Digital Commons Network^™

Their Confederate Kinfolk: African Americans' Interracial Family Histories, Suzanne W. Jones

English Faculty Publications

The interracial mixing of American families dates back to colonial times, but the history of slavery and racism in the American South made public discussion of the subject taboo—so shameful for whites that they long repressed facts that challenged their fantasies of racial purity, so painful or politically incorrect for African Americans that they suppressed the details of their mixed ancestry. In the 1970s the popularity of Alex Haley’s Roots (1976), and the television miniseries that followed, sparked an interest in genealogy among many African Americans, who had long given up hope of tracing African roots severed by the middle …

Leading Through Reading In Contemporary Young Adult Fantasy By Philip Pullman And Terry Pratchett, Elisabeth Rose Gruner

English Faculty Publications

There’s a popular bumper sticker in some areas that reads: “God said it, I believe it, that settles it.” It is sometimes paired with another one: “Bibles that are falling apart usually belong to people that aren’t.” The two combine to suggest an approach to reading and religion that are at the core of my argument in this chapter: they suggest that religious reading is fundamentally anti-interpretive; that reading the Bible or other religious texts provides direct access to truth. In the young adult texts I discuss in this essay, however, the opposite is the case: while texts (of many …

Well Traveled: Strong Relationships And Unique Challenges Are Revealed In “Driving Richmond: Stories And Portraits Of Grtc Bus Drivers”, Laura Browder

English Faculty Publications

Here’s a well-kept secret: The regional GRTC Transit System is among the most progressive organizations in Richmond. The nonprofit plays a major role in reducing pollution, easing traffic congestion and connecting people to jobs. Its reform-minded leadership is eager to play a larger role. Its unionized bus drivers, which included some of the first waves of black and female drivers, help hold it all together.

And those drivers love their jobs — to a degree unusual for workers in any profession. That’s what I learned through interviews with 16 current and former drivers this summer for an exhibition at the …

A Personal Look At America's Foremost Communist, Laura Browder

English Faculty Publications

There is nothing quite like the experience of being in the beautiful, sunlit special collections reading room on the top floor of Bird Library—especially when one is about to dive into 86 meticulously cataloged boxes of family history. I was there to do research for a documentary about my grandfather, Earl Browder, as well as a joint biography of him and my grandmother, Raissa Berkmann Browder—a task that was almost overwhelming to contemplate.

After all, my grandfather Earl Browder was the head of the American Communist Party (CPUSA) during its most influential period—the Great Depression. He coined the slogan “Communism …

An Archive, Public Participation And A Performance: Five Perspectives, Laura Browder, Patricia Herrera

English Faculty Publications

This essay discusses our work on the digital archive, The Fight for Knowledge: Civil Rights and Education in Richmond, Virginia, which grew out of our five-year documentary theater project at the University of Richmond. We include the voices of six collaborators—students, a special collections librarian, a digital archivist, and faculty members—to closely examine the multiple archives that have grown out of this project, and the way this has led us to propose a new way of thinking both about archives and about our documentary theater methodologies. This collaborative process has helped us to reconceptualize the relationship between archive and …

Women's Gun Culture In America, Laura Browder

English Faculty Publications

A recent article in the New York Times focused on the possible increase in female gun ownership in the United States. This “new” phenomenon of women and guns is of course far from new: as early as the 1870s, trapshooting for women was publicized by gun manufacturers as yet another feminine activity, not far removed from shopping or club work. The ultra-feminine Annie Oakley, who in the 1880s became an international star in Buffalo Bill’s Wild West, personally taught fifteen thousand women to shoot. By the turn of the twentieth century, gun manufacturers were promoting hunting as a healthful activity …

Mormonism And The Family (Forum), Terryl Givens

English Faculty Publications

When we speak of the family in Mormonism, the term can mean many things. There is an idealized Mormon family, the one described in church magazines, General Conference talks, and Mormon public service commercials. There is the family of the Mormon theological tradition, stretching endlessly off into the eternities, bound together with temple ordinances, the forever family of Mormon bumper stickers. There is another family, product of a more speculative bent in Mormon theology, which comes of an eschatological reading of the Abrahamic covenant, and which imputes to a temple-sealed Mormon couple the right to an endless seed, a posterity …

Revisions In Red, Laura Browder

English Faculty Publications

In this article the author reflects on her experience of researching the history of her grandfather Earl Browder, a former leader in the U.S. Communist Party, and exploring his significance both in historical and personal terms. She comments on her research regarding his status as a spy of the Soviet Union, share her views on her father's reluctance to discuss his past, and notes Browder's campaigns for President of the U.S. in the 1930s.

