Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Queer of Color Critique (2)
- Aesthetics (1)
- Affect (1)
- Affective Orality (1)
- American literature (1)
-
- Arnold Bennett (1)
- Asian American Studies (1)
- Black womanhood (1)
- Blake (1)
- Brazil (1)
- Britain and Ireland (1)
- Catholocism (1)
- Cold War (1)
- Commodity Fetishism (1)
- Critical Ethnic Studies (1)
- Critical Intercultural Communication (1)
- Critical discourse analysis (1)
- Cultural Production (1)
- Digital labor (1)
- Double Consciousness (1)
- Doubleness (1)
- Embodiment (1)
- Empire (1)
- Female masculinity (1)
- Filipinx America (1)
- Gender (1)
- Gender Studies (1)
- Gender studies (1)
- George Gissing (1)
- George Moore (1)
Articles 1 - 10 of 10
Full-Text Articles in Entire DC Network
The Haunting Aesthetics Of Empire: Filipinx America, Us Empire, And Cultural Production, Alana J. Bock
The Haunting Aesthetics Of Empire: Filipinx America, Us Empire, And Cultural Production, Alana J. Bock
American Studies ETDs
Throughout this dissertation, I argue that US imperial knowledge production affirms US exceptionalism by disavowing the imperial violence wrought on the Philippines and its people. This disavowal not only renders the Philippines and Filipinx bodies illegible, but also haunts the Filipinx American diaspora. I argue that the haunted logics of empire are a set of relations, rather than specters of specific times and places, in which knowledge and power work together to continually produce and reproduce a specific and limiting reality and sensorium through which to view the world. In my interrogation of empire’s haunted logics, I not only look …
Long In The Tooth: The Commodification Of Teeth, Land, And Character; Resistance To British Oral Culture In Nineteenth-Century Britain, Ireland, And The Americas 1770-1900, Emma B. Mincks
English Language and Literature ETDs
This dissertation is about teeth- rather, how they are portrayed in British colonial discourses of the late eighteenth and early nineteenth century and their development as a commodified material object associated with purity, lands, and visceral emotionality. What do teeth specifically, and orality more generally, mean to eighteenth and nineteenth-century readers in relation to the logics of white possession? How did objectified subjects react to and respond to the affective tension created by this objectification? Teeth are represented in relation to feminine purity throughout British writing from at least the 1600’s. However, between 1770-1900, teeth gain additional cultural meanings, most …
Disrupted Ambitions And Unmasked Identities: An Analysis Of Doubleness In Sylvia Plath’S The Bell Jar And Ralph Ellison’S Invisible Man In Cold War America, Laura Anderson
English Language and Literature ETDs
This thesis conducts a literary analysis on Ralph Ellison’s Invisible Man (1952) and Sylvia Plath’s The Bell Jar (1963) with a primary investigation on the protagonists and their convergence of identity in Cold War America. One of the critical discourses evaluated throughout the project’s literary analysis includes the protagonists’ complications of doubleness. This essay argues that since these two texts sit between W.E.B DuBois’s “Double Consciousness” and Kimberlé Crenshaw’s 1988 theory on intersectionality, these protagonists are forced to contend with an identity crossroads. Secondary to the context of this analysis is the use of “post-war” and “Cold War,”; neither are …
How South Asian Activists Queer The Model Minority Myth: A Critical Oral History Project, Noorie Baig
How South Asian Activists Queer The Model Minority Myth: A Critical Oral History Project, Noorie Baig
Communication ETDs
The model minority myth (MMM) is predicated on stereotypical perceptions of Asian Americans as subservient high-achievers who comply with the ideologies of meritocracy, whiteness, and capitalism. However, South Asian American (SAA) activists and community organisers, the focus of this study, are working to confront and abolish racist, heterosexist, and other exclusionary injustices, policies, and practices. This dissertation seeks to understand the historical influences of the MMM, the challenges SAA activists and organisers face, and the communication strategies they use to negotiate the MMM through their activism. Oral history methods and critical thematic analysis are used to elicit and analyse personal …
More Than The Defiant Few: Lost Womanhood And Necro Women Dismantling Nineteenth-Century Gender Ideologies, Vicki Vanbrocklin
