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Volume 39, Number 12 (December 1921), James Francis Cooke
Volume 39, Number 12 (December 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Hour of Triumph
200 or 200,000
Tchaikowsky on Brahms
Value of Written Work
Music an Ideal Christmas Present (interview with John Philip Sousa)
Keep Your Methods Fresh
Teachers' Round Table
How the Masters Practiced
Seven Rules for Position at the Keyboard
Camille Saint-Saëns, To-Day and Yesterday
Will Piano Exercises Overcome Deformities of the Hand?
Liszt's Business
Save Your Breath?
Heart Music and Art Music
Advance with Every Lesson
Get the Musical Idea
Comparative Musical History Dates
Here and There in the Field of Music: An Intimate Page of Facts, Humor and Comment with the Great Music Makers of To-day and …
Volume 39, Number 11 (November 1921), James Francis Cooke
Volume 39, Number 11 (November 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Pianist's Palette
Recorded Music
From a Master's Workshop
Practice Plan that Brings Results
How Genius Discounts Handicaps
Emphasizing Different Voices
Studio Stories that Hit the Spot
Demand the Noblest Ideals
How One Mother Got Time for Music Stories
Finale: Yesterday and Today
Better Elocution in Your Piano Playing
Little Learning Not Always a Dangerous Thing
Interesting Your Pupils
Knowing the Keyboard
Here and There in the Field of Music: An Intimate Page of Fact, Humor and Comment with the Great Music Makers of To-day and Yesterday
Harmony, Not a Dry and Difficult Subject
Visit to the Presser Home for Retired …
Volume 39, Number 10 (October 1921), James Francis Cooke
Volume 39, Number 10 (October 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Glimpses of Genius (interview with Percy Grainger)
Mother and the Musical Boy
Telling is Not Teaching
Verdi's Thoughts on Art
My Star Soloist
From a Master's Workshop: Little Lessons in Musicianship
Lesson in Chopin Interpretation
Five-Year Old Pupil
Teachers' Fees Should Not be Lowered
Ten Musical Failures and Why They Failed
Ambidexterity in Piano Playing
Too Much Self Help
Mastering Mistakes: Common Errors and Shortcomings of Piano Students and How to Overcome Them
Ten Thoughts for Music Students
Five Wasted Years
Eliminating Stiffness in Piano Playing: Knocking Down the Blank Wall in the Way of Progress in Grade Three
Individual …
Volume 39, Number 09 (September 1921), James Francis Cooke
Volume 39, Number 09 (September 1921), James Francis Cooke
The Etude Magazine: 1883-1957
How to Develop Staccato Touch
Twenty Don'ts for Piano Teachers
Motives and Measure Bars
Square Deal for Teachers: Let Us Have a Better Financial Status for the Professional Musician
No Missed Lessons
Wrong Thing
Teaching Table Exercises to Beginners
Practical Ideas on Artistic Pedaling
Counting for a Star
Wise Selection of Piano Teaching Materials
Thumb on the Black Keys
Music and the Student's Health
One Minute with Haydn
Piano Teacher and His Success
Starting the Fire
Essense of Musical Memorizing
Parting Word
Getting Real Happiness from Your Music: Psychology and the Young Musician
Holding Young Child's Interest
Why Some Organists …
Volume 39, Number 08 (August 1921), James Francis Cooke
Volume 39, Number 08 (August 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Momentous Musical Anniversary: P.M.T.A. Celebrates Thirtieth Anniversary of the Inauguration of a Movement Which Has Become Country Wide
Greatest Thing in Technic: Dr. William Mason's Vast Technical Vision
Musical Brain-Storms and Their Results
Heyday of Music
Vocal Masterpieces for the Masses (interview with Henri Scott)
Sustaining Pedal and What It Does to Piano Music
Musical Explorer
Pianist's Vitality
Keeping Up Interest in Your Music Club
Color Effects in Piano Playing
Don'ts for Scale Playing
Bug-Bear of Dotted Notes
Variety in Scale Practice
Bad Manners at Concerts
Look Up!
Variety at Lessons
Something New in Music Temperament and Musical Understanding
How …
Volume 39, Number 07 (July 1921), James Francis Cooke
Volume 39, Number 07 (July 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Freedom in Music Teaching Methods (interview with Erno Dohnanyi)
What the Word Sissy Did
Deep Breathing vs. Nervousness
Motives and Melodies
Rural Music Teacher's Pay
How They Earned a Musical Education
Weak Fingers
Musical Innovations
Counting Aloud
Daily Supervised Practice
Quality and Color in Piano Playing: How to Make Your Playing Beautiful by the Legitimate Use of Color Effects
Ten Cardinal Points in Legato Piano Playing
Are You Taking or Are You Studying Music?
