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From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr

Journal of Religion & Film

Sinan Çetin’s blockbuster Berlin in Berlin (1993) is a Turkish-German co-production. In contrast to certain representational tendencies with German orientalism or Turkish occidentalism, it deconstructs the intersectional structures of migration, religion, and gender. The portrayal of religion in films about Turkish-German labour migration is a kind of cultural narcissism often projected into national cinema by denigrating the faith of the other and glorifying one’s own religion. However, perspectives at such intersections are critical and require sensitivity in filmmaking, as films can create prejudice or help build peaceful relationships around these sensitive issues. The paper employs discourse analysis in linking Derrida’s …

Viewing Terrence Malick’S A Hidden Life As Political Theology: Toward Theocinematics, Joel Mayward

Journal of Religion & Film

In this article, I bring Terrence Malick’s 2019 film, A Hidden Life, into conversation with two of philosopher Paul Ricoeur’s concepts: (1) the “social imaginary” as the interplay of ideals, images, ideologies and utopias, and (2) Ricoeur’s description of the genre of “parable” as a narrative-metaphor which provokes a “re-orientation by disorientation” within an audience’s imagination. Drawing from Ricoeur’s thought, I apply a theological film criticism I call “theocinematics” to A Hidden Life in order to call attention to the ways in which the cinematic form itself engenders sociopolitical and theological thought. Through emphasizing film aesthetics in my analysis, …

Peele’S Black, Extraterrestrial, Naturalistic Critique Of Religion, Jonathan D. Lyonhart

Journal of Religion & Film

While Jordan Peele’s films have always held their mysteries close to the chest, they eventually granted their viewers some climactic clarity. Get Out (2017) used an 1980s style orientation video to clear up its neuroscientific twist, while Us (2019) had Lupita Nyongo’s underworld twin narratively spell out the details of the plot. Yet Nope (2022) refuses to show its hand even after the game is over, never illuminating the connection between its opening scene and the broader film, nor a myriad of other questions. As such, critics complained that it stitched together two seemingly incongruent plots without explanation; one where …

Kosovo-Serbia Dialogue: Development Fund For Municipalities In The North Of Kosovo, Seb Bytyci

International Dialogue

This article deals with the Development Fund for the northern municipalities, as a product of the Kosovo-Serbia dialogue. The existence of the Fund is largely ignored both by the parties and by the mediators, and there is little knowledge of it even by the citizens, although it is one of the pillars of the autonomy arrangements of the Kosovo Serbs.

Review: European Sources Of Human Dignity: A Commented Anthology Mette Lebech. Oxford: Peter Lang, 2019. Pp. 345. On The Problem Of Human Dignity: A Hermeneutical And Phenomenological Investigation Mette Lebech., Robert Mcnamara

International Dialogue

A coordinating feature of much contemporary discourse—philosophical and theological, social and cultural, political and legal—is the idea of human dignity. The sense of its necessity as an idea grounding and organizing thought, feeling, and action about the human being is shared across different and often otherwise contrary worldviews. But to what does the expression “human dignity” refer? What is human dignity? And why is it important? Anyone who has looked at the problem with anything more than a cursory glance knows that these are not easy questions, and Mette Lebech sets herself the task of attaining an answer in two …

Table Of Contents, Rory J. Conces Prof.

International Dialogue

NOTES FROM THE EDITOR

REVIEW ESSAY

Enjoyment and Ideology: Surplus-Enjoyment-A Guide for the Non-Perplexed Edward Sankowski and Betty Harris

BOOK REVIEW

Mette Lebech European Sources of Human Dignity: A Commented Anthology and On the Problem of Human Dignity: A Hermeneutical and Phenomenological Investigation Robert McNamara

DISCUSSION

Kosovo-Serbia Dialogue: Development Fund for Municipalities in the North of Kosovo Seb Bytyci

Objects Supporting/Resisting a Democracy and Resisting an Occupation: Two Sides of the Same Coin—Kosovo and The Occupied Territories Rory J. Conces

Notes From The Editor: Volume 13, Rory J. Conces Prof.

International Dialogue

No abstract provided.

Review Essay: Enjoyment And Ideology Surplus-Enjoyment: A Guide For The Non-Perplexed Slavoj Žižek. London: Bloomsbury Academic. 2022. Pp. 400., Edward Sankowski, Betty J. Harris

International Dialogue

Slavoj Žižek’s Surplus-Enjoyment-A Guide for the Non-Perplexed is a difficult book. Reading it requires a different approach from what is usual with what seems to us more standardized philosophical or social scientific prose. Our approach initially at least no doubt assumes as our starting point a deploying of our shared norms, shaped by our backgrounds as U.S. based scholars aiming to advance dialogue with Žižek and some of the wide variety of authors with whom Žižek himself engages.

Objects Supporting/Resisting A Democracy And Resisting An Occupation: Two Sides Of The Same Coin—Kosovo And The Occupied Territories, Rory J. Conces Prof.

International Dialogue

I thought I knew all there was to know about evocative objects, at least as much as I needed to know to talk about ordinary (political) ontology. But I was very wrong, as wrong as I could ever be. I didn’t know much about those objects. And maybe I still don’t, even after spending a chunk of my life in Bosnia and Kosovo and immersed in their ethnic divisions and enclaves. What I concluded from my Balkan experience was that since peace and democracy building were the ultimate goals for the region, the divisiveness of ethnic enclaves and the objects …

Punk Rock Vegan Movie, Michele M. Desmarais

Journal of Religion & Film

This is a film review of Punk Rock Vegan Movie (2023), directed by Moby.

Divinity, Dereck Daschke

Journal of Religion & Film

This is a film review of Divinity (2023), directed by Eddie Alcazar.