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David Gillingham’S Stained Glass For Wind Ensemble: A Transcription From The Standard Percussion Repertoire, Ashley Shoupe

Theses and Dissertations--Music

Stained Glass (1994), by David Gillingham, is a work that is considered one of the standard pieces of percussion repertoire. To date, there are no known arrangements or transcriptions which exist for wind band that originated from the percussion ensemble repertoire. Stained Glass is a work which utilizes many musical characteristics and compositional techniques that could translate successfully to the wind ensemble, such as sweeping ostinato, sustained chordal structures, and a variety of colors and textures. It is because of this observation of musical characteristics that makes this work a good candidate for a successful first transcription from percussion ensemble …

Soundtrack Of A Life: A Musical Narration Of A Military Veteran’S Life, Caroline M. Melcher

Recital Papers

Soundtrack of a Life: A Musical Narration of a Military Veteran’s Life

Bridging The Gap: An Academic Recital For Solo Voice Featuring The Music Of Underrepresented Female Composers Throughout History, Keiley Vieau

Honors Theses

Keiley Vieau, mezzo-soprano, presented her honors thesis senior academic voice recital on Friday, April 19th, 2019 at 3pm. The performance took place at the Lee Honors College in the lounge. This recital was put on in collaboration with pianist Molly Sanford. Music performed included works by all female composers, such as Barbara Strozzi, Clara Schumann, Fanny Mendelssohn Hensel, Nadia Boulanger, Augusta Holmès, Liza Lehmann, and Amy Beach. This abstract will provide a brief overview of the theme of this recital as well as address the basic musical characteristics of certain pieces from the repertoire programmed.

The recital was based solely …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

A Graduate Recital In Conducting, Patrick O'Halloran

Electronic Theses & Dissertations

The thesis consists of a conducting recital and the accompanying program notes. The recital includes works by Palestrina, Handel, Mozart, Brahms, Lauridsen, Mullholland, Marrolli, and Runestad.

The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes

Dissertations

The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present flute community.

My research focused on gathering data about the flute section and the individuals who were instrumental for the creation and development of …

Thesis For Graduate Study In Vocal Performance, Kendra Switzer

Electronic Theses & Dissertations

This thesis is an extension of Ms. Switzer’s graduate vocal recital program notes. Each chapter contains a brief biography of the composers and arranger performed on the program: George Frideric Handel, Samuel Barber, Jules Massenet, Robert Schumann, Stephen Schwartz, and David Downes. The thesis also includes a musical analysis of each single piece, the larger original work (if applicable), and descriptions of rehearsal and performance aspects specific to each piece.

Rustic Roots And Fiddle Hell: An Ethnography Of Fiddle Camps In The Northeastern United States, Flannery Blanchard Brown

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College.

Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang

Masters Theses

Barring a few notable exceptions, English music between the eighteenth and twentieth centuries earns scant notice in music history textbooks, despite overwhelming evidence that England enjoyed a vibrant musical culture, especially during the Georgian era. However, I will argue that the English of this period were, in many respects, even more committed to music than their continental counterparts. The problem, for England, was not that it made no music during this period, but that it made the wrong kind of music, and enjoyed it in the wrong ways. At a time when Germanic critics like E.T.A. Hoffmann and A.B. Marx …

Samuel Barber’S Settings Of James Joyce’S Chamber Music: A Proposal For A Posthumous Song Cycle, Michael Pierre Laroche

Theses and Dissertations

Samuel Barber’s Opus 10 songs are some of his most well-known vocal works. These settings from Chamber Music by James Joyce were published in 1939, but posthumous research by biographer Barbara Heyman and a complete vocal recordings project by Thomas Hampson, Cheryl Studer, and John Browning led to the discovery and recording of ten additional songs, including three more Joyce settings. Schirmer published these Ten Early Songs around the same time as the Deutsche Grammophon. Research has shown the dates of composition to be within days of the published Opus 10 songs, but no other information on these songs exists …

Frank Martin's Arranged Works For Flute: Sonata Da Chiesa And Deuxieme Ballade, Jessica Dixon Leeth