Check Up Your Hand Position
Speed Mania
Noise, the Disease of the Century
How Primary Pupils May Learn to Read Rapidly
Line a Day
Art of …
Volume 39, Number 06 (June 1921), James Francis Cooke
Volume 39, Number 06 (June 1921), James Francis Cooke
The Etude Magazine: 1883-1957
New Aspects of the Art of Singing in America (interview with Reinald Werrenrat)
Fingering of Major Scales
Teaching Music Through Feeling
Studio Thoughts
Fingering Facts for Self-Help Pupils
Saving Energy in Practice
Von Bülow's Concert Hat
Success Steps in Piano Teaching
Sight Reading and Musicianship
What Method Shall I Study? What Method Shall I Teach?
How the Piano Sings
Fair Price for Lessons
Fingering Scales in Flats
Magic of the Keyboard: Virtuoso Tricks in Piano Playing
Playing Teacher
Do You Lose Your Music?
Liszt's Playing
Shall the Classics be First or Last?
Very Little Ones
Where Long Finger Nails Fall …
Volume 39, Number 05 (May 1921), James Francis Cooke
Volume 39, Number 05 (May 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Golden Hour
Letters from Eminent Americans Endorsing The Golden Hour
Parents, Do You Do Your Part?
Handy Definitions
Variety in Scale Practice
Gymnastics in the Bass
What is the Most Difficult Thing in Piano Playing? (interview with Ignaz Friedman)
Muscle and Piano Playing
What Method Do You Use?
Sky the Limit
Musicians and the General Public
Gossec's Grim Humor
One Minute with Ludwig van Beethoven: Selected Quotations
Making Melodies and Addressing Them Properly
Sight Reading in the More Difficult Keys
Introduction in Scale Practice: A Practical Plan
Repeated Keys: An Interesting Effect in Piano Playing Worthy of Study by Ambitious …
Volume 39, Number 04 (April 1921), James Francis Cooke
Volume 39, Number 04 (April 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Eminent Educational Experts Endorse the Golden Hour
Golden Hour: America's Most Serious Problem—A Possible Solution in Which You May Have a Vital Part
Modern Roads to Vocal Success (interview with Julia Claussen)
Sharps, Flats, Naturals
Helpful Criticism
Accent on the Third Beat
Cast Iron Methods
Lingering Lovingly on Details
Experience Plus Enthusiasm
Practical Phases of Pianoforte Technic (interview with Josef Lhevinne)
Taste
Inspiration in Piano Playing
Patience in the Study of Music
Studios, Yesterday and To-day
Psychology of Dress in Public Appearance
Alla Breve
What Was Liszt's Technic Life?
Interest Power in Music
Dialogue on the Pedals
Four Daily Practice …
Volume 39, Number 03 (March 1921), James Francis Cooke
Volume 39, Number 03 (March 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Practical Phases of Modern Pianoforte Study
Mercenary Methods and the Result
Teacher Who Makes You Work
Some Common Failings and Their Correction
Young at Seventy, Old at Forty
Be Comfortable While You Teach: A Word of Advice to Young Teachers
Steps in Learning to Compose
Learning to Like the Classics
Perspective in Teaching
Arm Relaxation Applied to Finger Work
Life Maxims of Great Musicians
Negative Criticism and Why It Fails
Soul of Poland in Music
Is the Development of High Speed Desirable in the Study of Scales and Arpeggios?
Getting Ready for a Recital
Unfair Competition
Suggestions to Young Concert …
Volume 39, Number 02 (February 1921), James Francis Cooke
Volume 39, Number 02 (February 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Acquiring a Vocal Repertoire (interview with Alma Gluck)
Cause and Cure of Nervousness
Soul Exercises
How the Scale Should be Practiced Every Day
Average Amateur Pianist
Early Teaching Material
Lines and Spaces
Select the Best Fingering
Poor Performance and Its Sequel
Curve of Improvement in Practice
How to Get the Most Out of Your Music Lesson
Acquiring a Repertoire
Folly of Giving Too Difficult Music to Students
Thematic Index
Historical Music Study
Introduction to the Keyboard
Secret of Success of Great Musicians
Learning By Ear
Keeping Up
Don't Be Discouraged
Chords I Have Met
Emotional Control in Playing
How to …
Sherwood Music School Annual Catalog 1921-1922, Sherwood Music School
Sherwood Music School Annual Catalog 1921-1922, Sherwood Music School
Academic Catalogs
The 1921-1922 Annual Academic Catalog for Sherwood Music School, featuring information about the School, its affiliated branches' purpose and locations, department descriptions, courses of study, course descriptions, biographical information about and images of faculty, and tuition information.
