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A New Theory Of Musical Semiosis, Matthew Stanley May 2019

A New Theory Of Musical Semiosis, Matthew Stanley

Music ETDs

Musical semiotics is the study of the various ways in which musical structures become meaningful. This thesis is an attempt to create a logical, systematized, transformational theory of musical semiotics that can elucidate the various ways in which music conveys meaning. While the semiotic exploration of music is by no means novel, this thesis presents a unique, highly rigorous, and truly theoretical approach to musical semiotics that differs significantly from previous theories. By combining all aspects of the semiotic theory of Charles Sanders Peirce with the metaphor theories of George Lakoff, Mark Johnson, and Zoltan Kovecses, a theoretical apparatus is …


Eclectic: A Recording Project Of Original Crossover Compositions, Chance Moore May 2019

Eclectic: A Recording Project Of Original Crossover Compositions, Chance Moore

Electronic Theses and Dissertations

Music makers have always borrowed one another’s influences, across philosophies, across culture, and thus, across genres. Since the 1950’s, a time when classical music was at its farthest reach from popular music, the rift between these two “worlds” has shrunk, and music crafters from each category are free to take from the other as they please. As a figure who stands between the cultivated and vernacular traditions, my aim for this thesis is to give an introduction to some of the ways genre hybridization has been achieved since 1950, present a collection of my own compositions (along with recordings) that …


Effects Of Genre Tag Complexity On Popular Music Perception And Enjoyment, Lauren Shepherd May 2019

Effects Of Genre Tag Complexity On Popular Music Perception And Enjoyment, Lauren Shepherd

Graduate Theses and Dissertations

The popular online streaming platform Spotify added over 1400 genre tags in the last two years. Despite that numerous artists and composition competitions claim to seek projects that “transcend the traditional notion of genre,” the industry has only added more complex and mystifying genre labels. This dichotomy between artists and industry ignores the effects these labels have on consumers. Do more complex genre tags enhance the listening experience for the average consumer by providing additional information about what they are about to hear? The current research seeks to examine the effects of the granularity of genre tags on popular music …


Motivic Voice-Leading In Selected Piano Cycles Of Johannes Brahms, Jacob Joel Gran Mar 2019

Motivic Voice-Leading In Selected Piano Cycles Of Johannes Brahms, Jacob Joel Gran

LSU Doctoral Dissertations

This dissertation identifies a technique used by Brahms to organize the compositional designs of his piano cycles. The technique is motivic voice-leading. By that I mean that certain patterns of triadic voice-leading gain significance through their unconventional use or varied repetition that have implications throughout the cycle. And, in the same way that traditional melodic or rhythmic motives can be developed and reworked, the composer may break these voice-leading patterns into their component stepwise connections. These stepwise dyads may be developed independently of their original triadic context, in the manner of a pitch-class motive.[1] We can understand many …