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Skin Echoes, Andreia Santana
Skin Echoes, Andreia Santana
Theses and Dissertations
Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.
Future Trash, Xinan Ran
Future Trash, Xinan Ran
Theses and Dissertations
Xinan Ran explores the politically different, yet similar cultural habits that China and the US share under the influence of late-stage capitalism. Through her handmade, speculative products inspired by novelty gadgets, or “Unitaskers,” she examines the heightened prevalence of the contemporary wellness market. The project “Future Trash” encompasses soft sculptures, printed materials, performance, and installation.
Bloody Show, Leonie Weber
Bloody Show, Leonie Weber
Theses and Dissertations
Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.
Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci
Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci
Theses and Dissertations
In this paper, I consider my personal experiences as an artist, art handler, and athlete through the motif of the Roman She-wolf, addressing how value systems are constructed according to binaries by showing how the sculptural process can break down these binaries, giving agency to both the mother mold and “completed” form.
Professional Risk, Russell A. Perkins
Professional Risk, Russell A. Perkins
Theses and Dissertations
This essay suggests a reading of Harold Rosenberg’s “American Action Painters” and John Cage’s “Experimental Music”, texts in which notions of chance and risk are mobilized to account for artistic production; I argue that this rhetoric mischaracterizes the relation between artist and material, confusing the labor involved in taking chances.