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Photography, Writing, Literature: A Book Review Article Of New Work By Brunet And Beckman And Weissberg, Geert Vandermeersche

CLCWeb: Comparative Literature and Culture

No abstract provided.

Mdocs Poster-2015-11-04, Bill Daniel: Tri-X-Noise, Zhiyu (Michael) Zhou, Sophia Baraschi-Ehrlich

MDOCS Publications

Event details:

5:30-7pm: DIY Touring & Exhibition Strategies for Visual and Media Artists

Description: Artist Bill Daniel has been touring with bands, film shows, installations and pop-up photo shows for 30 years. In this discussion/workshop, he draws a parallel between DIY music networks and the potential for artists in other disciplines to reach non-traditional art audiences in cities and towns across the US. The logistics of booking and producing road shows will be discussed, as well as designing and developing visual and media-based events that can travel and set up easily. DIY attributes if self-reliance, mutual support and working out …

Mdocs Poster-2015-11-03, Bill Daniel- General Poster, Zhiyu (Michael) Zhou, Sophia Baraschi-Ehrlich

MDOCS Publications

Bill Daniel, artist, photographer, documentary and Guggenheim Fellow (2008) visited MDOCS on November 3-4, 2015. A multi-disciplinary activist and self-described hobo filmmaker and phototramp, Daniel offers reporting from the margins in a film screening and pop-up exhibit, and lessons on how to build your own vision and opportunities with a workshop on DIY Touring & Exhibition Strategies for Visual and Media Artists.

Event details:

11/3 @ 7pm: Film Screening: Who is Bozo Texino?

11/4 @ 5:30-7pm: Discussion/Workshop: DIY Touring & Exhibition Strategies for Visual and Media Artists

11/4 @ 7-10pm: Pop-Up Photography Exhibit & Concert: TRI-X NOISE, with Zine Exhibition …

Mirrored Imbalance, Kate Shannon

Kaleidoscope

My photographs are almost always self-portraits, which has created a unique bond between me and the machine with which I will eventually make art. The camera becomes not just a tool, but a source to which I show myself completely with no inhibitions. In my work, my main concern is my physical appearance and its relationship to interior emotion (the outward vs. the inward). It is my hope that I communicate emotion through images of my body and, in turn, create a dialogue between me and my audience. It is my goal to create photographs that can communicate feeling without …

In Time But Not Of Time: Jessica Eaton And Erin Shirreff's Counterpoints Of View, Ruth Skinner

Electronic Thesis and Dissertation Repository

This study is situated within an ongoing investigation of photography's ontology, objecthood, and materiality. Jessica Eaton, Erin Shirreff and their cohort continue a conceptual tradition of experimentation with photography's singularity, plasticity and referential nature. The contemporary photographic is both the culmination of and contributor to our conceptions of time, space, and subjectivity. In the post-digital era it is the access point for new durational and phenomenological encounters, even as it extends backwards to reinvigorate past aesthetic approaches. Shirreff's Signatures and Monograph series shift the familiar sensory qualities of the sculptural object onto the photographic, opening up its two-dimensional confines. In …

Hand-Eye, Michael S. Pszczonak

Electronic Thesis and Dissertation Repository

This integrated article thesis has two distinct chapters: The first chapter is a case study on a selection of works by German artist Sigmar Polke using Hal Fosters writing on the historical and neo-avant-gardes. The study traces the way Polke revisits the first avant-garde project and comprehends its attempted traumatic rift from dominant ideologies for the first time. The second chapter is a comprehensive artist statement which simultaneously outlines the theoretical underpinnings of my work as well as the process leading to the body of work on display at McIntosh Gallery. The research sets out to answer the following question: …

A Walk In A Dream, Alison Therese Mccarthy-Weglewski

All Student Theses

A Walk in a Dream is a body of work consisting of 25 16" x 16" color prints. The photos are of nature looking at contrasting textures and focus. The photographer used a Holga camera at multiple state parks. The negatives were then scanned and manipulated in Photoshop. The artist has explored Henri Cartier-Bresson’s photography and Gaston Bachelard’s writings to compare to her work.