Volume 39, Number 01 (January 1921), James Francis Cooke
Volume 39, Number 01 (January 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Unseen Influences in Musical Composition and Interpretation (interview with Cyril Scott)
How to Check Up a Child's Progress
Written Lesson in Music
Why Does My Back Get Tired When I Practice?
Intensive Left-Hand Practice
Handicapped Players
What are the Best Kind of Playing Fingers
Adelina Patti: Queen of the Opera of the Last Century
Use Up-to-Date Beginner's Books
How Would You Answer These Self-Searching Questions?
When You Practice
One Note: Some of the Fascinating Curiosities of Acoustics
How Can I Find Out Whether My Child is Musical?
Rhythmic Knack
Peep Behind the Scenes
De Gustibus Est Disputandum, I Say: Matters …
Aunt Hagar's Blues / Words By W.C. Handy, W. C. Handy, Richmond-Robbins Music Publishers (New York)
Aunt Hagar's Blues / Words By W.C. Handy, W. C. Handy, Richmond-Robbins Music Publishers (New York)
Sheet Music, 1920-1929
Cover: photo of Isham Jones and his Orchestra; [note: photo shows a tuba being used for the bass line]; Publisher: Richmond-Robbins Music Publishers (New York)
Coal Black Mammy / Music By Ivy St. Helier; Words By Laddie Cliff, Ivy St. Helier, Laddie Cliff, Leo Feist Inc. (New York)
Coal Black Mammy / Music By Ivy St. Helier; Words By Laddie Cliff, Ivy St. Helier, Laddie Cliff, Leo Feist Inc. (New York)
Sheet Music, 1920-1929
Cover: drawing of a peaceful scene with ducks flying over a cotton field; text at the top reads the international fox trot success (see 340); Publisher: Leo Feist Inc. (New York)
(Ta De Da Da De Dum) Dangerous Blues / Music By Billie Brown; Words By Anna Welker Brown, Billie Brown, Anna Welker Brown, J. W. Jenkins Sons (Kansas City)
(Ta De Da Da De Dum) Dangerous Blues / Music By Billie Brown; Words By Anna Welker Brown, Billie Brown, Anna Welker Brown, J. W. Jenkins Sons (Kansas City)
Sheet Music, 1920-1929
Cover: drawing of well-dressed Caucasians dancing on the wings of flying airplanes, as a Pan-like satyr figure plays saxophone; Publisher: J. W. Jenkins Sons (Kansas City)
I'M Just Wild About Harry / Music By Eubie Blake; Words By Noble Sissle, Eubie Blake, Noble Sissle, M. Witmark And Sons (New York)
I'M Just Wild About Harry / Music By Eubie Blake; Words By Noble Sissle, Eubie Blake, Noble Sissle, M. Witmark And Sons (New York)
Sheet Music, 1920-1929
Cover: drawings of various peoples legs; Publisher: M. Witmark and Sons (New York)
I'Ve Got My Habits On / Music By Jimmie Durante; Words By Chris Smith And Bob Schafer, Jimmie Durante, Chris Smith, Bob Schafer, Goodman And Rose Inc. (New York)
I'Ve Got My Habits On / Music By Jimmie Durante; Words By Chris Smith And Bob Schafer, Jimmie Durante, Chris Smith, Bob Schafer, Goodman And Rose Inc. (New York)
Sheet Music, 1920-1929
Cover: drawing of African American male musicians; photo inset of singer Patricola; Publisher: Goodman and Rose Inc. (New York)
Wang-Wang-Blues / Words By Gus Mueller, Buster Johnson, And Henry Busse, Gus Mueller, Buster Johnson, Henry Busse, Leo Feist Inc. (New York)
Wang-Wang-Blues / Words By Gus Mueller, Buster Johnson, And Henry Busse, Gus Mueller, Buster Johnson, Henry Busse, Leo Feist Inc. (New York)
Sheet Music, 1920-1929
Cover: photograph of Van and Schenk; Publisher: Leo Feist Inc. (New York)
