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J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose Dec 1961

J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose

Graduate Student Research Papers

In view of some misconceptions concerning the reading of these ornamental symbols, a study of how to interpret them accurately seems of value. Stenographic signs of later periods are superficially similar to Baroque ornaments and are frequently used mistakenly in performing music of the Baroque. Bach's embellishments should obviously be treated according to Baroque practice.


Organizing And Teaching A String Program, Dale Eugene Kempter Aug 1961

Organizing And Teaching A String Program, Dale Eugene Kempter

Music ETDs

It is the purpose of this study to present reasons for and methods used in organizing a string program, and to present the pedagogical technics employed in the teaching of the string instruments. The introductory and musical examples relating to such technics as shifting, positions, and bowing would be impossible to cover completely within the scope of this book.


An Analysis Of The Thematic Structure Of Chopin's Polonaise-Fantaisie, Opus 61, Thomas Walter Bull Aug 1961

An Analysis Of The Thematic Structure Of Chopin's Polonaise-Fantaisie, Opus 61, Thomas Walter Bull

Graduate Student Research Papers

The analysis of the Polonaise-Fantaisie was undertaken to ascertain, insofar as can be done through the analysis of one work, whether or not Frederic Chopin's music is loosely structured and unpolyphonic as some of his critics have maintained.


A Study Of The Elementary Instrumental Curriculum Of The Clover Park School District, Wilber D. Elliott Aug 1961

A Study Of The Elementary Instrumental Curriculum Of The Clover Park School District, Wilber D. Elliott

Graduate Student Research Papers

The purpose of this study was to compare the present elementary instrumental program with programs of other school districts in order to change the Clover Park program where necessary in order to maintain an effective elementary instrumental curriculum as part of the overall music program.


A Study Of The Adolescent Boy's Changing Voice, Harold Robert Estby Aug 1961

A Study Of The Adolescent Boy's Changing Voice, Harold Robert Estby

Graduate Student Research Papers

It was the purpose of this study (1) to arrive at an understanding of the vocal mechanism and how it changes during the changing voice period, (2) to discover what preparation can be made for the changing voice period, and (3) to find information on the changing voice period that would lead to an understanding ot how the changing voice develops and how it should be cared for and trained.


An Extention Of Musical Concepts In The Junior High General Music Program, George M. Ice Aug 1961

An Extention Of Musical Concepts In The Junior High General Music Program, George M. Ice

Graduate Student Research Papers

This paper intended to show how an extension of theoretical concepts of musical learning may contribute to an effective, unified, general music program in the junior high school.


Puccini's Treatment Of Verismo, Janet M. Ice Aug 1961

Puccini's Treatment Of Verismo, Janet M. Ice

Graduate Student Research Papers

The employment of verismo, or realism, in opera did not begin with Puccini; however, his treatment developed the concept to its fullest. Inasmuch as Puccini was one of the foremost composers of his time, a study of his treatment of verismo seems valuable.


Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus Aug 1961

Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus

Graduate Student Research Papers

With this emphasis on textual understanding, opera, as introduced by a group or amateur composers called the Florentine Camerata, was born. These composers wrote in a recitative style for the solo voice. Being amateurs, however, they did not possess the professional musicianship to amplify the textual implications. Therefore, Monteverdi, the trained musician, established many musical innovations still in effect.


A Style Analysis: Bach's Brandenburg Concerto, No. 2 In F Major, Charles Raymond Wallgren Aug 1961

A Style Analysis: Bach's Brandenburg Concerto, No. 2 In F Major, Charles Raymond Wallgren

Graduate Student Research Papers

This paper is primarily concerned with one example of Johann Sebastian Bach's instrumental style--the "Brandenburg Concerto No. 2." The style of this work was influenced by the musical resources known to Bach, compositional techniques, and the capabilities of the instruments in the baroque period. The manner in which Bach used these resources and the integrity of what he had to say are evidences of his individual genius.


Graduate Percussion Recital And A History And Development Of Percussion Instruments And Percussion Music, Ned S. Mortensen May 1961

Graduate Percussion Recital And A History And Development Of Percussion Instruments And Percussion Music, Ned S. Mortensen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

In today1s public school band the percussion section is often neglected. Some band directors consider the percussion section a place to deposit outcasts. Even though a full, accurate and well-trained percussion section adds polish to a band, few band directors admit its importance. Percussion instruments are seldom recognized as effective solo and ensemble instruments even though both solo and ensemble work can help the percussionist become an accomplished musician.