More Than The Defiant Few: Lost Womanhood And Necro Women Dismantling Nineteenth-Century Gender Ideologies, Vicki Vanbrocklin
English Language and Literature ETDs
Too many scholars still rely on adjectives such as deviant, unruly, dangerous, and wild to describe women who interrogate rigid forms of womanhood, especially women of color. My project intervenes in nineteenth-century womanhood discussions, which have traditionally solidified three main categories: Republican, True, and New Womanhood. Between True Womanhood in the mid-nineteenth century and the late nineteenth-century concept of New Womanhood lies an overlooked category aptly understood as Lost Womanhood. I focus on newspaper archives, archival research, and imaginative literature to find “lost” women who critiqued a patriarchal system that thrives on women living in a status akin to being …
William Blake's Satan As A Hermaphrodite, Genevieve E. Hartsock
William Blake's Satan As A Hermaphrodite, Genevieve E. Hartsock
Art & Art History ETDs
Depictions of Satan had started off with a grotesque and monstrous figure, but depictions of and attitudes towards the character shifted with the publication of John Milton’s Paradise Lost. However, although the aesthetics of the figure shifted, I argue that William Blake’s renderings of Satan continue the tradition of rendering them as monstrous and grotesque in a new way, in that Blake renders Satan as a hermaphrodite. Attitudes towards hermaphrodites has shifted over time, but the attitude of regarding them as unnatural or monstrous harkens back to ancient Greece, and these attitudes were only furthered with time and the advent …
Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
American Studies ETDs
New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …
Sex, Labor, And Digital Spaces: A Critical Discourse Analysis Of Gpguiadelas, A Brazilian Sex Worker Twitter Feed, Ailesha L. Ringer
Sex, Labor, And Digital Spaces: A Critical Discourse Analysis Of Gpguiadelas, A Brazilian Sex Worker Twitter Feed, Ailesha L. Ringer
Communication ETDs
This dissertation project is a critical discourse analysis of written and visual texts produced for GPGuiaDelas, a Brazilian sex worker Twitter feed. Drawing on digital labor studies, feminist studies on sex work, and Brazilian studies on race and gender, 176 Twitter conversations between sex workers and clients were analyzed in order to answer the following: (1) What are the dominant themes in the discourse about sex work constructed through microblogging on social media?; (2) What are the discursive practices of sex workers who use social media as a platform?; and (3) What theoretical insights emerge from the analysis of sex …
Performing (Female) Masculinity In The Early Modern Ibero-Atlantic World: An Analysis Of The Mujer Varonil In Gender And Genre, Nathaniel L. Redekopp
Performing (Female) Masculinity In The Early Modern Ibero-Atlantic World: An Analysis Of The Mujer Varonil In Gender And Genre, Nathaniel L. Redekopp
Spanish and Portuguese ETDs
The following dissertation on the trope of the mujer varonil[1] employs bibliographical research in literary criticism and historiography to identify and describe socio-historic attitudes about gender. In particular, this dissertation examines gender as communicated by texts that use the mujer varonil, or “masculine woman”, characterization to either praise or vilify exceptional female subjects in ways that highlight normative limits for masculine and feminine gender expression. Four texts are examined: a male author writes each and each represents a literary genre that was significant in early modern Spain and Spanish America. These genres are the hagiography, the relación, the …
Trends In The Treatment Of Women In Fiction, 1890-1910, Gertrude M. Richards
Trends In The Treatment Of Women In Fiction, 1890-1910, Gertrude M. Richards
English Language and Literature ETDs
This thesis proposes to examine six novels of the period 1890-1910 for evidence of new trends in the treatment of women in fiction and for signs of social criticism. The novels chosen are major works of representative British and American realists and naturalists. The authors to be considered, Thomas Hardy, Stephen Crane, George Moore, George Gissing, Theodore Dreiser, and Arnold Bennett, were writers who, in varying degrees, came under the influence of the Continental writers who were the cause of the aforementioned controversy.