Digital Commons Network^™

“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda

Student Scholar Symposium Abstracts and Posters

Within the many aspects of a film exists the epicenter that is visual storytelling. Music production within film always becomes a point of discussion after the fact, as composers will use their musical expertise to aid the established vision of the filmmaker. Despite music technology having evolved to recreate the sound of an orchestra, the role of music remains the same. However, what if the roles were reversed? Through this endeavor, I sought out to find the impact of a multimedia work when music becomes the primary focus of storytelling. Explored in the past by Disney's "Fantasia" and Phillip Glass' …

Animating Gender: Conflicting Narrative And Character Design In Gravity Falls, Laine Marshall

Film and Media Studies (MA) Theses

This thesis analyzes the character designs from the Disney XD animated series Gravity Falls (Alex Hirsch, 2012-2016) through a third-wave feminist lens, arguing that these designs reflect an essentialized perception of gender that is in conflict with the themes of acceptance present in the series’ narrative. The series’ narrative pushes forth the idea that female characters are the moral center of the series and serve as an example to their peers, that they are self-assured and in control, and that men can push past any ignorance to care for the people around them, but this effort is undermined by the …

Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola

Student Scholar Symposium Abstracts and Posters

This paper focuses on the discourse surrounding the Academy Awards, often referred to as the Oscars. The differences in discourse between people working in the film industry and those who watch movies are analyzed, as they represent the supplier and recipient of films and filmmaking. These two groups offer varied perspectives on the topic. The discourse of another group, a group in-between–student filmmakers–is also analyzed. To many people, what makes a film “good” is quite subjective, so the Academy Awards are often a subject of discourse. One particular focus of discourse will be the 2024 Academy Awards. There were a …

Sensorial Memories: A Cinema Speculum In Aftersun(2022) And Petite Maman(2021), Tingyi Zhu

Student Scholar Symposium Abstracts and Posters

In her 1975 article "Visual Pleasure and Narrative Cinema," Laura Mulvey used psychoanalysis as a political weapon to critique the issue of the male gaze in traditional Hollywood narrative cinema. Mulvey's work is pioneering for feminist film studies but was criticized and reexamined among film and feminist scholars. Building on the precedent of Mulvey and the feminist research of Luce Irigaray, contemporary scholar Lucy Bolton has proposed the camera as an "Irigarayan speculum," explaining how certain contemporary films delve into female characters' inner worlds, creating them with subjectivity and diversity. Drawing on contemporary feminist film theories and phenomenology theories, I …

3rd Place Contest Entry: From Film Sets To Front Lines And Back Again: Reinventing Star Image In Post-World War Ii Hollywood, Livia Belen Lozoya

Eric M. Scandrett Graduate Library Research Prize

This is Livia Lozoya's submission for the 2024 Eric M. Scandrett Graduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a summary of their research project on established movie stars who voluntarily left their lives of luxury to serve in World War II and returned to a changed postwar film industry, specifically James Stewart, Robert Montgomery, Marlene Dietrich, and Myrna Loy.

Livia is a student in the Masters of Arts in Film and Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman. Her thesis, available here, …

Resistencia Artística Bajo Dictaduras En Argentina Y España A Través De La Lente De Las Teorías De Comunicación, Adrian Self, Adrian Self

World Languages and Cultures Student Papers and Posters

Under dictatorships in Spain and Argentina, artists used their mediums to criticize the actions of the Catholic church and oppressive conditions enforced by the government, using allegories, metaphors, and symbolism in their art. While many artists tried to create works that fell within authoritarian guidelines, others intentionally created cinema and literature criticizing the Argentine and Spanish governments, values, and practices, knowing the works would be banned. This investigation uses examples of cinema and literature created and published deliberately to be prohibited or censored under the regimen of Francisco Franco from 1939-1975 in Spain or the last civil-military dictatorship from 1976-1983 …

7th Annual Chapman Staff Art Exhibition Program, Chapman University Staff

Library Displays and Bibliographies

The Leatherby Libraries Hall of Art was established to showcase the creativity of the Chapman community. It was dedicated for this purpose in 2014 although the space has been available for staff and student exhibits since 2011. While past staff art exhibits featured work by Leatherby Libraries staff members only, this is our fifth year opening up the exhibit to any interested staff member of Chapman University.

