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Peering Across The Filmic Cultural Boundary: An Analysis Of Societal And Gender Representation In Once Upon A Time In The West (1968) And Sholay (1975), Aditya Singh

Undergraduate Theses

In contrast to mainstream and blockbuster movies, art house and independent films are usually rooted in a particular sense of self, of culture, or of beliefs. While they may not enjoy the level of exposure or profit as their bigger budget counterparts, they are often more likely to resonate with an audience due to their more personal, less-commodified brand of storytelling. Often, when international film industries are attempting to remake foreign films, they look to these independent, original efforts, since it is unlikely that the big budget movies can be remade due to oftentimes monetary constraints alone.

There has existed …

Owning Your Story: Agency, Power, And Freedom In Greta Gerwig’S Faithful And Radical Little Women Adaptation, Siobhan Cooney

Honors Program Theses

Louisa May Alcott’s Little Women (1868) has an extensive lineage of film adaptations. The classic novel’s most recent film adaptation was written for the screen and directed by Greta Gerwig (2019). This thesis employs adaptation theory as well as visual and verbal close reading and critical analysis of the film, source novel, and popular film reviews. Gerwig’s adaptation looks, sounds, and feels like the Little Women that has been cherished for decades. The director fulfills these aesthetic expectations to subvert our understandings of sentimentalism, domesticity, individuality, and the relinquishment of childhood. An examination of art’s imitation of life, the epistolary …