealogy of the superhero, trauma is often the explanation or motivation for the hero 's pursuit of justice or revenge. Origin stories for superheroes and supervillains frequently appear in the plots of comic books long after the characters were created and with the shift in the stable of artists involved, different and sometimes competing events in the characters' biographies are revealed. This is particularly true of series that have enjoyed long periods of popularity or those that were phased out and then later revived. The stimulus for this m1icle was the origin story conceived for the X-Men …
L'Enfance Échouée Comme Source De Drame Dans En Attendant Le Vote Des Bêtes Sauvages, Kasongo Mulenda Kapanga
L'Enfance Échouée Comme Source De Drame Dans En Attendant Le Vote Des Bêtes Sauvages, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
En attendant le vote des betes sauvages peut être lu com me une analyse discursive de la problématique de l'identité de la classe dirigeante. Qui sont réellement les dirigeants africains dont la mauvaise gouvernance a poussé le continent au bord de la banqueroute? Tout remonterait à l'enfance qui, dans le cas de cette élite, a été paralysante. L'analyse met en lumière une enfance bâclée gelée dans une idéologie de servitude.
Kabou Dechire Le Certificat D'Innocence De L'Afrique? (Review Of Et Si L'Afrique Refusait Le Développement By Axelle Kabou), Kasongo Mulenda Kapanga
Kabou Dechire Le Certificat D'Innocence De L'Afrique? (Review Of Et Si L'Afrique Refusait Le Développement By Axelle Kabou), Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Pourquoi I' Afrique est-elle sous développée? En repondant a cette question, Axelle Kabou fait d'une pierre deux coups. D'abord, elle émet une thèse d'après laquelle I'Afrique refuserait de se développer à cause de sa léthargie. Ensuite, elle fait un réquisitoire severe en désignant du doigt I' Africain lui-meme comme source de son retard. Le refus de développement, explique-t-elle, vient d'une fausse conception manichéiste qui voit en I' Afrique une antithèse de I' Europe. Par consequent, tout emprunt des valeurs européennes indispensables au développement est vu avec méfiance. C'est ainsi qu' «à peine sortie du monde manichéiste pré-colonial, I' Afrique a …
Le Héros Sonyien À La Croisée Des Principes Sartriens Et Nietzschéens, Kasongo Mulenda Kapanga
Le Héros Sonyien À La Croisée Des Principes Sartriens Et Nietzschéens, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Sony Labou Tansi s'est créé une réputation de maître de la parole mordante par sa dénonciation des pouvoirs abusifs de l'ère postcoloniale. Que ce soit dans le théâtre ou dans le roman, «l'enfant prodige de Brazza» use d'une verve castigatrice et d'un style incendiaire qui lui ont valu dans les lettres francophones africaines une réputation de censeur. Même si on mettait cette agressivité verbale au compte de l'afropessimisme, le malaise que la pléthore d'écrivains africains ont décrié, il se profile dans la floraison langagière de Sony une tension entre deux modes de pensée et deux philosophies complémentaires. II y a, …