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An Analysis Of Dvořák’S Symphony No. 6, Ii, Using Neo-Riemannian Transformation Techniques, Mary Hannah Mallett
An Analysis Of Dvořák’S Symphony No. 6, Ii, Using Neo-Riemannian Transformation Techniques, Mary Hannah Mallett
Honors Theses
Music theory is often used to analyze compositions and provide insight into the inner workings of the literature. Any new type of analysis provides a different view of the work and they can all be used to better understand the work, composer, and performance practice. This analysis uses Neo-Riemannian Transformation Theory to highlight some of the voice leading within Dvořák’s Sixth Symphony. The Sixth Symphony currently has never been analyzed using Neo-Riemannian Transformation Theory. The entire second movement was analyzed using a traditional harmonic analysis and then the author selected three excerpts, containing voice leading that could be classified using …