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Music Education

Gardner-Webb University

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Beethoven

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Volume 46, Number 09 (September 1928), James Francis Cooke Sep 1928

Volume 46, Number 09 (September 1928), James Francis Cooke

The Etude Magazine: 1883-1957

Teaching Correct Pedaling

Incredible Mental Achievement

Music in the City of Flowers

Improve Your Stretch

Keyboard Facility and Agility

How to Extend Your Hand Without Injury

Beethoven Listening to the Muses—An Etching

Folk Element in Music: The Study of Nationality in Music

Cross Rhythm

Teaching the Use of the Pedal

Master Themes the World Loves Best

Most Amazing Achievement in the History of Music Study: The Remarkable Story of a Student Who Has Been Blind


Volume 35, Number 12 (December 1917), James Francis Cooke Dec 1917

Volume 35, Number 12 (December 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Automatic Faculty in Piano Playing

How to Attain Freedom of the Fingers

Mass of Christ

Footlight Fear and Fever

Important Steps in the Educational Work of an Opera Singer

Three Measure Rhythm

Christmas Carols

Reading Detached Chords

Are the Black Keys Poisonous to the Thumb?

Time to Rest and a Time to Grow

Musical Reputations and How They are Achieved

Is Compulsory Music Study Advisable?

Successful Study of Octaves

Can You Pass This Normal Test?

Some Pianos I Have Known

Practice Individual Tones in a Chord

Beethoven's Characteristics as a Pianist

How to Study Two Against Three

Pianographs

Hints on …


Volume 28, Number 10 (October 1910), James Francis Cooke Oct 1910

Volume 28, Number 10 (October 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Music the American People Demand (interview with John Philip Sousa)

Scharwenka on Listening to One's Playing

Failure of Gounod's Faust

Heredity and Music: Remarkable Instances of the Manner in Which Musical Talent Has been Communicated from One Generation to Another

Some Great Virtuosos of the Present Day

Clara Schumann on Ear Training

Talk with Svendsen

Preparing the Hands for Advanced Pianoforte Study

Better Understanding of the Double Bar

Vital Defects of Most Pianists

Some Distinctions in Musical Terms