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Becoming A Precipice: The Liminality Of Queer Cruising, Chance Deville

Masters Theses

In “Becoming a Precipice,” I am analyzing queer cruising areas as psychological landscapes from a queer, non-binary perspective, counter to heteronormative conventions. These landscapes are important to me, as being a full participant in this culture is my main form of sexual interaction. My inquiry is prompted by the need to interpret how this specific form of desire molds itself into visceral responses and manifestations of performative masculinity. Entering the cruising landscape itself increases awareness and intensifies the senses, in a space where signals become critical in determining transactions with other individuals beyond spoken language. These somatic reactions are uniquely …

Hearing Through Walls, Bradley Marshall

Electronic Theses and Dissertations

The photographer discusses work in “Hearing Through Walls”, a Masters of Fine Arts thesis exhibit held at downtown Tipton Gallery from February 19th through March 2nd, 2018. The exhibition consists of 15 archival inkjet prints and one two-channel video piece, representing the artists three-year exploration into narrative forms in image making. Using non-traditional approaches to photographic portraiture and experimental exhibition layout, the artist forms questions around themes of domesticity, lost youth, and American masculinity. Among these themes is an investigation into photographic issues, including the cultural role that photographs play in perpetuating, miming, and disrupting the facades of everyday life. …

Disidentified Masculinities, Jacqueline Hope Freedman

Scripps Senior Theses

My capstone is a conversation of the Millennial Generation’s views of individual identity and masculinity, with the hopes of deconstructing the socially constructed and exclusive notions of masculinity by defining a generation’s “common sense.”

My piece is inspired by the portraiture of Chad States in Masculinities (2011) as well as Loren Cameron’s work in Body Alchemy: Transsexual Portraits (1996). The theoretical basis of my project relies heavily on Antonio Gramsci’s concept of “common sense” as well as José Esteban Muñoz’s disidentification. Common sense refers to an instinctual, “uncritical and largely unconscious way of perceiving and understanding.” It “is a collective …