Writing Southern Race Relations: Stories Ellen Douglas Was Brave Enough To Tell, Suzanne W. Jones

English Faculty Publications

When Ellen Douglas started writing, she drew inspiration from the way William Faulkner and other southern writers whom she admired, like Eudora Welty, depicted southern places. Douglas planted all of her fiction firmly in the region of Mississippi that she knew best; her Homochitto is modeled of Natchez, where she was born, and her Philippi on Greenville, where she lived with her husband and their children. But Douglas reacted against the gothic and mythic elements in Faulkner's work and used as her first literary models the great nineteenth-century realists: Dostoevsky, Flaubert, James, and Tolstoy. She admired Eudora Welty, but found …

The Obama Effect On American Discourse About Racial Identity: Dreams From My Father (And Mother), Barack Obama's Search For Self, Suzanne W. Jones

English Faculty Publications

During the 2008 presidential campaign, Joseph Curl reported that the Obama organization "would not answer when asked why the biracial candidate calls himself black," replying only that the question didn't "seem especially topical." Biracial ancestry and racial identity are still sensitive subjects in the United States, not suitable for sound bites. But they are perfect topics for the introspective musings of an autobiography, and Barack Obama must have thought he had answered this question in depth in Dreams from My Father (1995). In his introduction, Obama hesitates to use the term "autobiography" because it connotes, he says, "a certain closure"; …

Faulkner's Sexualized City: Modernism, Commerce, And The (Textual) Body, Peter Lurie

English Faculty Publications

Such classicism is the aesthetic opposite of what Faulkner demonstrates at moments in Mosquitoes and that would go on to become his famously baroque style. In the discussion that follows, I will be asking a number of questions about that development, among them the following: What is the role in Faulkner of a baroque, highly refined language, especially when Faulkner uses it to convey sexuality? And what connections (or disconnections) might that style have to Faulkner’s use of the setting of the city, as in Mosquitoes, or elsewhere of the rural countryside? As we will see, changes in these …

Women Home From War, Laura Browder

English Faculty Publications

The first time I heard a woman describe her deployment in glowing terms, I was taken aback. Marine Colonel Jenny Holbert told me that being in charge of public affairs for the second battle of Fallujah was "probably one of the biggest events of my life, other than birthing two children." I thought, cynically, that this enthusiasm was all part of her role as a public-affairs officer. It took me a while to understand how compelling the experiences of being in a combat zone could be for the women I talked with. Colonel Holbert's enthusiasm for deployment was only one …

Invisible Dread, From Twisted: The Dreadlock Chronicles, Bertram D. Ashe

English Faculty Publications

This excerpt traces the issues and process surrounding the dreadlocking of an Afri­can-American professor's hair. The personal history leading up to the decision to grow locks is briefly addressed, as is the experience of getting twisted for the first time and some reactions to the new hairstyle. Twisted discusses issues of cultural authenticity and academic nonconformity. It examines dreadlocks as a pathway to explore black identity, but in opposing ways: the act of locking ones hair does dis­play unconventional blackness - but it also participates in a preexisting black style. To what extent, the excerpt asks, can the adoption of …

Playing In A New Key, In A New World: Virtual Worlds, Millennial Writers, And 3d Composition, Joe Essid

English Faculty Publications

In the author’s courses, students have been augmentationist, not immersionist, in their approaches to using technology. In a virtual world, however, they are born with new skins into strange settings, doing things that might be impossible in the world of matter. Their frequent discomfort at this rebirth corroborates findings in two studies (Mosier, 2009; Howe & Strauss, 2000) that American "Millennials" distrust activities that seem to have no direct bearing on their educational outcomes, established social circles, or professional desires. The chapter describes assignments for such students, in the context of Rouzie s (2005) "serio-ludic "pedagogy. Several touchstones for educators …

These - Are - The "Breaks": A Roundtable Discussion On Teaching The Post-Soul Aesthetic, Bertram D. Ashe, Crystal Anderson, Mark Anthony Neal, Evie Shockley, Alexander Weheliye

