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The Power Of Anime: Artistic Power, Social Consciousness, And Cultural Impact, Natalie Ortez-Arevalo
The Power Of Anime: Artistic Power, Social Consciousness, And Cultural Impact, Natalie Ortez-Arevalo
Master's Projects and Capstones
This project explores the widespread popularity and impact of anime on Japanese culture. In my research, I demonstrate how the integration of anime into Japan’s culture creates big splashes—like stones being thrown into a lake—that, at the same time, ripple out in various directions and reverberate on multiple levels. First and foremost, this research centers around an important concept: that anime contains well-crafted storytelling and powerful imagery that demonstrates wider historical, cultural, and social issues—both the positive and negative. In anime films and shows, symbolism plays an important part as it can be found throughout the imagery and the storylines …
Live As Fireflies: The Narration Of Traumas In Two Films, Tucker Obrien
Live As Fireflies: The Narration Of Traumas In Two Films, Tucker Obrien
Senior Theses and Projects
The films To Live, directed by Zhang Yimou 1994 in China, and Grave of the Fireflies, directed by Isao Takahata in Japan, tell the stories of two families’ daily life as they endure the aftermath of historical tragedies in the 20th century. Affected by the histories of China and Japan in the twentieth century, the actions and thoughts of the characters embody different forms of their traumas. I argue that these two films depict traumatic expressions of the Chinese and Japanese people to their respective historical tragedies, through the abnormal behaviors and uncanny psychologies of the characters. The visualized …
Imagined Realities: The Rise Of New Wave Cinema In Post-War Japan, Asia Miro Smudde Tom
Imagined Realities: The Rise Of New Wave Cinema In Post-War Japan, Asia Miro Smudde Tom
Senior Projects Spring 2022
Project Submitted to the Division of Social Studies of Bard College.
My thesis explores cinematic representation in post-war Japan leading up the the New Wave movement. I examine the work of Yasujiro Ozu and Sun Tribe youth films and their relationship with conventions of cinema to bring awareness to narrative constructions of historical periods.