Digital Commons Network^™

A Contemporary Analysis Of Bradley Knight’S Musical Compositions, Ryan James Flug

Masters Theses

While there is a plethora of music arrangers within the Christian and gospel music industries, Bradley Knight’s arranging style and techniques have shown to set him apart among contemporary arrangers. The combination of musical techniques that uniquely contribute to Knight’s choral and orchestral arrangements include distinct rhythmic choices, intricate harmonies within orchestration and choral parts, and dynamic instrumental and vocal builds. Utilizing a qualitative approach, this study will use descriptive and exploratory research design to explain both the specific techniques and cultural contexts within the greater gospel genre that fashion Knight’s arrangements. While gospel music, choral arrangements, and contemporary music …

Curriculum Framework For Composing And Arranging For Contemporary A Cappella Choirs, Hillary Nicole Goodson-Spear

Masters Theses

As vocalists, it is important for us to understand techniques regarding current styles of vocal composing and arranging including voicing, beat boxing, and body percussion. The success of several mainstream television programs such as Glee and The Sing-Off, popular movies franchises like Pitch Perfect, and groups like Pentatonix and Straight No Chaser, demonstrate the rising popularity of contemporary a cappella music. It also reflects the need to be able to write unique arrangements of traditional or popular songs to keep up with recent trends. Current research suggests that there are very few resources available for music educators to teach this …

Access Restored: The Role Of Music And Worship In Christian Reconciliation, Daniel Raymond Gray

Masters Theses

This project explores the meaning of reconciliation to the Father through the sacrifice of Christ. At its fundamental level, the gospel contains the most radical example of reconciliation, where the offended is the party to reestablish contact. Vertical reconciliation is to be the precursor to horizontal reconciliation. The problem is that the body of Christ is far too divided. This division takes on a number of forms within the church, none of which is biblical. As the capstone project of an M.A. in Music and Worship degree, the purpose of the study is twofold. The first is to examine how …

Be Still: A Pedagogical Analysis Of Mindfulness-Based Practices In Vocal Music Education, Hattie Hannah Elder

Masters Theses

Mindfulness and mindfulness-based practices improve productivity in general education and vocal settings and have the potential to revolutionize choral music education. The purpose of this research is to improve vocal music education, vocal pedagogy, and voice practice, through the study of mindfulness-based practices and their relevance in vocal practices. The essential question answered as part of this research is, how do mindfulness and mindfulness-based practices increase productivity in the choral classroom? Sub questions addressed in this research include: 1) What is mindfulness meditation?, 2) How is mindfulness already utilized in vocal settings?, and 3) How can mindfulness best be included …

The Bended Tree, Graeme Shields

Masters Theses

The Bended Tree is a multi-movement, 40-minute cantata for chorus, organ, piano, flute, oboe, clarinet, trumpet, violin, and percussion. It explores timbral, textural, and harmonic development within loosely a symmetrical form divided in the center by 30 seconds of silence. The text for the cantata stems from a series of Lutheran hymns and Biblical passages, set to original music.

In the interest of facilitating flexibility for performances, the movements are written so that they can be performed individually, in any subset, or in the piece’s entirety. The instrumentation is also variable: the core ensemble is comprised of chorus, piano, and …

Requiem For The Transient, Brian Palmer Gee

Masters Theses

Requiem for the Transient is a six-movement piece of music for full orchestra and choir. The six movements are the “Prelude,” “Introit,” “Sequentia,” “Agnus Dei,” “Lux Aeterna,” and “In Paradisum,” As with most Requiems, the music is a setting of prayers from the Roman Missal. Historically composers have used various prayer choices, sometimes even including texts outside of the Missal. Requiem for the Transient contains only one source of text outside of the Missal; the first movement, “Prelude”, uses text from the New King James version of Ecclesiastes 12:1-7.

This document will compare and contrast Requiem for the Transient with …

"You're In The Right Place At The Right Time": Double Consciousness, Cultural Memory, And Cultural Representation In College Gospel Choirs, Emmanuel Joshua Stokes

Masters Theses

Gospel music exists within a rich cultural and historical space—at one level, it is part of an important Black musical tradition and at another, it is part of mainstream American history. College gospel choirs, then, mediate the divide of being part of the Black diasporic, religious music aesthetic while co-existing in the academic setting within a largely White-European western art music arena. Moreover, they provide space for students to commune socially, express faith, and gain cultural knowledge. I argue that through the theoretical lenses of double consciousness, cultural memory, and cultural representation, one can clearly understand the position of gospel …