English Faculty Publications

We met at Duke University - mid-summer, in the mid Atlantic, at mid-campus - to talk about teaching courses that focused on the post-soul aesthetic. We met outside the John Hope Franklin Center, and soon enough we five youngish black professors were walking a hallway towards a conference room near the African and African American Studies program. Not at all surprisingly, the walls of the hallway were lined with framed photographs of the esteemed John Hope Franklin at various stages throughout his long and storied career. For me, given the topic I was about to raise among these professional colleagues, …

Theorizing The Post-Soul Aesthetic: An Introduction, Bertram D. Ashe

English Faculty Publications

It's time. Clearly, it's time. As I begin this introduction, in the spring of 2006, landmark anniversaries press in on me from every side: 20 years ago, Greg Tate wrote "Cult-Nats Meet Freaky-Deke: the Return of the Black Aesthetic" for the Village Voice in the fall of 1986. And Spike Lee's She's Gotta Have It - that totemic post-soul anthem - was released in the summer of 1986, as well. More personally, I first taught Trey Ellis's essay "The New Black Aesthetic" in 1991,15 years ago, and I inaugurated my post-soul aesthetic course in the Spring semester of 1996 - …

Adam Smith And Poverty, Jonathan B. Wight

English Faculty Publications

Can we end poverty in America? Does economic theory offer a solution? Humility would be a good starting place, because systemic problems like generational poverty rarely stem from single causes. Putting the broken pieces together is difficult when some edges are sharp, some are shattered, and others missing. This essay draws on insights from Adam Smith in order to examine the problem of poverty. It focuses on a case study involving Serena Robins (the real names have been altered).

The Southern Family Farm As Endangered Species: Possibilities For Survival In Barbara Kingsolver's Prodigal Summer, Suzanne W. Jones

English Faculty Publications

At the same time some southern studies scholars are positioning the U.S. South in a larger cultural, historic, and economic region that encompasses the Caribbean and Latin America, some southern environmentalist writers, such as long-time essayist and novelist Wendell Berry and activist-turned-memoirist Janisse Ray, are finding a pressing need to focus on smaller bioregions and the locatedness of the human subject. These writers believe that agribusiness and consumer ignorance are driving small farmers out of business and that clear-cutting timber and farming practices dependent on chemicals are threatening local ecosystems. Best-selling novelist Barbara Kingsolver has joined their ranks. With her …

Interracial Love, Virginians' Lies, And Donald Mccaig's Jacob's Ladder, Suzanne W. Jones

English Faculty Publications

The Old South's taboo against love between blacks and whites has cast a long shadow. No cross-racial relationship has been so pathologized by American society. Even in 1967, when the Supreme Court finally declared antimiscegenation laws unconstitutional in the case of Loving v. Virginia, sixteen states still prohibited interracial marriage, down from thirty states as recently as 1948. Not until 1998 and 2000 did ballot initiatives in South Carolina and Alabama finally eliminate the last of the antimiscegenation laws, although no one had tried to enforce them for years. Recent U.S. census figures show interracial unions increasing--up from 3 …

Cultural-Studies Criticism, Peter Lurie

English Faculty Publications

Faulkner’s “career” within cultural studies began, within the history of the cultural-studies movement itself, comparatively late. This is not an especially remarkable point about Faulkner or any one particular writers; as a critical movement, cultural studies was never concerned more with any one figure than another, and was always concerned with an interdisciplinary and interdiscursive focus rather than a writer’s singularity. It is a point worth noting, however, because of the specific ways in which Faulkner’s work seems hospitable to cultural studies’ concerns. From his earliest stages of writing, Faulkner was aware of his work’s position within a field of …

Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka

English Faculty Publications

Midway through E. M. Forster’s Howards End, the newly married Margaret Schlegel Wilcox returns to the titular country house to find it the recipient of an unexpected makeover. Closed since the death of the first Mrs. Wilcox and for months used as a warehouse for the Schlegels’ possessions, the house has been unpacked and reconstituted by the housekeeper, Miss Avery, who creates a new interior built from moments of Margaret’s own history. As Margaret moves through the house in surprise, she takes a virtual tour of her past: her umbrella-stand greets her in the entrance way, the infamous sword …

I'Ll Take My Land: Contemporary Southern Agrarians, Suzanne W. Jones

English Faculty Publications

For many earlier southern white writers, the southern rural landscape was the repository of nostalgia for lost ways of life, whether it was the plantation fantasy that Thomas Nelson Page pined for in his stories In Ole Virginia (1887) or the segregated agrarian ideal that many contributors yearned for in I'll Take My Stand (1930). For modern southern white writers, beginning most prominently with William Faulkner, the rural landscape has conjured up unsettling guile about a way of life that flourished on the backs of the black people who tilled that land. And not surprisingly, for many black writers the …

