Digital Commons Network^™

The Power Of Three In Dan Forrest’S Requiem For The Living, Lindsey Lanee Cope

Masters Theses

Dan Forrest’s Requiem for the Living is a recent composition that is quickly gaining attention in the choral world. The work exhibits unique aspects of Forrest’s compositional voice in his Requiem, including his textual changes from an original Requiem, formal designs and overall organization, melodic and rhythmic motivic development, and harmonic transformations. Through comprehensive analysis and discussion, this thesis will argue that the primary threenote motive in the Requiem serves as the cornerstone for analytical departure. The number three is the main component of the formal, motivic, and harmonic structure of the Requiem for the Living. The framework …

Physiological Response To Dissonance In Musicians And Nonmusicians, Angela Beth Biehl

Masters Theses

Knowing the human response to musical dissonance could have important therapeutic implications in the music therapy setting. The listener’s musical experience could significantly impact their response and subsequently its effect in a therapeutic setting. Thus, this study aimed to examine both the psychophysiological and subjective responses to dissonance and the difference in these responses between those with high experience and those with low experience. Participating groups, categorized as high experience (HE) and low experience (LE) in terms of musical knowledge, listened to consonant and dissonant musical excerpts, and rated each excerpt on its pleasantness; their physiologic responses were measured to …

The Neurochemistry Of Group Singing: Bonding And Oxytocin, Jason Keeler

Masters Theses

The purpose of this study was to examine the neurochemical correlates of group vocal improvisation and to determine the feasibility of the research methods. One group of four participants sang together in two conditions: pre-composed and improvised. Concentrations of plasma oxytocin and adrenocorticotropic hormone (ACTH) were measured before and after each singing condition to assess levels of hormones associated with social affiliation, engagement and arousal. Successful implementation of the methodology, including recruitment, data collection, and sample analysis, served as the primary outcome of this study. ACTH concentrations decreased in both conditions, and significantly so in the pre-composed singing condition. Mean …

String Quartet, Brut, Bernie Walasavage

Masters Theses

l’Art Brut , also commonly referred to as “outsider art,” is comprised of a variety of visual media by untrained or mentally ill artists. The string quartet is subtitled this because it takes inspiration from the work of these artists; with its jagged edges, vibrant colors, and horrid scenes, there is an organic beauty inherent in such eclectic and divergent art. Another factor which drew me to the artwork of the mentally ill was the commonality of Kenophobia: an abnormal fear of empty spaces. Schizophrenic, Swiss artists, Adolf Wölfli (18641930) and Aloïse Corbaz (18861964) were noted for suffering this phobia …

Parody And Satire In Hanns Eisler's Palmström And Zeitungsausschnitte, Alyssa Wells

Masters Theses

Hanns Eisler routinely expressed his discontent with the state of music and society in the late 1920s in Die Rote Fahne—an organ of the Marxist revolutionary organization, the Spartakusbund, to which he often contributed. His 1928 essay “Man baut um,” among the most notable of these writings, declares that the high expenditures in art—such as the construction of a fourteen-million Mark opera house—to be the result of capitalist greed rather than a reflection of the desire for musical performances, as had been suggested. Although the cost of the new venue is the subject in this satirical passage, this …

Discerning Harmonic Progressions In The First Movement Of Zoltán Kodály's String Quartet No. 1, Op. 2 In C Minor (1910), Martin Ross

Masters Theses

Zoltán Kodály’s String Quartet No. 1 in C Minor is one of his earliest compositions. Kodály composed this as a tonal work, emulating the style used by nineteenth century composers. Kodály creates highly polyphonic textures and a complex harmonic language within the C minor tonality. Although this piece is considered tonal, Kodály deviates from the prototypical norms of tonal composition. As in most tonal music, harmonic progressions tend to support the overall tonal syntax. This includes chords, chord progressions, and key areas.

