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Reconciling Modernity And Tradition In A Liberal Society, Chandran Kukathas

Research Collection School of Social Sciences

Many modern liberals have been eager to tout the virtues of diversity, but many have equally found it difficult to tolerate customs or traditions that do not conform to liberalism’s deepest commitments to equality and individual liberty. The distinction between traditional and modern is not a very useful one for understanding the problems confronting liberal society, or for working out how to address them because the contrast does not pick out a tension or conflict about which we can usefully generalise. Chandran Kukatahs suggests that as the tension in question is not one that is capable of resolution, the best …

Northrop Frye On Twentieth-Century Literature, Glen Robert Gill

Department of Classics and General Humanities Faculty Scholarship and Creative Works

This volume brings together Northrop Frye's criticism on twentieth-century literature, a body of work produced over almost sixty years. Including Frye's incisive book, T.S. Eliot, as well as his discussions of writers such as James Joyce, W.B. Yeats, Wallace Stevens, and George Orwell, the volume also contains a recently discovered review of C.G. Jung's book on the synchronicity principle and a previously unpublished introduction to a twentieth-century literature anthology. Frye's insightful commentaries demonstrate definitively that he was as astute a critic of the literature of his own time as he was of the literature of earlier periods.

Glen Robert Gill's …

A Discursive Construct Of Xxi Century: The New Italian Epic, Maurizio Vito

Maurizio Vito

No abstract provided.

Banishing Ganymede At Whitehall: Jove’S “Loathsome Staines” And Fictions Of Britain In Thomas Carew’S Coelum Britannicum, Jessica Tvordi

Quidditas

Thomas Carew’s masque Coelum Britannicum, performed at Whitehall on Shrove Tuesday of 1634, deploys an image of conjugal perfection in order to codify a fiction of national union. Not only are Charles I and Henrietta Maria models of moral and political comportment powerful enough to reform the profligate court of Jove, their harmonious marriage also provides the inspiration for reconciliation between England, Scotland, and Ireland. In order to assert this fiction of unification, the masque invokes images of sexual transgression, symbolically enacts their removal, and equates the strength of Britain with the absence of the deviant monarch, James I. …

Byron And 'The Barbarous . . . Middle Age Of Man': Youth, Aging, And Midlife In Don Juan, Melanie J. Parker

Electronic Theses and Dissertations

For Byron, the knowledge that he would one day have to become old was always on his mind. By the time Byron had relocated to the Continent, the idea had become something of an obsession. Thirty had always been Byron's turning point, the age at which youth would have to end and he would have to become an old man. Upon finally reaching that age, Byron found himself in a place much like Dante's selva oscura--dark, confusing, fearful, but with no other way left to go. There are allusions to this opening scene throughout Don Juan. It is …