Digital Commons Network^™

Afghan Refugees Engagement Journalism, Angrej Singh

Capstones

My community of focus is Afghan refugees who came to the U.S. after Aug. 15, 2021. Since mid-Aug. of 2021, nearly 76,000 Afghan refugees came to the U.S. after living across eight U.S. military bases for a few months — with the help of resettlement agencies — they have resettled to 48 states in which they are starting to rebuild their lives. During the uncertainty of their legal status, multiple Afghan led organizations have been calling on Congress to pass an Afghan Adjustment Act. This legislation would create a pathway for permanent status to the thousands that were granted entry …

Introduction To Film, 2nd Edition, Teresa Fisher

Open Educational Resources

This textbook explores the world of cinema providing a students a look at the various elements of filmmaking to develop an appreciation for the film form. The textbook begins with a look at film history and the fundamentals of cinematic language. It then continues looking at film through a different lens for each chapter -- mise-en-scene, narrative, cinematography, editing, acting, and sound. The book ends with a look at documentary films, experimental films, and animation.

How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney

Dissertations, Theses, and Capstone Projects

Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …

Fragmentation And Fabulation: Reflexivity And The New Black Documentary, Joanna Lehan

Dissertations, Theses, and Capstone Projects

This thesis concerns the photographic representation of Black bodies in new, reflexive documentary forms that have been increasingly produced and exhibited in the midst of America’s renewed discourse on race. Approaching this argument categorically, focused on the themes of fabulation and fragmentation, my task here is to uncover the gaps and overlaps between earlier critiques of the documentary image and more recent discourse on photography and race by exploring the specific methods through which select recent documentary projects embed and expand these critiques.

Fragmentation is a category of production I use to frame a movement of Black photographic artists …

When The Children Touched The Paintings: The Afterlives Of The New German Cinema And The Red Army Faction, Rudy R. Martinez

Dissertations, Theses, and Capstone Projects

The 1960s provided us with some of the most iconic protest images of the late-20^th century. This was the result of worldwide unrest and the proliferation of filmmaking equipment, which led to a flood of photos and films depicting war and activism. Many of these images and films played a pivotal role in shaping the ever-evolving discussions surrounding the ‘60s. However, too often, radical imagery finds itself subsumed by consumer culture, a degradation that flattens radical imagery and turns it into consumer products. With this in mind, the work that follows is an analysis of one of the little-discussed …

Anamnesis: A Film About Forgetting, Neville Pullar Elder

Theses and Dissertations

In the film Anamnesis I bear witness to the injury and death of my childhood best friend Dominic, when I was 11. The film is a quest: A search for a visual memory that I have forgotten or perhaps, deliberately hidden from myself. Can remembering the events in their entirety and chronological order help me heal? Is searching for the lost memories nothing more than a smokescreen to avoid the steps I must take to deal/heal the trauma?

I communicate the relationship between the interplay of memory-making and sense-making and the reconstruction process that enables our past and present to …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

Slaying The Dragon: Dances Created During The Time Of The Pandemic, Regina Nejman

Theses and Dissertations

Regina Nejman’s paper details a dance artist’s negotiation of art-making in a global pandemic. It focuses on her improvisational dance films that were combined with live performance and animation in a gallery-like viewing environment. She situates herself among the many screendances and digital archives shared during NYC’s lockdown.

Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel

Theses and Dissertations

This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.

Meet And Run, Gia M. Binner

Theses and Dissertations

A defense for Gia Binner’s MFA Thesis, Meet and Run, argues that accessible art, known in this paper as commercial dance, is a meaningful vehicle for social change and that it has the ability to dismantle the outdated, European concert dance dominance by modeling the interdependency of both worlds.

Letters To Medusa, Maiya Redding

Theses and Dissertations

This context paper for the MFA thesis dance film Letters to Medusa connects the mythology of Medusa as a narrative of trauma. Engaging #metoo and Micaela Coel’s I May Destroy You and Misfits, Redding discusses the power of art to serve as a vehicle for healing and forgiveness.

Memorias De Mi Familia, Melissa Z. Montero

Theses and Dissertations

Abstract

Memorias de Mi Familia is an hour-long personal documentary through which I explore the meaning of “home.” I was born and raised in New York to a Puerto Rican mother and Ecuadorian father and lived between two worlds—sometimes more. While on a visit to Puerto Rico with my mother, Sylvia, I search for belonging and explore my family’s story of migration between the island and the United States.

Through interviews, family films, home videos and photographs spanning over 60 years, I examine the revolving migration pattern common to many Puerto Ricans on the island and in the diaspora, a …

Hudson Yards: Hybrid Capital's New Home, Massimo D. Scoditti

Dissertations, Theses, and Capstone Projects

This thesis focuses on the material and metaphysical aspects of the Hudson Yards, the largest private development in US History. With its roots in the administration of Michael Bloomberg, the site is representative of neoliberal ideology. It is also one in which cultural production is central. This is in terms of the rationalization and mythos of the building of the space itself and the dreamworlds created to obscure the mechanisms of extraction and accumulation that make such a complex possible. The Hudson Yards is particularly interesting because, as Cindi Katz might suggest, topography lines connect it to transnational capital. And …

"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch

Theses and Dissertations

Though the lyric-I has often been perceived as an isolated ego, Alice Notley's "I" in her long poem Disobedience (2001) necessitates plurality through what I call a "poetics of encounter." In response to the 1978 Language poetry manifesto "Aesthetic Tendency and the Politics of Poetry," and to the larger well-rehearsed debate about vocal homogeneity and persona centrism in poetry, this paper argues that Notley's poetics of encounter brings the "I" of Disobedience into continual and complex conversation with material history, politics, and mass culture, thus situating it within, and not sequestered from, the world and its mediation.

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Dia.Ries, Katherine A. Doyle

Theses and Dissertations

dia.ries is a pilot episode of an episodic series that offers insight into the lives of a few of the 500 million people around the world with diabetes—otherwise normal, everyday people who happen to be living each day with an “invisible illness.” Produced through video diaries and other user-generated content, the series tells stories from first-person points of view along thematic lines, using a collaborative approach rooted in Third Cinema.