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Rusalka And The Snow Maiden: A Comparative Study Of Two Fairytale Operas, Olivera Gjorgoska

UNLV Theses, Dissertations, Professional Papers, and Capstones

The two late-romantic operas Rusalka by Antonín Dvořák and The Snow Maiden by Nikolai Rimsky-Korsakov are based on fairy tales, and combine romance, fantasy, and drama. Their plots develop in parallel universes and have astonishing similarities. However, the music and drama develop following different goals. In Rusalka, leitmotifs and dramatic harmonies shape the plot into a tragedy. In The Snow Maiden motives and melodies exist to describe the character rather than lead the story and the drama; the focus is on Russian folk elements, choruses, and people.

The main character in both operas is a naïve, beautiful, fairy-like female character …

Developing The Young Dramatic Soprano Voice Ages 15-22, Monica Ariane Williams

UNLV Theses, Dissertations, Professional Papers, and Capstones

This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young …

Beginning The Baroque Bassoon: A Contemporary Approach, Elizabeth Ellen Valvano

UNLV Theses, Dissertations, Professional Papers, and Capstones

“Beginning the Baroque Bassoon: A Contemporary Approach” is an introductory method for bassoonists who are interested in learning how to play the baroque bassoon or transitioning from the modern bassoon to its baroque counterpart. This method begins with a history of the development of the bassoon before delving into specific performance techniques. This approach includes bassoon history, information on reed making, instructional examples, fingering charts, solo suggestions and playing examples, and resources for further study. While emphasizing beginning the baroque bassoon, this method also includes resources for the more advanced bassoonist. The goal of this text is to widen the …

Sacred Song Sisters: Choral And Solo Vocal Church Music By Women Composers For The Lenten Revised Common Lectionary, Lisa Elliott

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores sacred music by women composers for the Revised Common Lectionary (RCL) of the Catholic and Christian churches. The study researches exclusively choral and vocal solo music by women composers for the church season of Lent. Other primary limitations include music in English, and music from the nineteenth century to the present. The main question answered in this document is: what sacred music has been published by women composers that may be programmed in church services?

This question is answered in the included appendices. These appendices list the music by women composers appropriate for the specific RCL readings …

The Child Dreams: An Examination Of Gil Shohat’S Adaptation Of Hanoch Levin’S Play, Karin Hochman

UNLV Theses, Dissertations, Professional Papers, and Capstones

On January 18, 2010, Gil Shohat's operatic adaptation of Hanoch Levin's 1993 play, The Child Dreams, had its world premiere at the Israeli Opera. The opera was commissioned for the opening of that company's twenty-fifth season. Levin's play holds a central place in Israeli culture; given the play's stature, Shohat's musical work raises a number of essential questions about adaptations and their consequent reception. This document will examine the critical perception of the effort: did the critics reviewing the production understand Shohat's intentions and did they "read" the work in the same way that he did?

We possess a wealth …

The Musical Style And The Cultural Connotation Of Bright Sheng's Opera 'Dream Of The Red Chamber', Xirui Huang

UNLV Theses, Dissertations, Professional Papers, and Capstones

When people speak about the book Dream of the Red Chamber, their hearts soften. This novel is one of the Four Great Classical Novels in China, and the best-known one. Commissioned by the former director of San Francisco Opera David Gockley, the composer Bright Sheng and the librettist David Henry Hwang adopted the novel into the opera version of Dream of the Red Chamber. Since it premiered at San Francisco Opera house in September of 2016, there is no doubt that the opera was aimed for the Western opera audiences. The original book Dream of the Red Chamber is a …

Escaping Time: Messiaen’S Musical Language, Religious Symbolism, And Undermining Time In Quatour Pour La Fin Du Temps, Sarra Elizabeth Hey-Folick

UNLV Theses, Dissertations, Professional Papers, and Capstones

Scholars, including Robert Fallon and Wilfred Mellers, understand Olivier Messiaen’s Quatour pour la fin du Temps through the lens of war and captivity. Written during Messiaen’s imprisonment in the German prisoner of war camp Stalag VIII A during World War II, Quatour portrays the biblical “end of time” described in the book of Revelations. Messiaen drew connections between Quatour and the apocalypse with references to the angel of the apocalypse, the abyss, and the end of time. Messiaen, along with Étienne Pasquier, Jean Le Boulaire, and Henri Akoka premiered Quatour on January, 15th 1941, for their fellow prisoners and guards …