The Origin And The Evolution Of The Double Bass, Patrick James Lavergne

LSU Doctoral Dissertations

This dissertation will trace the double bass from the 16^th century to the 21^st century. The double bass is the largest and lowest pitched member of the string family. The members of the string family are the violin, viola, cello, and the double bass. The pitch of the double bass sounds one octave lower than the written pitch. The double bass is sometimes called the contrabass, string bass, upright bass, or bass fiddle. It is used in different genres of music such as classical, jazz, blues, bluegrass, country & western, and even rock.

Looking Down From The Top Of A Redwood Tree, Keri Pertuit

LSU Master's Theses

“Looking Down from the Top of a Redwood Tree” was a collaboration with my brother, Fabein Miguel Disedare. From the onset of this project, I reached out to him about the possibility of him creating the poetry, functioning as the lyrics of this piece. When working with Fabein, he suggested the topic of global warming, and we agreed to incorporate this theme through the telling of a story from the perspective of Redwood Tree located on the California coast. This song cycle follows the story of a family of trees inhabiting the coastline, their struggles with deforestation, their lack of …

An Analysis Of The Gradual Archetypal Transformation In The Operatic Travesti Role, Mandalay Martin

Honors Theses

No abstract provided.

Expansion Of The Cello Repertoire In The 21st Century: A Collaboration With Composers Paul Eddison Lewis, Thomas L. Wilson, Austin Franklin, And Alex Shanafelt And The Resulting New Compositions For Cello And Electronics - Examined And Recorded By The Performer, Eduard Teregulov

LSU Doctoral Dissertations

Electroacoustic music has been one of the fastest growing genres in classical art music since the middle the twentieth century. Thanks to the pioneers of the genre such as American composer John Cage, Halim El-Dabh, Karlheinz Stockhausen, Morton Subotnick, Iannis Xenakis, as well many others composers and enthusiasts of the twentieth and the twenty-first century the repertoire of electronic and electroacoustic music has grown tremendously withing the last hundred years. Even today it is still a growing art form as contemporary composers are working with yet to be developed and explored electroacoustic programming and equipment.

The purpose of this project …

Three Learning Contexts As Paths To Preservice Instrumental Music Teachers' Score Analysis, Rehearsal Planning, And Instructional Readiness: An Exploratory Study In Professional Development, Jennifer Lee Pulling

LSU Doctoral Dissertations

Despite an abundance of evidence-based research pointing to the effectiveness of long-term teacher professional development (PD) (Darling-Hammond, Hyler & Gardner, 2017; Desimone, 2009), instrumental music teachers who seek to improve their teaching practices are limited to and often prefer short-term PD opportunities (Bauer, 2007; West, 2020). In recent years, a growing knowledge base focused on music teacher PD has given attention to long-term, content-based and collaborative music PD (Conway, 2015; Kastner, 2014; Stanley, Snell & Edgar, 2014) while a dearth of evidence-based research exists on short-term music PD (Bauer, 2007; West, 2020). The purpose of this collective case study was …

Using Performance Cues As A Memorization Strategy With Group Piano Students By Implementing Teacher And Student-Directed Learning Approaches, Maria Eduarda Lucena Vieira

LSU Doctoral Dissertations

Multiple researchers have explored the use of performance cues in memorization for music students, suggesting that it is an effective method for memorization (Chaffin & Imreh, 2002; Gerling & Dos Santos, 2017; Hallam et al., 2008). Based on the current literature about the use of memorization strategies, researchers have found a method of a secure, solid, and effective technique called Performance Cues (Chaffin & Imreh, 2002; Hallam et al, 2008). When working with students, the teacher can guide them with steps to understand how the music works and help them to find a secure memorization process where they will feel …

The Rougarou Concerto And Initial Observations Of The Flex Ensemble, Thomas Wilson

LSU Doctoral Dissertations

The purpose of this dissertation is to examine the immediate impact of the coronavirus pandemic through a composer’s lens. It will examine the impact through a variety of means, considerably: interviews of those with first-hand experiences, analyses of prominent adaptable works, and self-analysis of how my own process adapted to meet the moment.

