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Articles 1 - 7 of 7
Full-Text Articles in Entire DC Network
An Annotated Bibliography Of Flute Repertoire By Iranian Female Composers, Roya Farzaneh
An Annotated Bibliography Of Flute Repertoire By Iranian Female Composers, Roya Farzaneh
Theses and Dissertations
Compositions by Iranian female composers have rarely been explored or documented. The purpose of this research is to create an annotated bibliography of works by Iranian female composers written for flute. This document will serve as a reference of flute literature for scholars, teachers, and performers to encourage the performance of music composed by Iranian women. Through this research, I hope to increase the exposure of these compositions and amplify interest in performing works written by underrepresented composers.
The annotated bibliography lists information about the repertoire including instrumentation, compositional year, length of piece, publishing, available recordings, commission information, a pedagogical …
Wind Symphony, September 20, 2017, Anthony C. Marinello Conductor, Polly K. Middleton Guest Conductor
Wind Symphony, September 20, 2017, Anthony C. Marinello Conductor, Polly K. Middleton Guest Conductor
School of Music Programs
Center for the Performing Arts
September 20, 2017
Wednesday Evening
8:00 p.m.
The Role Of Narrative In Performing Schumann And Chopin’S Music, Yu-Wen Chen
The Role Of Narrative In Performing Schumann And Chopin’S Music, Yu-Wen Chen
Dissertations, 2014-2019
Abstract
Recognizing how to present a narrative while performing the music of Schumann and Chopin helps the performer to transmit the spirit of the music and convey expression in the music. In the music-making process, what we cannot discount is that the performer plays a crucial role in conveying musical expression to the listeners, which tremendously affects the quality of the entire musical experience. In this document, I argue that there is a qualitative difference between the ways in which performers should express the central story conveyed in the music of Robert Schumann compared with the story conveyed in the …
Lori Akins, Flute; Tim Bower, Piano; Lisa Grove, Oboe, Lori Akins, Tim Bower, Lisa Grove
Lori Akins, Flute; Tim Bower, Piano; Lisa Grove, Oboe, Lori Akins, Tim Bower, Lisa Grove
Faculty Recitals
No abstract provided.
Faculty Recital, Mary Palchak, Clara Cheng, Rebecca Rivera, David Black, Nick Terry
Faculty Recital, Mary Palchak, Clara Cheng, Rebecca Rivera, David Black, Nick Terry
Printed Performance Programs (PDF Format)
No abstract provided.
If There's No "Fat Lady," When Is The Opera Over? An Exploration Of Changing Physical Image Standards In Present-Day Opera, Emily L. Stephenson
If There's No "Fat Lady," When Is The Opera Over? An Exploration Of Changing Physical Image Standards In Present-Day Opera, Emily L. Stephenson
Electronic Theses and Dissertations
Though present-day American society generally assumes opera is one of the few remaining entertainment fields where talent matters more than physical appearance, as the 2004 firing of Deborah Voigt demonstrates, present-day opera singers are increasingly being held to stricter image standards. In 2004, Covent Garden dismissed Voigt from their production of Ariadne auf Naxos, in which Voigt was supposed to reprise her critically acclaimed interpretation of the title role. According to Voigt, Covent Garden's casting director Peter Katona felt that she was too large to fit into the black dress the new production required of the character. Voigt's removal …
Marshall University Music Department Presents A Senior Recital, Angela Crum, Trumpet, Angela Crum
Marshall University Music Department Presents A Senior Recital, Angela Crum, Trumpet, Angela Crum
All Performances
No abstract provided.