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"Leave All That You Have, That You May Take All:" What Hugo Distler's Totentanz Reveals About His Life And Music, Alison Elizabeth Allerton
"Leave All That You Have, That You May Take All:" What Hugo Distler's Totentanz Reveals About His Life And Music, Alison Elizabeth Allerton
LSU Doctoral Dissertations
Hugo Distler (1908-1942) has been described as the most important composer of Protestant Church music in Germany in the early twentieth century—a remarkable epithet given that he was a professional church musician and composer for only about twelve years before his life was abruptly ended with his suicide in 1942. Though he is more well-known in Germany, in the United States public perception of Distler is often limited to two basic “facts:” (1) he is a neo-Baroque composer whose works emulate Heinrich Schütz, and (2) his suicide was an act of resistance against the hated National Socialist regime. This study …
The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin
The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin
LSU Doctoral Dissertations
The choral work love is the every only god, composed by J. A. C. Redford, was published in 2001, placing it among the initial choral concert works published in the twenty-first century. love is the every only god is a song cycle for divisi mixed chorus with piano accompaniment based on six poems by E. E. Cummings. The work is organized into six movements with two interludes and lasts approximately twenty-five minutes. Beyond his regard for the art of poetry and care in choosing a text, Redford sees himself as an illuminator of the text, providing the listener with a …
An Introduction To The Life And Music Of Javier Busto And A Conductor's Analysis Of Missa Pro Defunctis (1997), David D. Wells
An Introduction To The Life And Music Of Javier Busto And A Conductor's Analysis Of Missa Pro Defunctis (1997), David D. Wells
LSU Doctoral Dissertations
Born in Hondarribia, in the Basque country of Spain on November 13, 1949, Javier Busto is one of the most recognized composers of that area. This research introduces the composer and his music. The document briefly presents events of his life that promoted his advancement as a composer, with particular attention to his composition "Missa pro Defunctis" (1997). The work was commissioned by the Kobe Chuo Chorus of Japan as a community response to an internationally recognized catastrophe, the terrible earthquake in Kobe, Japan on January 18, 1995. It represents significant creative energy in the organization and development of Busto’s …
Liturgical Expressions Of A Classical Romantic: A Choral Conductor's Investigation Of Selected Sacred Trebel Chorus Compositions By Josef Rheinberger, Natasia Sexton
LSU Doctoral Dissertations
Abstract In his attention to the demands of the liturgy, ideals of musical reform in worship during the 19th century, and contemporary compositional practices, Rheinberger reflected his environment in the Marianische Hymnen, opus 171 and the Missa in g, opus 187. Although little documentation exists regarding the origins of these compositions, clearly they were intended for Catholic worship. Syllabic, homophonic settings of Latin texts feature graceful yet restrained organ accompaniments functioning to support the voices while revealing the liturgical practices of the period. Furthermore, diary entries by both Rheinberger and his wife reveal that the composer occasionally prepared works for …
The Choral Music Of Anthony Burgess And A Conductor's Study Of Four Anthony Burgess Choral Pieces, Randall L. Hooper
The Choral Music Of Anthony Burgess And A Conductor's Study Of Four Anthony Burgess Choral Pieces, Randall L. Hooper
LSU Doctoral Dissertations
Anthony Burgess, primarily known for his literary career, was also a prolific composer. Composition and music was his first love and passion. At the present time, there is no study specifically on the choral music of Anthony Burgess and there have been only a few performances of his music. The primary goal of this paper is to consider the choral compositions of Anthony Burgess. In a comparison of the works list produced by Anthony Burgess in This Man and Music, a works list complied by Paul Phillips and the inventory of holdings in the Burgess collection at the Ransom Center, …
A Conductor's Study Of Villa-Lobos's Magnificat-Alleluia And Bendita Sabedoria, Hoffmann Urquiza Pereira
A Conductor's Study Of Villa-Lobos's Magnificat-Alleluia And Bendita Sabedoria, Hoffmann Urquiza Pereira
LSU Doctoral Dissertations
Heitor Villa-Lobos is one of the most important names in South American music and probably the most important name in Brazilian music. His musical output includes symphonies, symphonic poems, operas, chamber music, concertos, and choral music, among other genres. His choral music output is significant and includes pieces in which the chorus seems to be used for color and rhythm in a primarily instrumental texture, educational music, folk and secular pieces, large scale choral pieces, and sacred music. This document provides a brief survey of his choral music and a conductor's study of his last two choral works, Bendita Sabedoria …
Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon
Text And Structure In Schoenberg's Op. 50, And An Original Composition, Symphony #1, Thomas, Jr. Michael Couvillon
LSU Doctoral Dissertations
Part One of this document provides an analytical study of Schoenberg's final opus, Op. 50, three religious choral works written in the serial style: Driemal Tausend Jahre, Op. 50a (1949), De Profundis, Op. 50b (1950), and Modern Psalm, Op. 50c (1951). This study is divided into five chapters: an introduction, a conclusion, and a chapter of analysis for each of the three pieces. Analysis of these pieces reveals three significant conclusions: 1) Schoenberg consistently incorporates areas of relative consonance and pitch emphasis into his serial structures; 2) these areas of pitch emphasis, together with other musical devices are used to …