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Will Calhoun Interview, Mark Naison

Oral Histories

Summary by Eliza Anderson.

Will Calhoun is a Grammy award-winning drummer, producer, songwriter, and Bronx native.

He was born in Brooklyn but moved to the Northeast Bronx with his parents shortly after. He attended Lutheran schools as a kid in an Italian neighborhood, where he recalls having to run away from men with bats getting to and from school before switching to Evander Childs for high school. At Evander, he encountered Drummer’s Collective and Horacee Arnold, who introduced him to musicians like Elvin Jones and took him to jazz clubs in the city.

Calhoun’s first introduction to music came from …

Will Calhoun Interview, Mark Naison

Oral Histories

Summary by Eliza Anderson.

Will Calhoun is a Grammy award-winning drummer, producer, songwriter, and Bronx native.

He was born in Brooklyn but moved to the Northeast Bronx with his parents shortly after. He attended Lutheran schools as a kid in an Italian neighborhood, where he recalls having to run away from men with bats getting to and from school before switching to Evander Childs for high school. At Evander, he encountered Drummer’s Collective and Horacee Arnold, who introduced him to musicians like Elvin Jones and took him to jazz clubs in the city.

Calhoun’s first introduction to music came from …

Uncle Tom's Women : Slavery And Black Female Sexuality, Natalia Davila

Legacy Theses & Dissertations (2009 - 2024)

In the United States, Black women grapple with harmful cultural representations of their womanhood and sexuality that are rooted in the minstrel tradition. Specifically, Black women are represented as objects of consumption or hypersexual. Harriet Beecher Stowe’s Uncle Tom’s Cabin reveals an engagement with the minstrel tradition that has demonstrated both a perpetuation of negative portrayals of Black women but also a departure from these images. This paper focuses on the responses to Stowe’s characterization by the authors Zora Neale Hurston in Their Eyes Were Watching God and Gayl Jones in Corregidora that reclaim the minstrel tradition to reveal the …

The Portrayal Of Race And Gender In Revolutionary Cuban Cinema, Sarah Bartley

Honors Theses

Cinema has been one of the most useful tools to portray the political and social beliefs prevalent during a given point in history. Following the Cuban Revolution, once-marginalized communities were given far more opportunity to participate in education, in the workforce, and in society. Institutionalized racism and sexism were combatted as Fidel Castro’s major areas of focus after the Cuban Revolution’s 1959 victory. Class issues were improved as the wealth inequality that had defined pre-Revolutionary Cuba was minimized following the nationalizing of private property. Despite these improvements, however, there remained sentiments of dissatisfaction regarding social issues in Revolutionary Cuba, including …

Black Expressions Of Dillard University: How One Historically Black College Pioneered African American Arts, Makenzee Brown

University of New Orleans Theses and Dissertations

The proposed public history project, Within These Walls (WTW), will be one component of a larger exhibit produced by Dillard University’s, Library Archives and Special Collections entitled The Star Burns Bright: History of Dillard’s Theatrical and Musical Arts, Faculty and Students. WTW will focus on Dillard’s historic African American faculty, students and alumni who became prominent painters, musicians, writers, actors and directors among them Adella Gautier, Randolph Edmonds, Ted Shine Frederick Hall, Theodore Gilliam, and Brenda Osbey. This exhibit will also highlight the many art programs, across genres, offered at the university between 1935 and 1970. This exhibit will demonstrate …

Notes For Michael Cacoyannis' Cabaret Version Of Aristophanes' Lysistrata, Katerina Zacharia

Katerina Zacharia

No abstract provided.