Digital Commons Network^™

Between Literature And Science: Inscribing Zora Neale Hurston’S Mules And Men In The Post-Human Condition, Jung-Hsien Lin

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

Intrigued by the influence of technology on or in literature as well as the ways of which the posthuman body subverts the existing social constructs of race, gender, and culture, this paper appropriates the Foucauldian concept of “technologies of the self” to investigate the narrating “I/eye” in Zora Neale Hurston’s Mules and Men. I flesh out how Hurston’s new “cyborg” identity, along with the idea of performativity—particularly in relation to her manipulation of the genre of autoethnography—resists the dominant constructs of race, gender and culture. Through a re-examination of these major moments of transformations of knowledge/power in Hurston’s Mules …

Hero With A Thousand Copyright Violations: Modern Myth And An Argument For Universally Transformative Fan Fiction, Natalie H. Montano

Northwestern Journal of Technology and Intellectual Property

Copyright law is designed to protect the ownership and financial rights of the original author of a literary work. However, the internet has created new opportunities for amateur writers to create their own fan fiction based on such literary works. Borrowing from the ideas and characters of a work, fan fiction authors build upon and re-imagine these stories. Such fan works should be protected under the Fair Use Defense, but the power imbalance between amateur fan fiction authors and successful published authors often leads to the eradication of fan stories from the public domain.

This Comment argues that fan fiction …

Invisible Ink: Intersectionality And Political Inquiry, Dara Z. Strolovich

Indiana Journal of Law and Social Equality

No abstract provided.

Rights Of Belonging For Women, Rebecca E. Zietlow

Indiana Journal of Law and Social Equality

No abstract provided.

Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang

Présence Francophone: Revue internationale de langue et de littérature

This article examines the writings of female authors from the French suburbs, whose novels feature female protagonists born in immigrant families and engaged in a quest to redefine self. The novels explore the generational differences between these characters and the impact of the quest for self on mother-daughter relations. Their analysis brings light to the authors’ attempt at conjuring the stereotypes generally attached to the banlieue and to immigrant women. I argue that through the evocation of non-hegemonic visions, these novels present the banlieues as dynamic spaces allowing for a new discursive practice of identity and citizenship.

Feminist Research Ethics, Informed Consent, And Potential Harms, Melinda Mccormick

The Hilltop Review

Feminist research is fraught with ethical dilemmas, some of which concern informed consent and the possibility of potential harms to respondents. I review several dilemmas addressed in the literature and how feminist researchers resolved the issues. I also look at the National Association of Social Workers‘ Code of Ethics and how the concepts of dual relationships and boundaries in social work practice may offer helpful guidelines to feminist re-searchers.

Damsels And Heroines: The Conundrum Of The Post-Feminist Disney Princess, Cassandra Stover

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

This research explores cultural shifts in the popularity of the Disney princess in American culture, especially its postmodern resurgence, as well as the complex relationship between Disney’s recent representations of women in the 1990’s and post-feminist ideology. My project begins by analyzing the historic appearance of the Disney female in relation to the women’s movements. I also examine lingering anti-feminist backlash in representations of what I call “New Wave” Disney heroines. Finally, I examine the implications of post-feminist discourse and advertising for young female viewers.

Chicana Aesthetics: A View Of Unconcealed Alterities And Affirmations Of Chicana Identity Through Laura Aguilar’S Photographic Images, Daniel Perez

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

In this paper I will argue that Chicana feminist artist Laura Aguilar, Alma Lopez, Laura Molina, and Yreina D. Cervantez established a continuing counter-narrative of cultural hegemony and Western essentialized hegemonic identification. Through artistic expression they have developed an oppositional discourse that challenges racial stereotypes, discrimination, socio-economic inequalities, political representation, sexuality, femininity, and hegemonic discourse. I will present a complex critique of both art and culture through an inquiry of the production and evaluation of the Chicana feminist artist, their role as the artist, and their contributions to unfixing the traditional and marginalized feminine. I argue that third wave Chicana …

Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The ubiquity of Disney movies has certainly transformed the American cultural landscape. The Disney zeitgeist manifests itself as generations of children actively seek Prince Charmings, unrealistic fairy tale relationships and the omnipotent, happily-ever-after. One such Disney favorite, Beauty and the Beast (1991), reveals typical Disney themes such as the power of altruism, the transformation of the anthropomorphic, and the catharsis of true love. Yet, under these benevolent-seeming Disney themes lurk more sinister, subliminal messages. Beauty and the Beast promotes female subservience and subjugation in addition to the glorification of abusive relationships. Belle, the female protagonist, embodies these gendered disparities and …

God Loves Uganda, John C. Lyden

Journal of Religion & Film

This is a film review of God Loves Uganda (2013) directed by Roger Ross Williams.

Taking Her Name: On Queer Male “Woman-Identification” And Feminist Theory, A. Loudermilk

Journal of International Women's Studies

No abstract provided.

Heresy And Orthodoxy: Challenging Established Paradigms And Disciplines, Marion Hersch, Gloria Moss

Journal of International Women's Studies

A brief survey of the literature on interdisciplinary work and a discussion of issues relating to orthodoxy and heresy are presented to introduce a questionnaire on current interdisciplinary practice and the effects of engaging in research of this kind. Preliminary results of the survey are presented and it is suggested that women may have a greater tendency than men to engage in interdisciplinary research. They may also encounter more obstacles in their research than men. A number of hypotheses, including the relationship of interdisciplinary work and heresy, are proposed and a plan of further work to investigate them put forward.

My, Is That Cyborg A Little Bit Queer?, Esperanza Miyake

Journal of International Women's Studies

This piece of work is a response to the following question: ‘Critically assess the importance, or otherwise, of Donna Haraway’s “manifesto” for early twenty-first century feminists’. Based on Stein and Plummer’s outline of queer theory in their essay, “I can’t even think straight”: “Queer” Theory and the Missing Sexual Revolution in Sociology (Stein and Plummer 1996). This piece compares and contrasts different aspects of queer theory (sociological, ideological, political and ontological) with Haraway’s ‘manifesto’ in order to investigate the possibilities of a cyberqueer theory: to ‘queer’ (as a verb) the ‘cyborg’. Whilst attempting to interrelate both the notion of the …