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Myth, Soul, And The Feminine
Journal of Conscious Evolution
What are some of the root causes that have caused the subjugation of women? Could it all have begun with the fantastical and alluring myths we were told? If so, how does myth become truth for societies as a whole? If that does happen, then it must be true that the mythic is where the emergence of the soul is found; the soul of humanity? Thereby, creating the realities found in the society of today. Even more intriguing is how consciousness and art find their way in merging with myth producing awareness, wonder, and connection in society. Thus, revealing the …
Deconstructing Consciousness In Art, Leila Kincaid
Deconstructing Consciousness In Art, Leila Kincaid
Journal of Conscious Evolution
To the extent that art mirrors consciousness, what does the art of any age have to tell us about where we are as a species and civilization? In this paper, I suggest that modern and postmodern art reveal the tendency toward deconstruction, of our identities, as selves, as cultures, as a civilization. Through this process of deconstruction, there is a space offered to us through the experience of art, of freedom to recreate ourselves, our identities, and our sense of purpose and meaning in the cosmos. Grounding the inquiry in texts from various authors in the field of art history …
Comparison Of Chinese And Western Arts Mirroring The Evolvement Of Consciousness, Rui Peng
Comparison Of Chinese And Western Arts Mirroring The Evolvement Of Consciousness, Rui Peng
Journal of Conscious Evolution
A few researchers of consciousness in the West demonstrate that the development of western art mirrors the evolvement of human Consciousness since human civilization emerged. This paper explores the differences in art development between China and the West by comparing the artworks in the same era. Furthermore, discussing why the Chinese scholar art over two thousand years does not reflect the same structures of Consciousness that western researchers defined.
Eliciting Awe In The Spectator: The Case Of A Dhrupad-Based Dance Performance, Alfonso Santarpia, Andrée Martin, Armando Menicacci, Pierre De Oliveira, Daniel Lemieux, Laurence Éthier, Caroline Charbonneau, Bruno Pucella, Christophe Flambard, Les Frères Gundecha, Louis-Charles Lusignan, Alice Bourgasser, Élisabeth-Anne Dorléans, Ariane Dubé-Lavigne, Angélique Poulin
Eliciting Awe In The Spectator: The Case Of A Dhrupad-Based Dance Performance, Alfonso Santarpia, Andrée Martin, Armando Menicacci, Pierre De Oliveira, Daniel Lemieux, Laurence Éthier, Caroline Charbonneau, Bruno Pucella, Christophe Flambard, Les Frères Gundecha, Louis-Charles Lusignan, Alice Bourgasser, Élisabeth-Anne Dorléans, Ariane Dubé-Lavigne, Angélique Poulin
International Journal of Transpersonal Studies
This paper describes “Kalos, eîdos, skopeîn,” an immersive Dhrupad-based dance installation designed to elicit feelings of awe in the spectators, in a real-life artistic context. This study used a mixed-methods approach in order to explore spectators’ awe experience (N=45), using specific scales and interpretative phenomenological analysis. Results suggested that “Kalos, eîdos, skopeîn,” with its combination of nature motifs and the slow dance-walk associated with the Dhrupad music in the choreography, was able to produce awe-related moments in some spectators and inspire a degree of positive emotions. Our qualitative results viewed awe explicitly as a positive emotion and showed that generally …