The 21 artists represented here demonstrate the wide variety of talent at our university. From photography to painting, mosaics to film, the works you see here provide a unique opportunity to view and …

A "Misfit" Revision: Marilyn Monroe, Clark Gable And Transitional Stardom In Postwar Hollywood, Emily Carman

Film and Media Arts Faculty Articles and Research

Director John Huston’s The Misfits (1961) was one of the most volatile productions of his career, with its ensemble cast headlined by a trio of screen icons: Clark Gable, Marilyn Monroe, and Montgomery Clift. Drawing on new archival research, I argue that The Misfits illuminates the transition from old to New Hollywood in terms of its behind-the-scenes star negotiations of Gable and Monroe, who had varying levels of creative control to appear in the film. My analysis of their respective deals underscores how The Misfits anticipates the shift from the female driven star system of Classical Hollywood to the male …

The Disintegration Of Marriage In Ryusuke Hamaguchi’S Happy Hour (2015), Afra Nariman

Film and Media Studies (MA) Theses

By using Happy Hour as a case study, this thesis argues Ryusuke Hamaguchi's approach to the Japanese home drama genre presents a changing perspective on the institution of marriage in contemporary Japanese society, reflecting shifts in gender roles and the growing trend of singlehood amongst Japanese youth. This perspective contrasts with the values portrayed in Ozu's films, which emphasize the vitality of marriage and the necessity of forming a family for happiness. The thesis analyzes the thematic and narrative elements of Happy Hour, focusing on the portrayal of marriage as a source of alienation and loneliness. It also discusses the …

Sociocultural Pressures Among Parents Of Queer Children In Films With Non-Western Environments, Samay Bhasin

Student Scholar Symposium Abstracts and Posters

The heteronormative and cisnormative nature of society has required queer individuals to undergo the phenomenon of “coming out” as their queer identity. This phenomenon has the potential to take great tolls on queer individuals especially when it comes to parents. Queer individuals with unaccepting parents are eight times more likely to attempt suicide, six times more likely to experience clinical depression, and three times more likely to suffer under substance abuse (Ryan et al., 2009; Ryan et al., 2010). However despite such concerning statistics, there is still a significant gap in scientific research on creating supportive environments …

Biblography For George Takei Display, Ruby Blakesleay

Library Displays and Bibliographies

A bibliography created to accompany a display about George Takei in November 2022 at the Leatherby Libraries to commemorate his visit to Chapman University.

Traumas And Recovery In Takaya Natsuki's Fruits Basket, Vesper North

English (MA) Theses

This thesis examines the various traumas within Takaya Natsuki’s anime series Fruits Basket and how the act of transformation triggers the beginnings of recovery for numerous characters. Fruits Basket bears striking similarities to the French fairy tale Beauty and the Beast (as well as later adaptations) originated by Gabrielle-Suzanne de Villeneuve. Throughout, I draw parallels between the “Beauty and the Beast”-genre with Fruits Basket and how the anime expands upon shared themes, specifically trauma. Additionally, I analyse the birth of and recovery from traumas (caused by bullying, loss, abuse, and feelings of otherness) for “Beauty and the Beast” archetypes within …

She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall

Student Scholar Symposium Abstracts and Posters

Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …

(Re)Presenting Eichmann: One Man, Many Murders, Nina Handjeva-Weller

War, Diplomacy, and Society (MA) Theses

This thesis argues that the act of recording the trial of Adolf Eichmann was an interpretation by director Leo Hurwitz, and that at the time it was recorded, and since then, the material has been used by different actors for different purposes. I examined the use made of that material by six individuals/countries: Leo Hurwitz, the accused, director Eyal Sivan, screenwriter Simon Block, West German presenters Joachim Besser and Peter Schier-Gribowsky, and the Israeli government under David Ben-Gurion. To understand the intent of Leo Hurwitz, footage of trial sessions was analyzed as were interviews with him by Professor Susan Slyomovics …

Mulan: An Exploration Of Culture And Representation In Hollywood, Annie Okuhara, Bernadine Cortina, Hung Le, Ryan Nakahara, Jerry Zou

Student Scholar Symposium Abstracts and Posters

'Mulan: An Exploration of Culture and Representation in Hollywood' is a presentation and detailed analysis of various representational, cultural, and minority-related issues in the context of Hollywood and western media. The presentation will focalize specifically around the recent live-action remake of the 1998 film "Mulan". The remake, premiered in March 2020, received critical backlash from various audiences (mostly from the BIPOC community), bashing the film for its misrepresentation of Ancient China and Ancient Chinese culture. Through this misrepresentation, the Hollywood film ultimately reflects views of cultural appropriation, misogyny, and overall minority underrepresentation in the United States. The research presents the …

