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Seeking An Aesthetics Of Metafiction, Erin J. Vachon May 2006

Seeking An Aesthetics Of Metafiction, Erin J. Vachon

Senior Honors Projects

According the Oxford English Dictionary, metafiction is ‘fiction in which the author self-consciously alludes to the artificiality or literariness of a work by parodying or departing from novelistic conventions…and narrative techniques.’ In short, metafiction announces itself as a textual artifact and examines the very nature of fiction. Metafiction has been defined as such, but I seek the effect of the text upon the act of reading and the reader: into what space is the reader initiated when the boundaries between author-text-reader become dismantled or confused? What does the act of reading become, beyond a mere analytic exercise? I am searching …


Explorations Of Self: A Philosophical Inquiry, Meredith Rathbun May 2006

Explorations Of Self: A Philosophical Inquiry, Meredith Rathbun

Senior Honors Projects

Asking “Who am I?” seems to be something that everybody ponders. This concept of “I”—what is it? We all have an individual and unique “I”—something that has been with each of us since birth, something that has changed and grown, but also stayed the same in many ways. My question “What is The Self?” is imperative. What is it that experiences life, if not The Self? When a 99-year-old man watches his last sunset, reflecting on his life, what inside of him is doing that reflecting? As you read my ideas on this page, what inside of you is processing …


Foucault And The Hupomnemata: Self Writing As An Art Of Life, Matthias Swonger May 2006

Foucault And The Hupomnemata: Self Writing As An Art Of Life, Matthias Swonger

Senior Honors Projects

Michel Foucault tells us about a form of self writing called the hupomnemata in an essay titled Self Writing in his book Ethics: Subjectivity and Truth. In its simplest definition, the hupomnemata is a notebook, or journal of sorts for the Ancient Greeks. However, unlike the intimate, confessional journals later found in Christian literature, the hupomnemata does not intend “to pursue the unspeakable, nor to reveal the hidden, nor to say the unsaid, but on the contrary to capture the already said, to collect what one has managed to hear or read, and for a purpose that is nothing less …


Donde Habite El Olvido (Reflected In The Photograph), Michaela Mccaughey Apr 2006

Donde Habite El Olvido (Reflected In The Photograph), Michaela Mccaughey

Senior Honors Projects

The concept of place, so intangible and yet embedded in all, remains a complicated and debated philosophical topic. What is place? Why are we drawn to certain places and averse to others? Why does a sense of home continue to feel so necessary to us – when there we are nurtured by it and when separated we long for it. Art works, places in themselves, provoke similar questions in us. We are drawn to certain works of art; they signify something to us in their being-in-the-world. Their place matters to us. Art is a place you can return (home) to. …