In this paper, it is proposed to examine the history and development of percussion instruments and percussion music and to thus establish the importance or the percussion section in the public …


Research On Repertoire Used In Vocal Recital, Drew Van Wagoner May 1961

Research On Repertoire Used In Vocal Recital, Drew Van Wagoner

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The selections in the recital given by the candidate can be divided into four sections. The first four songs can claim as their origin in time the early Italian school of the Baroque period. The two selections following these represent the oratorio. The aria by Haydn properly comes from the Class-ical era. The aria from Mendelssohn's oratorio is from the Romantic period, but it is referred to as Classicist-Romanticist, due to different elements of style and technique used by the composer.1 The third part of the recital is composed of art songs, taken from the German Lieder group, the first …


Graduate Recital, Alma C. Cook May 1961

Graduate Recital, Alma C. Cook

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The writer, after conferring with his graduate committee, selected a lecture-recital project in partial fulfillment of the requirements for his Master of Science degree in Music Education. As a junior high school instrumental teacher and specialist on the low brass instruments, he was advised by his committee chairman, Professor Max F. Dalby, to also utilize some of his junior high school students on the recital. It was suggested that he play various instruments with them, as well as appropriate solos on his major instruments: euphonium, tenor trombone, and tuba. To show the writer's versatility, it was also suggested that a …


Improving Elementary School Singing, P. Annette Hansen May 1961

Improving Elementary School Singing, P. Annette Hansen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The problem of helping children to make continual progress in their singing ability has been of particular interest to me because of the experiences I have had in teaching music to third, fifth, and sixth graders. In most cases the children had had few teachers who were trained or experienced in teaching music. In one district there wasn't even a music supervisor to whom teachers could go for help if they felt they needed it.

The problems on which I have done research to write this paper are the ones which have been the most common in my experience. I …


A Descriptive Summary Of Various Band Booster Groups In Southeastern Idaho And A Study Of Their Benefits To The Schools, Melborne Roberts May 1961

A Descriptive Summary Of Various Band Booster Groups In Southeastern Idaho And A Study Of Their Benefits To The Schools, Melborne Roberts

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

Within the last 30 years the music departments in the schools of the Southeastern Idaho areas have grown tremendously. With the mushrooming of the band programs within these music departments many problems appear. They arise primarily from inadequate funds.

In order for the band systems in this area to function properly, the problem of finances must be met by some means other than entirely through the funds allocated by local school boards.

Local boards of education frequently do not have sufficient funds to meet such needs as transportation for band tours and trips to the district and state festivals. Large …


Graduate Wind Instrument Recital, Harold W. Boyce May 1961

Graduate Wind Instrument Recital, Harold W. Boyce

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Since the end of World War II most teacher-training institutions have reinforced and expanded requirements for graduation in instrumental music education; but the problem still remains of determining the actual training needs of the instrumental music educator and the manner in which these needs can best be fulfilled in the relatively brief period of time available for educating the teacher . It is the responsibility of the music departments of the teacher-training institutions to determine the most practical and efficient courses and projects which will better equip students in instrumental music education for teaching general music classes, performing on their …


A Band Instrument Repair Manual, George Arthur Peavy Jan 1961

A Band Instrument Repair Manual, George Arthur Peavy

University of the Pacific Theses and Dissertations

No abstract provided.


Developing Music Appreciation In The Elementary Grades, Patricia Stanley Pitol Jan 1961

Developing Music Appreciation In The Elementary Grades, Patricia Stanley Pitol

Masters Theses

No abstract provided.


A Comparative Study Of Selected Lieder Of Hugo Wolf And Johannes Brahms, Robert Lee Hills Jan 1961

A Comparative Study Of Selected Lieder Of Hugo Wolf And Johannes Brahms, Robert Lee Hills

Masters Theses

No abstract provided.


An Analysis Of The Vocal Problems Of Selected Works By Benjamin Britten, Marilyn Kaye Stilgebauer Jan 1961

An Analysis Of The Vocal Problems Of Selected Works By Benjamin Britten, Marilyn Kaye Stilgebauer

Masters Theses

No abstract provided.


A Transcription And Arrangement Of The Fourth Movement Of The Orchestral Suite "Through The Looking Glass", Jack W. Crews Jan 1961

A Transcription And Arrangement Of The Fourth Movement Of The Orchestral Suite "Through The Looking Glass", Jack W. Crews

Masters Theses

No abstract provided.


An Analysis Of Problems And A Transcription Of The First Suite From The Florilegium Primum By Georg Muffat For High School Brass Quintet, Galen Duane Talley Jan 1961

An Analysis Of Problems And A Transcription Of The First Suite From The Florilegium Primum By Georg Muffat For High School Brass Quintet, Galen Duane Talley

Masters Theses

No abstract provided.


Introducing Theory Through The Creative Approach Into The Secondary School Curriculum, Richard E. Harrison Jan 1961

Introducing Theory Through The Creative Approach Into The Secondary School Curriculum, Richard E. Harrison

Masters Theses

No abstract provided.


The Ogden Tabernacle Choir: Its History And Contributions To The Cultural History Of Utah, Merlin Ray Sorensen Jan 1961

The Ogden Tabernacle Choir: Its History And Contributions To The Cultural History Of Utah, Merlin Ray Sorensen

Theses and Dissertations

The purpose of this thesis is to present a history of the Ogden Tabernacle Choir, to ascertain the extent to which it developed musically, and to include any contributions that were made by the various conductors in attaining that degree of artistry achieved by this musical organization. Inasmuch as the choir was disbanded in 1949, this study will encompass its complete history. It will also include a biography of its conductors. Because the choir rehearsed and performed primarily in the Pioneer Tabernacle, a short history of this building and the Ogden Tabernacle Organ will be included, as well.