Empty Time As Traumatic Duration: Towards A Cinematic Aevum, Kelli Fuery

Film and Media Arts Faculty Articles and Research

Frank Kermode uses the term aevum to question the links between origin, order, and time, associating experience with spatial form. Without end or beginning, aevum identifies an intersubjective order of time where we participate in the “relation between the fictions by which we order our world and the increasing complexity of what we take to be the ‘real’ history of that world”; being “in-between” time is a primary quality of the aevum. Regarding cinema, aevum identifies this third duration as emotional experience, occuring as traumatic time. It facilitates thinking beyond lived temporal experience of everyday life to a philosophy …

Revitalizing Hollywood Stardom: Classical Star Power And Enduring Marketability At Warner Bros. In The Beginning Of New Hollywood, Tham Singpatanakul

Film and Media Studies (MA) Theses

New Hollywood was foundationally a debatable period in the course of American film history, with distinctive characteristics of new directorial emergence and innovative film style. However, the contemporary industrial context suggested a prominent power of stardom to effectively sustain the business in the new wave of new youth and counterculture. In the inception of the period, Warner Bros., one of the major film studios since the classical Hollywood era, exemplified a star-driven marketing approach using classical glamour and the narrative of nonconformity to attract the target audience. Proven by the studio’s archival evidence, major Hollywood stars in the 1960s made …

Review Of Aesthetics, Ethics And Trauma In The Cinema Of Pedro Almodóvar, Kelli Fuery

Film and Media Arts Faculty Articles and Research

A book review of Julián Daniel Gutiérrez-Albilla's Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar.

La Strada, Federico Pacchioni

World Languages and Cultures Faculty Books and Book Chapters

"Released in 1954, La strada was the third solo directorial work of Federico Fellini and followed the critical and commercial success of I vitelloni (1953). Together with the films that preceded La dolce vita (1960), La strada represented a more traditional narrative and sober visual style that contrasted with Fellini's later experimental work. It is also an important film for understanding Fellini's reputation and evolution as an auteur director, especially in the light of the debate that it triggered among the Italian and French critics of the time regarding the true 'calling' of Italian neorealism. The idea for La strada …

"In The Sentimental Past": Cultural Identity Through Film Music Before And After The Hong Kong Handover, Kasady Liu

Student Scholar Symposium Abstracts and Posters

Hong Kong: a city characterized by Jackie Chan, kung fu, and its surprising “in-betweenness.” Not quite Eastern and not quite Western, Hong Kong has been placed in a unique position due to its recent handover from Great Britain to China. As a result of this handover, the people of Hong Kong have displayed various attitudes towards their previous, foreign system of democratic government and their new, Communist system of government. Hong Kong’s cultural identity is closely tied with the handover, and in this paper, I analyze how the film music of Hong Kong movies have conveyed ideas about their cultural …

Here To Win, Not Here To Settle, Sarah Kaino

Student Scholar Symposium Abstracts and Posters

Ethnic representation goes beyond color blind casting, the diversity of actors, or non-stereotypical casting choices. It is not just a matter of minorities being included in mainstream storylines, but minorities being able to tell their own stories as well. The relevance and relatability of storytelling in film and theatre transcends culture, which is in part the beauty of these mediums. But the impact of Asian Americans seeing stories from their own culture cannot be exchanged for anything less because there is no substitute for visibility. Movies are the source of inspiration for many. Movies can also reinforce a transparent ceiling …

The Media, Education, And The State: Arts-Based Research And A Marxist Analysis Of The Syrian Refugee Crisis, Meng Zhao

Education (PhD) Dissertations

By 2019, the Syrian civil war has lasted for nearly eight years and it has created the largest humanitarian crisis since WWII (Achlume, 2015). Using the siege of Aleppo in 2016 as a case study, the author applied a Marxist-humanist theoretical framework and incorporated arts-based research methodology to examine how US news media supports capitalist social relations. The research question for this study was: how do the US media depictions of the siege of Aleppo, Syria in 2016 reflect capitalist social relations? There were three sub-questions that followed: (1) Which elements of the siege of Aleppo in 2016 get the …

Diversity And Democracy At War: Analyzing Race And Ethnicity In Squad Films From 1940-1960, Lara K. Jacobson