The goal of this thesis is to categorize harmonic progressions in the first movement of Kodály’s String Quartet. …

Jazz And Puerto Rican Traditional Music: A New Generation Of Musical Exploration, Pedro Lavezzari

Masters Theses

Many musical styles around the world have been born from struggle and search for cultural identity. The same idea applies to Jazz and the Afro-Caribbean music created within the African diaspora and influenced by Latin and European styles in the United States. More recently, the meaning of diaspora has been used to refer to a group of people and some aspects of their culture (Rivera 2010, 104). For older and newer generations of Puerto Rican musicians two traditions have intersected to create a modern form of expression that reaffirms Puerto Rico’s musical creativity and contemporary tendency. In 1989 Warren Pinckney …

Requiem For The Transient, Brian Palmer Gee

Masters Theses

Requiem for the Transient is a six-movement piece of music for full orchestra and choir. The six movements are the “Prelude,” “Introit,” “Sequentia,” “Agnus Dei,” “Lux Aeterna,” and “In Paradisum,” As with most Requiems, the music is a setting of prayers from the Roman Missal. Historically composers have used various prayer choices, sometimes even including texts outside of the Missal. Requiem for the Transient contains only one source of text outside of the Missal; the first movement, “Prelude”, uses text from the New King James version of Ecclesiastes 12:1-7.

This document will compare and contrast Requiem for the Transient with …

Sounding Identity: Soundscapes, Music, And Technoculture In The Chinese Diaspora Of Panama, Corey Michael Blake

Masters Theses

Present in Panama since the 19^th century, the Chinese diaspora in Panama City, Panama represents an empowered community of individuals who identify as both Chinese and Panamanian. These Chinese Panamanian hybrid identities emerge within sonic environments through an engagement with transnational media and digital technologies, notably within retail stores. Specifically, music surfaces as an especially important sonic marker of the Chinese Panamanian hybridity. Within the mall of the Panamanian Chinatown of El Dorado, an interesting mixture of both Chinese and Latin American popular music genres sounds throughout the various stores. This mixture of music genres demonstrates Chinese Panamanian agency …

The Experience Of Social Flow In Vocal Jazz Improvisation, Brittany Neuser

Masters Theses

The purpose of this study was to evaluate the feasibility of experimental research procedures and gather initial data in studying the experience of social flow within the context of group music production tasks. Participants completed two different group vocal music production tasks: Performance of a pre-composed song and an improvised performance. The Flow State Scale-2 (FSS-2), a 36-item survey in which a mean score of 45 implies the ultimate flow experience and a score of 9 implies that no flow was experienced during the event in question, was used to assess the level of social flow experienced by the participants …

Sound-Off! An Introduction To The Study Of American Military Marching Cadences, Travis G. Salley

Masters Theses

Cadences are call and response marching songs sung by military personnel during drill and ceremony. This music originated in the United States in 1943 and has spread to militaries across the world. It is typically heard at basic training installations where it is used to help resocialize trainees into soldiers and during unit physical training. The lyrics of cadences often engage with facts of military culture: exploring the reality of combat and military life, instilling motivation, and developing unit cohesion.

Scholarship in this field displays significant gaps when it comes to the development of the military cadence, which my thesis …

Hanns Eisler's "Das Vorbild" And The Rebuilding Of Musical Culture In The German Democratic Republic, Alyssa Wells

Masters Theses

In his essay, “Musik und Musikverständnis” (1927), Hanns Eisler (1898-1962) wrote that "the evaluation of a piece of music calls for the understanding of the elements of harmony, polyphony, and form," and that one who is not privy to this understanding will "be in the same situation as one who hears a speech in Chinese, without an understanding of Chinese.” Eisler maintained that music could be rendered intelligible through “a gradual rebuilding of musical culture.” This new musical culture, which he believed could only occur after the proletariat seized societal power from the bourgeoisie, would promote musical education and encourage …

Music Therapists Behind Locked Doors: The Role Of Trauma Exposure And Current Music Therapy Practices In Correctional And Forensic Psychiatry, Deanna K. Bush

