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Forms Of Graduate Music Education: A Response To Kenneth Phillip, David G. Hebert

Research & Issues in Music Education

It is truly an honor to see a response to my article from Professor Kenneth H. Phillips, in his “Graduate Music Education” within Research and Issues in Music Education, 6(1). Professor Phillips is an outstanding scholar and educator who has made a unique and important contribution to the fields of music education research and practice. His book on choral music is unusually insightful, and his most recent book on music education research is also a highly recommended resource that I use for my own graduate courses, some of which are online (Phillips, 2003; Phillips, 2008). I encourage readers to give …

Debating Assessment In Music Education, Ryan Fisher

Research & Issues in Music Education

Music education organizations achieved a huge success in Texas several years ago when legislation declared music as a part of the core curriculum. Similarly, more recent national education legislation like No Child Left Behind has recognized music as a core curricular subject. Since that time, little has been done to assess music students to ensure a set of basic skills and knowledge is being achieved. While national and state music standards exist, these standards, in many cases, are not mandatory and merely serve as a guide or recommendations for music educators to follow. Other core subjects endure severe oversight and …

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

Teaching people of all ages to make music together is still one of the most satisfying parts of my career, and as I share music making, teaching, and research with my University of St. Thomas graduate students as well as scholar-musicians around the world through RIME, I remember why I do this. Music is simply good for our souls.

Graduate Music Education, Kenneth H. Phillips

Research & Issues in Music Education

This essay on graduate music education is in response to an article by David Hebert on challenges and solutions in online music teacher education that appeared in the online journal, Research and Issues in Music Education, 5(1). I found the article stimulating because so little has been written on the topic of music teacher education at the graduate level.

It appears that graduate music education in institutions of higher learning is locked into traditions that online programs are ready to challenge. In this essay I consider this challenge from a traditionalist viewpoint to determine if an online approach is a …

A Study Of The Comparative Perceptions Of Non-Tenured And Tenured Music Teachers And Music Supervisors Regarding The Needs And Concerns Of The Teacher In Music Performance Education, Dale E. Johanson

Research & Issues in Music Education

The purpose of this study was to elicit information through a survey from non-tenured and tenured music performance teachers and their music supervisors concerning their perceived needs and concerns at work. An instrument created for evaluation and assessment was constructed to yield twelve scale areas of needs and concerns. Comparison of responses provided results showing areas of congruence and disagreement among music performance teachers and supervisors.

Teachers placed teaching materials and resources as a high concern while supervisors expressed greatest concern in the area of music-related competence. In terms of assistance, non-tenured music teachers felt that mentor teachers, music conferences, …

A Comparison Of Mexican Children’S Music Compositions And Contextual Songs, Patricia E. Riley

Research & Issues in Music Education

The purpose of this research was to make observations and comparisons between original music composed by Mexican children, and traditional Mexican songs. Data were obtained through notated music compositions created by the children, and through videotaped interviews during which the children performed their compositions, talked about both their compositions and songs representative of their cultural context, and performed the songs. Subjects were 10 randomly selected fourth-grade children enrolled at the Julian Hinojosa School in Puebla, Mexico. Prior to composing, the children explored the instruments to be used, and the musical elements of pitch, duration, tempo, dynamics, and timbre. Results indicate …