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“Intimacy In The End Means Trouble”: Interracial Relationships In Britain From Interwar To Windrush, Stephanie Makowski
“Intimacy In The End Means Trouble”: Interracial Relationships In Britain From Interwar To Windrush, Stephanie Makowski
Dissertations, Theses, and Capstone Projects
The interwar period, World War II, and the Windrush era present three major turning points in the evolution of what has become known as the making of a “multiracial” Britain. During these years, British public discourse became increasingly preoccupied with relationships between Black men and white women. This discourse became global in scope and Black activists across the Anglophone world took part in shaping the narratives and meanings projected onto these relationships. By charting the shifting boundaries of racial acceptance and gendered mores, this project demonstrates the predominantly performative and extremely conditional nature of Britain’s “acceptance” of men of color. …
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Critical Inquiries Into Irish Studies
The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.
Unended Middle Passage: The Exhausted Flesh Of A Resistant Enslaved Woman, Yipu Su
Unended Middle Passage: The Exhausted Flesh Of A Resistant Enslaved Woman, Yipu Su
Comparative Literature M.A. Essays
The supine position that characterized the existence of the captive Africans on the slave ship, “The Brookes,” haunted the two female autobiographers of the two mid-nineteenth-century slave narratives/autobiographies this essay discusses. Both Sojourner Truth and Harriet Jacobs voluntarily adopted the supine position as their status of living when resisting sexual violence in slavery, which nevertheless exhausted their flesh. This essay draws on Hortense Spillers’ theory of flesh/body antithesis and Saidiya V. Hartman’s theory of gender construction in slavery to discuss the nature of intended exhaustion. This essay examines to what extent was the strategy of intended exhaustion efficient for both …
In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin
In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin
Dissertations, Theses, and Capstone Projects
American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …
The Spectacle Of Orphanhood: Reimagining Orphans In Postbellum Fiction, Afrin Zeenat
The Spectacle Of Orphanhood: Reimagining Orphans In Postbellum Fiction, Afrin Zeenat
Graduate Theses and Dissertations
Orphan iconography has always been deployed in American literature and culture, but nineteenth-century American literature, fiction in particular, abounds in orphans, both real and imaginary. The orphan’s amphibious nature is hailed and demonized as the epitome of individualism and unbridled freedom, and also as the location of society’s anxiety. This complicated and conflicted construction of orphans animates the Social and cultural realm in postbellum America, foregrounding issues of class, race, and gender.