Bring Back My Blushing Rose / Music By Rudolf Friml; Words By Gene Buck, Rudolf Friml, Gene Buck, Harms Incorporated (New York)
Bring Back My Blushing Rose / Music By Rudolf Friml; Words By Gene Buck, Rudolf Friml, Gene Buck, Harms Incorporated (New York)
Sheet Music, 1920-1929
Cover: drawing of a woman with a bird; from Ziegfeld Follies of 1921; Publisher: Harms Incorporated (New York)
Coal Black Mammy / Music By Ivy St. Helier; Words By Laddie Cliff, Ivy St. Helier, Laddie Cliff, Leo Feist Inc. (New York)
Coal Black Mammy / Music By Ivy St. Helier; Words By Laddie Cliff, Ivy St. Helier, Laddie Cliff, Leo Feist Inc. (New York)
Sheet Music, 1920-1929
Cover: illustration of a peaceful Cotton Field (see #182); Publisher: Leo Feist Inc. (New York)
Only A Smile / Music By J.S. Zamesnik; Words By Eldred Edson, J. S. Zamesnik, Eldred Edson, Sam Fox Pub. Co. (Cleveland)
Only A Smile / Music By J.S. Zamesnik; Words By Eldred Edson, J. S. Zamesnik, Eldred Edson, Sam Fox Pub. Co. (Cleveland)
Sheet Music, 1920-1929
Key of G. Cover: a drawing of a woman's portrait; Publisher: Sam Fox Pub. Co. (Cleveland)
Swanee River Moon / Words By H Pitman Clark, H Pitman Clark, Leo Feist Inc. (New York)
Swanee River Moon / Words By H Pitman Clark, H Pitman Clark, Leo Feist Inc. (New York)
Sheet Music, 1920-1929
Cover: moon trees and the river; Publisher: Leo Feist Inc. (New York)
My Mommy Knows / Words By Harry De Costa And M.K. Jerome, Harry De Costa, M. K. Jerome, Waterson Berlin And Snyder Co. (New York)
My Mommy Knows / Words By Harry De Costa And M.K. Jerome, Harry De Costa, M. K. Jerome, Waterson Berlin And Snyder Co. (New York)
Sheet Music, 1920-1929
No abstract provided.
Love Will Find A Way, Author Unknown, M. Witmark And Sons (New York)
Love Will Find A Way, Author Unknown, M. Witmark And Sons (New York)
Sheet Music, 1920-1929
No abstract provided.
12th Street Rag / Words By Euday L. Bowman, Euday L. Bowman, J. W. Jenkins Sons (Kansas City)
12th Street Rag / Words By Euday L. Bowman, Euday L. Bowman, J. W. Jenkins Sons (Kansas City)
Sheet Music, 1920-1929
Cover: drawing of a Caucasian couple dancing on 12th street; Publisher: J. W. Jenkins Sons (Kansas City)
Cry Baby Blues / Music By Geo W. Meyer; Words By Joe Young And Sam M Lewis, Geo W. Meyer, Joe Young, Sam M. Lewis, Irving Berlin Inc. (New York)
Cry Baby Blues / Music By Geo W. Meyer; Words By Joe Young And Sam M Lewis, Geo W. Meyer, Joe Young, Sam M. Lewis, Irving Berlin Inc. (New York)
Sheet Music, 1920-1929
No abstract provided.
I'M Just Wild About Harry / Music By Eubie Blake; Words By Noble Sissle, Eubie Blake, Noble Sissle, M. Witmark And Sons (New York)
I'M Just Wild About Harry / Music By Eubie Blake; Words By Noble Sissle, Eubie Blake, Noble Sissle, M. Witmark And Sons (New York)
Sheet Music, 1920-1929
Cover: drawing of a well dressed African American male asking a fawning African American female to dance; description reads fox-trot novelty song from the sensational musical comedy success Shuffle Along; Publisher: M. Witmark and Sons (New York)
All By Myself / Words By Irving Berlin, Irving Berlin, Irving Berlin Inc. (New York)
All By Myself / Words By Irving Berlin, Irving Berlin, Irving Berlin Inc. (New York)
Sheet Music, 1920-1929
Cover: drawing of a woman reading a book near the window.; Publisher: Irving Berlin Inc. (New York)