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Other History of Art, Architecture, and Archaeology

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Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe May 2022

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …


Constraint And Control, Patricia Ayres Feb 2019

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.


“A Desperate Pioneerism:” Laura Márquez’S Art And Social Engagement In 1960s Paraguay, Susan Breyer Dec 2017

“A Desperate Pioneerism:” Laura Márquez’S Art And Social Engagement In 1960s Paraguay, Susan Breyer

Theses and Dissertations

This thesis examines the art and social engagement of Laura Márquez in 1960s Paraguay. Despite the challenging economic, political, and social contexts that Márquez encountered throughout the decade, she acted as an invaluable “transmitter” – both carrying international artistic forms and concepts into Paraguay, and diffusing her experience of local reality.