Race Relations, Suzanne W. Jones

English Faculty Publications

Since the early nineteenth century, when white southern writers began to defend slavery, relationships between blacks and whites became a central concern in southern literature. Many nineteenth-and early-twentieth-century works by white writers exacerbated racial prejudice by reproducing southern white society's racist ideology. But other southern writers, both white and black, have attempted to redress this problem by using literature to dismantle stereotypes and to imagine new relationships. The results of the 1960s Civil Rights Movement speeded up the process, suggesting new plots, new endings, and new points of view to southern writers of both races.

Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna

English Faculty Publications

Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …

Book Review: The Mormon Question: Polygamy And Constitutional Conflict In Nineteenth-Century America, Terryl Givens

English Faculty Publications

Polygamy makes for fascinating social history and for best-selling potboilers as well. This study by Sarah Barringer Gordon, who teaches both law and history at the University of Pennsylvania, is the first attempt to write a full-length legal history of “the Principle.” It turns out that even in this dry-as-dust genre, polygamy fuels a very dynamic story indeed, one that reveals the rich malleability of the Constitution, the endless resourcefulness of determined guardians of public morality, and the resilience of a peculiar people committed to the practice of plural marriage.

"Under The Umbrella Of Black Civilization": A Conversation With Reginald Mcknight, Bertram D. Ashe

English Faculty Publications

Talking to Reginald McKnight is like scanning an imaginary worldwide radio dial. At any given moment he can transform his pleasant speaking voice into a raspy, aged, Middle Eastern-by-way-of-New York accent - or a deep Southern drawl. In an instant he can switch from a precise West African dialect to hip, urban street lingo, and then effortlessly segue back to his normal voice. McKnight says he "hit the ground running" as a mimic, and his talent was broadened as he lived all over the United States as the son of an Air Force sergeant. His time spent on the road …

"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe

English Faculty Publications

This study consists of a cultural reading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-American male rap star, and the three anonymous African-American female models that surround him. The study interprets the cover through the long, straightened hair of the models, locating the models' hair in a historically-informed context of black hair theory and practice. The study argues that the models' presence on the cover, particularly their "bone straight and long" hair, "enhances" Mase in much the same way breast-augmented "trophy women" "enhance" their mates. Ultimately, the study …

Refighting Old Wars: Race Relations And Masculine Conventions In Fiction By Larry Brown And Madison Smartt Bell, Suzanne W. Jones

English Faculty Publications

Since the Civil War white male writers of the American South have created fond fictions about childhood friendships that crossed the color line. For example, much of the poignancy of Faulkner's The Unvanquished (1938) comes from Bayard Sartoris's description of the close relationship he had with a black servant boy Ringo in the Mississippi small town that will separate them as they grow older and that from the beginning marked them as different, based on race. After their boyhood games and real Civil War adventures together, Bayard and Ringo grow up to be, not close friends, but master and faithful …

Born And Made: Sisters, Brothers, And The Deceased Wife's Sister Bill, Elisabeth Rose Gruner

English Faculty Publications

We are--almost all--born into families, born into relationship. Like Mary Ann Evans, I was born a little sister--but had I encountered her "Brother and Sister" sonnets at twelve, I might have thrown the book across the room. George Eliot's fantasy of a perfected brother-sister relationship in these sonnets rings hollow and yet resonates profoundly with me. As a little sister myself, I wonder what could make the relationship--so often fraught with competition, envy, and neglect, yet potentially so richly rewarding--seem so powerfully right, so important to and adult woman's self-identification? For the narrator of the sonnets is certainly an adult …

On The Jazz Musician's Love/Hate Relationship With The Audience, Bertram D. Ashe

English Faculty Publications

An assistant professor of English at the College of the Holy Cross, Bertram D. Ashe discusses how the intersection of an African American cool style with a black vernacular tradition and multi-racial audiences complicates audience-performer relations. In the vernacular tradition, performers play not "to" but "with" an audience, drawing on the call-response patterns that characterize the black aesthetic. Ashe notes that the vernacular tradition is not racial but cultural, and class can be as important a marker as race in determining audience expectations. Differing cultural backgrounds create, in Ashe's words, "competing realities," distinct sets of expectations that can shape a …