Her artist statement is as follows: In today’s world it is hard to disconnect from media. Even when we are surrounded by natural beauty we still feel a need to connect with the digital world. Photographs …

Light Sensitive, Andrew Thompson

Electronic Theses, Projects, and Dissertations

I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a …

Mid-, Elise Kirk

Masters Theses

This thesis explores a personal and cultural tension between rootedness and restlessness, set against the backdrop of my native Midwest. The large-format portrait and landscape photographs reflect a paradoxical longing to pull up stakes and put down roots, and the liminal state we often dwell in as a result. Playing on the conception of the Midwest as a transient zone to be passed through en route to somewhere else, the work refers to the pervasive belief that our greatest hopes and potentials can only be realized in some other place, at some future or past time. It’s a syndrome I …

Revitalizing Central Washington University's Largest Art Collection: New Photographics, Skyler Crady

Symposium Of University Research and Creative Expression (SOURCE)

New Photographics was a nationally known photography exhibition held at Central Washington University. Organized by the late CWU emeritus, Jim Sahlstrand, the show ran from the early 1970s to the late 1980s. During its time, New Photographics was an anticipated event for photographers across the nation and for the CWU Art Department, where it was hosted in the Sarah Spurgeon Gallery. In the late 1980s, the exhibition fizzled out and has ceased to reemerge. Since then, an enormous amount of documents and artwork has been stored in a small room in Randall Hall and has rarely been touched. During this …

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond

Masters Theses, 2010-2019

The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …

Enduring Peripheries, Anna Yeroshenko

MFA in Photography and Integrated Media Theses

In the 80s when Russian state-sanctioned architectural production consisted of standardized buildings that deplored any unnecessary ornament or decoration, an architect functioned only as an interpreter of numerous limiting factors. As an act of protest against the stagnation in architecture, a group of young architects began to create projects that existed only on paper. For them ‘Paper Architecture‘ became a way of bypassing restrictions and dissenting, a way to critique the dehumanizing nature of the architectural style that prevailed at that time. Spatial compositions, which were hard to comprehend visually, elements of inverse perspective, and impractical, idealistic environments depicted a …

Tales From The Fells, Anne Elder

MFA in Photography and Integrated Media Theses

Our relationship with the natural world is complicated and under scrutiny as we make irrevocable changes to the earth. We enter the woods to get lost, and to find ourselves. We walk there to find thrills, peace, inspiration; to hear ourselves think, to be surprised, to make profit. Our childish fears may have changed from bears, monsters and getting lost, replaced by adult fears (bears, unsavory humans, getting lost). The woods may frighten us or be a place of comfort, but it is rarely a neutral experience. When we lose access to these spaces, it affects our ability to find …

Irradicable, Katharina Erika Marchant

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Katherina Marchant MFA Creative Project

Untitled, Tim Sharp

The Echo

No abstract provided.

Crossed, Laura Krueger

The Echo

No abstract provided.

Exploring, Graham Browning

The Echo

No abstract provided.

Tiger Illustration, Iliana Taylor

The Echo

No abstract provided.

Sight Unseen, Kathleen Faulkner

The Echo

No abstract provided.

Love On Loan, Aubrey Connors

The Echo

No abstract provided.

Poetry From The Porcelain Throne, Raleigh Fowler

The Echo

No abstract provided.

Inquiry | Inquisition, Jake Crouse

The Echo

No abstract provided.

Apology From The Mind Of The Uncreative, Hayden Arrington

The Echo

No abstract provided.

A Nice Cool Bath, Noah Zimmerman

The Echo

No abstract provided.

Masterpiece, Mary Shelton Hornsby

The Echo

No abstract provided.

Would You Like To Have It?, Margaret Shelton

The Echo

No abstract provided.

Dead House, Sabrina Boone

The Echo

No abstract provided.

Our Time, Cory Bailey

The Echo

No abstract provided.

Blaze, Luke Christie

The Echo

No abstract provided.

Finding Myself: Macchu Piccu, Victoria Ferrer

The Echo

No abstract provided.