Digital Commons Network^™

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

The Passion Of Love Or The Love Of Passion In A-Minor, Brendan Whitt

ETD Archive

A-Minor is an one-act play that examines the relationship between a Black artist and the predominantly white society and industry he must assimilate into in order to be considered a success. The main character Jacque Bonnet is used as a vessel to interpret the life and career of Joseph Bologne Chevalier de St. George. Despite Bonnet and Bologne being from different eras (Bologne mid to late 1700’s, Bonnet Mid 1800’s) I used Bonnet as a device to investigate the lesser explored life of Bologne. By creating a meta-gothic world for Jacque Bonnet to exist in, the crowd can watch his …

Cruse, Harrison Jr., Bronx African American History Project

Oral Histories

Interviewee: Harrison Cruse, Jr.

Interviewer: Mark Naison

Summarized by Sheina Ledesma

Harrison Cruse, Jr. was born on August 10, 1935 in Morningside Heights, Harlem. His mother’s family was originally from Virginia and North Carolina but decided to move north during the 1920’s after experiencing an increasingly racist and violent climate due to activity by the Ku Klux Klan. His father was African American and Native American and had grown up on an Indian reservation with his mother in Roanoke Virginia. His father served in the First World War and later joined the Northwestern Railroad where he worked for many years. …

Hip-Hop Futurism: Remixing Afrofuturism And The Hermeneutics Of Identity, Chuck Galli

Honors Projects

Examines the phenomenon of futuristic hip-hop works and explores the Afrofuturist, surrealist, and postmodern cultural practices of the African diaspora which informed these works.

Scroggins, Renee, Bronx African American History Project

Oral Histories

Interviewer: Andrew Tiedt

Interviewee: Renee Scroggins

Date of interview: 3 February 2006

Summarized by: Craig Teal, 17 March 2007

Renee Scroggins, member of the punk/funk group, ESG, was born in Bronx, New York in the Moore Projects. Located on Jackson Avenue and 149^th Street, the projects started to deteriorate within a couple of years of it being built. Renee calls this time the ‘drug era’ and recalls a lot of bad situations being present because of the poor economic situation of the people that lived there. Renee went to elementary school at PS 35 on Morris Avenue where her …

Brathwaite, Kwame, Bronx African American History Project

Oral Histories

112^th interview of the Bronx African American History Project

Interviewers: Dr. Mark Naison, Maxine Gordon

Interviewee: Kwame Brathwaite

The interview took place May 17, 2002

Summarized by Concetta Gleason 11-29-06

Kwame Brathwaite, a longtime activist, photographer and expert on the history of jazz in NYC was originally born in Harlem, and his family moved to the Bronx in 1943 when he was five years old. Brathwaite's parents are both from Barbados, but they met in Brooklyn. His father was a tailor who owned several Dry Cleaning businesses, which kept him constantly busy, and his mother was a homemaker who …

Pennsylvania Folklife Vol. 43, No. 2, Susan Kalcik, Hilda Adam Kring, Regina Bendix, Mindy Brandt, Thomas E. Gallagher Jr., Patricia Irvin Cooper, John I. Schwarz Jr., Willard Wetzel

Pennsylvania Folklife Magazine

• The America's Industrial Heritage Project: A Model for Cultural Tourism
• The Harmonists are Waiting for You
• The Quest for Authenticity in Tourism and Folklife Studies
• Tourism and the Old Order Amish
• The Log Cabin: Notes on its Structure and Dissemination
• On the Making of Die Union Choral Harmonie (1833): Evidence from Henry C. Eyer's Working Papers
• In Memoriam: Paul R. Wieand, a True Artist