Theses and Dissertations

The Swiss composer Frank Martin (1890-1974) wrote three major works for flute—Ballade for flute and piano, Sonata da Chiesa for flute and organ, and Deuxième Ballade for flute and piano. Of these, both the Sonata da Chiesa and Deuxième Ballade were arrangements of two of his previously written works, Sonata da Chiesa for viola d’amore and organ and Ballade for saxophone and piano (or string orchestra, piano, and percussion), respectively. Martin wrote both works in their original versions in 1938, a time in his career when he realized his true individual style, embracing the chromaticism of twelve-tone serialism while maintaining …

Back To Black: An Exploration Of Amy Winehouse’S Music And Addiction, Courtney Ad Jamison

Senior Honors Projects, 2010-2019

Amy Winehouse tragically died on July 23, 2011 as a result of years of alcoholism and drug abuse. Her beautiful jazz infused poetic music and her struggle with addiction created a juxtaposition of extremes that led to the foundational question of this creative project: “How can Winehouse’s music serve as the catalyst for a musical theatre piece that explores the impact of addiction on the human experience?” Extensive research was conducted on the themes of drug abuse, alcoholism, attachment in adult life, and domestic violence. The project culminated with a staged reading of a jukebox musical consisting of Winehouse’s music …

Blue Mountain: A Chamber Opera For Winds And Voices By Justin Dello Joio: A Unique Contribution For Wind Band Literature, Armando Saldarini

Dissertations

Blue Mountain is an opera in one act scored for four voices, and thirty-three instruments, commissioned by Det Norske Blaseensemble. Under the direction of Kenneth Jean, the premiere took place on October 8, 2007, at Kanonhalen in Oslo, Norway, as part of the Edvard Grieg Centennial celebrations and the 2007 Ultima contemporary Music Festival. The opera takes place in Troldhaugen, Norway, during the last days of Edvard Grieg’s life. Suffering from emphysema, Grieg was being treated by his doctor with morphine that created great anxiety, fear, and mental torment. A visit from his friend, Percy Grainger, gave Grieg great …

Conrad Susa's Discovery And Praises: A Conductor's Guide To Performance Considerations, Keith Harry Walker

Theses and Dissertations

Conrad Susa (b. 1935) is an American composer who has contributed over thirty choral works that are of high quality incorporating texts written by well-known literary figures. His choral works are usually spiritual in nature though not strictly liturgical. Discovery and Praises is a presently unpublished cantata in four movements for mixed chorus, solos for two sopranos, an alto, a tenor, and a baritone. The accompaniment is scored for organ, harp, percussion, flute and handbells. Susa chose to set ancient poetry by Caedmon, Wipo of Burgundy, John Donne, and St. Patrick. Although the piece was composed in 1966 and revised …

Luigi Zaninelli: Rehearsing, Performing, And Conducting Selected Works 2005-2008, James Ernest Standland

Dissertations

The purpose of this study was to provide a resource for band conductors for rehearsing and performing band compositions of Luigi Zaninelli, specifically Three Dances of Enchantment, Prayer and Canto, and Dwarf of Venice. Certain decisions conductors make and even risks they take can make the difference in an ensemble's understanding of the music. This study provides an analytical view of Three Dances of Enchantment, Prayer and Canto, and Dwarf of Venice in terms of tempi, form, ensemble blend and balance, intonation, melodic lines, and conducting gestures.

Hillbillies And Sharecroppers: An Introduction To East Coast And Mississippi Blues Styles, John Wesley Taylor

Theses, Dissertations and Capstones

In his thesis, Hillbillies and Sharecroppers: an introduction to East coast and Mississippi blues guitar styles, along with the accompanying CD performance, John Taylor discusses pre-WWII blues. The discussion includes regional guitar styles as well as physicalities involved in the performance of early acoustic blues in Appalachia and Mississippi. There is a chapter devoted to subjects covered in early blues songs with a list of lyric examples as well as a biography section devoted to both white and black performers in these styles. The live performance utilizes stories behind the songs and historical information of the performers discussed in the …