Masters Theses

The purpose of this descriptive study was to explore the role trauma exposure has on the possible development of symptoms of Vicarious Traumatization (VT) in the lives of Board Certified Music Therapists employed in correctional and forensic settings. Research was conducted through completion of an electronic survey. Additionally, the researcher sought to identify current music therapy practices as well as differences between practicing in forensic settings and correctional settings. The participants involved in this study were Board Certified Music Therapists who work in forensic and correctional settings. Survey invitations were electronically sent to 133 prospective participants as listed on either …

'Sing Unto The Lord A New Song--Just Not That One!' A Case Study Of Music Censorship In Free Will Baptist Colleges, Jon Edward Bullock

Masters Theses

Like so many of the world’s other religious institutions, the Christian church has a long and well-documented history of using music to enhance and enliven the spiritual experiences of believers. Many of the church’s greatest champions throughout history have spoken about the inherent power of music, but as history always seems to demonstrate, along with power comes the need for control. As long as church leaders have used music to attain spiritual progress, they have also censored music that threatens to impede that progress. Even today, many church leaders still rely on music censorship to protect the future and identity …

Perceptions Of Guitar Use And Training In Music Therapy: A Survey Of Clinicians, Joshua Robert Keller

Masters Theses

The purpose of this study was to examine music therapists' perceptions of guitar use and training in clinical practice. Three major research questions dealt with guitar use, guitar training, and clinicians' confidence using the guitar in clinical practice. A quasi-random sample of 1000 board-certified music therapists were invited to complete an online questionnaire with 27 questions in the areas of guitar use, guitar training and experience, and the importance of 28 specific skills. One hundred fifty music therapists (n = 150) responded.

Major findings include: (1) clinicians appear to use the guitar frequently and, on average, see guitar skills as …

Emotional Responses To Musical Dissonance In Musicians And Nonmusicians, Rebecca Joan Bumgarner

Masters Theses

The purpose of this project was to investigate the influence of music education on individuals’ subjective and physiological responses to consonant and dissonant excerpts. Participants were categorized as having high experience (HE) or low experience (LE) in music education. Participants listened to 40 randomized excerpts of music, half of which were consonant, the other half dissonant. Electrodermal Activity (EDA) and Facial Electromyography (EMG) data were collected for each participant, as well as self-reports of perceived pleasantness for each excerpt. It was expected that HE participants “learned” dissonance through music education, and therefore would respond more strongly to dissonant excerpts. As …

Clinical Efficacy Of Music Therapy In Addiction Counseling: A Systematic Review, Marissa Renee Rinehart

Masters Theses

A previous systematic review study by Mays, Clark, and Gordon in 2008 reviewed music therapy research to look into the clinical efficacy of music therapy and addiction counseling. Their research concluded that the present literature contained few articles that had quantitative evidence and the music therapy that was presented was not an independent therapy for treatment for patients with substance abuse. This systematic review sought to research literature within the past six years that studied the effects of music therapy on clients who were dealing with substance abuse to review the progress of music therapy research since the 2008 article …

A Comparison Study Of Diagnostic Outcomes Between The Music Therapy Assessment Tool For Awareness In Disorders Of Consciousness (Matadoc) And The Coma Recovery Scale-Revised (Crs-R), Caitlyn E. Bodine

Masters Theses

The purpose of this study was to explore preliminary external validation of a standardized music therapy assessment tool used in the detection of awareness with the DOC patient population with an external reference standard. Eight subjects were administered both the MATADOC and the CRS-R within five days of one another, and results were compared on the levels of overall diagnosis, analogous domain subscales, and intra-assessment relationships between individual domains and overall diagnosis. Results indicated a very strong level of agreement for overall diagnosis (r_s = .85, p < .01), very strong relationships between the auditory and visual components of the two assessments (r_s = .76, p < .05, and r_s = .81, p < .05, respectively), and a strong, but non-significant relationship between arousal scores on the two assessments (r …