War, Diplomacy, and Society (MA) Theses

Both the Second World War and the Korean War presented Hollywood with the opportunity to produce combat films that roused patriotic spirit amongst the American people. The obvious choice was to continue making the popular squad films that portrayed a group of soldiers working together to overcome a common challenge posed by the war. However, in the wake of various racial and ethnic tensions consistently unfolding in the United States from 1940 to 1960, it became apparent to Hollywood that the nation needed pictures of unity more than ever, especially if America was going to win its wars. Using combat …

Stardom, Spectacle, Show, And Salability: United Artists And The Founding Of The Hollywood Blockbuster Model, Jessica Johnson

Film and Media Studies (MA) Theses

United Artists was an independent film distribution company that Douglas Fairbanks, Charlie Chaplin, D.W. Griffith, and Mary Pickford jointly formed in 1919 to maintain creative autonomy over their work. Without the benefit of block booking practices through studio-owned theater houses, each founding artist established specific economic and aesthetic practices within their respective oeuvres in order to maintain company solvency. The resulting films produced during the company’s formative years (1919-1931) saw increased emphasis and innovation in regard to stardom, spectacle, show, and salability, features which ultimately innovated the model for the contemporary Hollywood blockbuster. Attributing the formation of the blockbuster to …

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.

Zombie Culture In Past And Modern Mythologies, Lehua Johnson

Student Scholar Symposium Abstracts and Posters

In modern media the notion of a zombie brings to mind the images of rotting flesh, a desire for flesh, and surviving in a desolate post-apocalyptic world. While zombies have certainly evolved into a niche genre separate from horror and science fiction, it is imperative that the origins of this modern-day phenomenon are explored and analyzed in an academic context. From the empty threats of the goddess Ishtar in ancient Mesopotamia to urban legends of former Haitian slaves, the foundation of zombie culture provides strong insight to humanity’s fear of losing itself to mere corporeal forms. Zombie culture is the …

Player-Response: On The Nature Of Interactive Narratives As Literature, Lee Feldman

English (MA) Theses

In recent years, having evolved beyond solely play-based interactions, it is now possible to analyze video games alongside other narrative forms, such as novels and films. Video games now involve rich stories that require input and interaction on behalf of the player. This level of agency likens video games to a kind of modern hypertext, networking and weaving various narrative threads together, something which traditional modes of media lack. When examined from the lens of reader-response criticism, this interaction deepens even further, acknowledging the player’s experience as a valid interpretation of a video game’s plot. The wide freedom of choice …

Queer: Good Gay, Bad Gay, Black Gay, White Gay?, Ian Barnard

English Faculty Articles and Research

"As Deadline .com bluntly put it, 'Kevin Spacey Apologizes to Anthony Rapp for Alleged Sexual Advances; Chooses to "Live As A Gay Man."' The outraged response of progressive intellectuals, activists, and cultural critics to Spacey’s twofold tweet has demonstrated, inter alia, the resilience of old school assumptions and expectations about coming out and about gay identity and gay identifications. These outraged responses have come especially from younger generations of intellectuals, activists, and critics, but also across generations, genders, and sexual orientations. Despite decades of attacks on models of gay identity that center on teleological narratives of coming out, and critiques …

The Fluid Gaze In Virtual Reality, Soudhamini

Film and Media Arts Faculty Articles and Research

"In 2006, in the course of an Artists Residency in Munich I made a video triptych titled Meditations on the Tiger, in which a story unfolds over three adjacent screens... The story is as linear as it can get, but working with three screens I found I could move laterally as well... There were multiple tracks of time running together on that train - the real time of action and event, the hurtling projected time of anticipation and expectation, and the deep, reflective time of memory, thought and speech. 3 video timelines synchronized so we begin to approach image, just …

Spiritual Media Experiences, Trait Transcendence, And Enjoyment Of Popular Films, Sophie Janicke, Srividya Ramasubramanian

Communication Faculty Articles and Research

Recent scholarship on media psychology acknowledges that media entertainment offers not only purely hedonistic enjoyment but also meaningful experiences. This study expands our understanding of media enjoyment by exploring the role of media entertainment in evoking spiritual emotions and beliefs, such as those related to connectedness, blessedness, and transcendence. Results from an online survey (N=220) indicate that media entertainment elicits meaningful as well as spiritual emotions and increases the saliency of spiritual beliefs as related to self-actualization and spiritual experiences in everyday life. Furthermore, trait transcendence and eudaimonic media motivations add to the explanation of audiences’ mediated spiritual experiences. Open-ended …