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A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis
A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis
Bachelor of Fine Arts Senior Papers
In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …
Mind In Hand, Anna Olson
Mind In Hand, Anna Olson
Bachelor of Fine Arts Senior Papers
This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …
Canonical Poses And The Gaze, Sarah Oakley
Canonical Poses And The Gaze, Sarah Oakley
Bachelor of Fine Arts Senior Papers
My work deals with the nude female form and the various depictions that it has taken on. From the early oil paintings from masters like Ingres and Titian, through Playboy centerfolds of the 50s-70s, and continuing all the way up to the contemporary nude iPhone selfie, I explore questions of the gaze, ownership, and commodification of the female form. Starting with my painted Selfie Series and ending with my embroidered pillows, I touch on a variety of framing devices for the female nude and its representation of sexuality in modern culture.