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The Origin Of The Work Of Art: Historicality, Temporality, And Destiny In Heidegger’S Philosophy Of The 1930s, James Magrini
The Origin Of The Work Of Art: Historicality, Temporality, And Destiny In Heidegger’S Philosophy Of The 1930s, James Magrini
James M Magrini
It is the aim of this paper to explicate the temporal phenomenon of “historicality” as related specifically to the work of art by reading Heidegger’s philosophy of the 1930s, as presented in “The Origin of the Work of Art,” in relation to Being and Time (1927). There exists a critical link between the two works, which manifests in the relationship between the work of art, temporality, and the notion of authentic, historical Dasein as Being-in-the-world. This notion includes the understanding and reinterpretation of such concepts as “fate,” “heritage,” and “destiny,” as integral modes of Dasein’s “historicality.” The work of art …
Truth, Art, And The "New Sensuousness": Understanding Heidegger's Metaphysical Reading Of Nietzsche, James Magrini
Truth, Art, And The "New Sensuousness": Understanding Heidegger's Metaphysical Reading Of Nietzsche, James Magrini
James M Magrini
This article takes a critical look into Heidegger’s reading of Nietzschean metaphysics in the context of art and finds certain discrepancies in Heidegger’s texts. Heidegger’s claim is that Nietzsche has had some difficulty in discussing the problem of truth, being, and becoming in terms of how the Western tradition of philosophy has understood it. In the context of art, Magrini traces the path that Heidegger took in understanding Nietzsche’s notion of nihilism and finds that Heidegger’s reading of Nietzsche is actually an attempt to elevate the latter as a timely philosophical force whose thought moves away from the rote and …
The Denazification Of Mh: The Struggle With Being And The Philosophical Confrontation With The Ancient Greeks In Heidegger’S Originary Politics, James Magrini
James M Magrini
James T. Hong’s experimental documentary, The Denazification of MH (2006) is neither an apology for Heidegger’s involvement with National Socialism nor a condemnation of that involvement. Rather, the film is a critical philosophical confrontation (Auseinandersetzung) with Heidegger’s thought and the issue of his involvement with National Socialism. The film addresses the perennial concern as old as philosophy itself: the relationship between the philosopher’s life and his philosophy. While the film does not adopt a definitive position regarding Heidegger, Nazism, and the issue of personal responsibility, it does suggest an affirmative response to the question posed by both Levinas and Blanchot …
The Work Of Art And Truth Of Being As "Historical": Reading Being And Time, "The Origin Of The Work Of Art," And The "Turn" (Kehre) In Heidegger’S Philosophy Of The 1930s, James Magrini
James M Magrini
Reading Heidegger’s Being and Time, “The Origin of the Work of Art,” and the 1934-35 lecture courses Hölderlin’s Hymns“Germania” and “The Rhine,” the aim of this essay is twofold. First, the essay attempts to elucidate the manner in which the work of art functions as a superlative event of “truth-happening” (aletheia), which facilitates the movement of Dasein into the truth of Being as a legitimate member of a community, serving as, “the origin of a people’s authentic historical existence.”1 Second, it explains why this notion of art as the historical manifestation of Being is crucial to understanding the shift, or …