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Articles 1 - 14 of 14
Full-Text Articles in Entire DC Network
Pandemonium Dance Circus, Curtis Carter
Pandemonium Dance Circus, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Utah Repertory Dance Theatre, Curtis Carter
Utah Repertory Dance Theatre, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Dance Repertory Theatre, Curtis Carter
Dance Repertory Theatre, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Habitat: A Festive Air, Serious Business, Curtis Carter
Habitat: A Festive Air, Serious Business, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
The Dancer: A Dance-Choreographer Speaks: An Interview With James Cunningham, Curtis Carter
The Dancer: A Dance-Choreographer Speaks: An Interview With James Cunningham, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Dance Literacy: Intelligence And Sensibility In The Dance, Curtis Carter
Dance Literacy: Intelligence And Sensibility In The Dance, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Some Notes On Aesthetics And Dance Criticism, Curtis Carter
Some Notes On Aesthetics And Dance Criticism, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Dance Notes From Chicago, New York And Washington [Reviews Of Dance Performances], Curtis Carter
Dance Notes From Chicago, New York And Washington [Reviews Of Dance Performances], Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Painting And Language: A Pictoral Syntax Of Shapes, Curtis Carter
Painting And Language: A Pictoral Syntax Of Shapes, Curtis Carter
Philosophy Faculty Research and Publications
In previous articles, the author proposed that paintings can have syntactic rules. In this article he develops his proposal further and shows that shapes act as syntactic elements in the languages of painting styles. He meets Nelson Goodman's objections to his proposal by showing that shapes meet the criterion of syntactic discreteness proposed by the latter to separate linguistic from other symbolic systems. His approach is to specify style as the domain of a language of painting, to show that style is syntactical and to argue that shapes are the primitive syntactic elements of style. His essay relates current research …
Twyla Tharp [Discussion Of The Career Of Twyla Tharp], Curtis Carter
Twyla Tharp [Discussion Of The Career Of Twyla Tharp], Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Intelligence And Sensibility In The Dance, Curtis Carter
Intelligence And Sensibility In The Dance, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Aesthetic Values And Human Habitation: A Philosophical And Interdisciplinary Approach To Environmental Aesthetics, Curtis Carter
Aesthetic Values And Human Habitation: A Philosophical And Interdisciplinary Approach To Environmental Aesthetics, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
A Dance-Choreographer Speaks: An Interview With James Cunningham, Curtis Carter
A Dance-Choreographer Speaks: An Interview With James Cunningham, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.
Art And Religion: A Transreligious Approach, Curtis Carter
Art And Religion: A Transreligious Approach, Curtis Carter
Philosophy Faculty Research and Publications
No abstract provided.