After discovering the Composers Repertoire Initiative and being commissioned to write a concerto by Eduard Teregulov, I wrote a cello concert. The central chapter features the Rougarou Concerto, a cello concerto with accompanying flex ensemble, written for Eduard Teregulov. The work was written over ten months …

The Innocence Of Lennie Small In Carlisle Floyd's Opera Of Mice And Men In Excerpts Presented As A Performer's Guide, Michael Robert Hendrick

LSU Doctoral Dissertations

Of Mice and Men is a 20th century American opera composed by Carlisle Floyd. Carlisle Floyd also served as librettist, as he did with all of his operas. Based on the American novel of the same name by John Steinbeck, Of Mice and Men is Carlisle Floyd's second most performed opera. This project serves to demonstrate the innocence of the role of Lennie Small, as seen through his intellectual shortcomings, enhanced by the vocal line and music of the composer. A performer's guide is also provided.

Variações Sérias Sobre Um Tema De Anacleto De Medeiros - Piano A Quatro Mãos, By Ronaldo Miranda: A Performer’S Guide, Patricia Bretas De O Da Rosa

LSU Doctoral Dissertations

Abstract

This study examines Ronaldo Miranda’s Variações Sérias Sobre um Tema de Anacleto de Medeiros – Piano a Quatro Mãos, 1998, transcribed from the original, which was composed for wind quintet (1991). The piano duet version is well-known and part of the core repertoire of most Brazilian piano duos.

Enhanced by the interview with the composer, the paper starts by addressing the relevant facts of his rich and prolific musical life while tracing four compositional phases through a list of his piano works.

A brief history of the Serious Variations (so named in this paper) deals with its genesis, characteristics, …

“Jeszcze Polska Nie Zginęła”: Discovering The Life And Music Of Zygmunt Noskowski, Filip Starostka

LSU Doctoral Dissertations

Polish music history suffers from a lack of representation. This misleads audiences to the common misconception that Polish music began and ended with Chopin. In reality, there are a number of important figures in 19^th-century Poland whose efforts were seen as vital to the restoration of music culture in a time when conquering nations were actively working on destroying Poland’s history. The purpose of this lecture recital is to bring the biography and works of Zygmunt Noskowski, one of Warsaw’s most important musical figures, to English speaking audiences.

Born in 1846, Zygmunt Noskowski was active as a musician, …

An Introduction To Jazz Performance Skills And Techniques For Trombone: The Bordogni Jazz Project, William Ford

LSU Doctoral Dissertations

The Bordogni Jazz Project are arrangements of eight Bordogni Vocalises using harmonic and rhythmic elements from the jazz style, and new, original etudes that were composed based on the reharmonizations of the original Bordogni etude melodies. The material is intended to provide a comprehensive, but attainable resource for trombonists and educators which is inclusive of the stylistic nuances, performance practices, and cultural backgrounds associated with the jazz idiom. These are to be used as a resource to introduce classically trained trombonists to jazz playing and performance practices. Through study of this material, trombonists will ultimately be able to take advantage …

Using Distributed Techology To Make Music In The Time Of The Attention Economy, Tate Carson

LSU Doctoral Dissertations

Sounds Aware is a mobile web app that allows users to record soundwalks and share them so that other people can experience them. The creator of the soundwalk records their perceptions of the restorativeness of a specific place on the walk, these answers are then sonified for whoever experiences the walk later to hear. Sounds Aware aims to be a social app that is restorative to our attention. It does this by encouraging experience of nature and by using decentralized technology that exists outside of the attention economy.

The attention economy is discussed as a force that exists within much …

Villa-Lobos’S Segunda Sonata-Fantasia For Violin And Piano: An Analysis And Performance Guide, Maira Braga Cabral

LSU Doctoral Dissertations

This study focuses on Villa-Lobos’s Segunda Sonata-Fantasia for Violin and Piano, written between 1913 and 1914. A brief biography of Villa-Lobos until 1915 provides the context of the period during which he composed the piece. Next, Villa-Lobos’s main influences are presented, a list that includes European nineteenth-century aesthetics, Impressionism, Brazilian popular music, Wagner’s motivic treatment, and Brazilian indigenous music. Next, the main compositional devices used by the composer are discussed, providing examples from the Segunda Sonata-Fantasia and from other pieces by Villa-Lobos. A structural analysis of the piece is presented, focusing on the form, thematic approach, and harmonic processes.

The …

Musical Gesture Through The Human Computer Interface: An Investigation Using Information Theory, Michael Vincent Blandino

LSU Doctoral Dissertations

This study applies information theory to investigate human ability to communicate using continuous control sensors with a particular focus on informing the design of digital musical instruments. There is an active practice of building and evaluating such instruments, for instance, in the New Interfaces for Musical Expression (NIME) conference community. The fidelity of the instruments can depend on the included sensors, and although much anecdotal evidence and craft experience informs the use of these sensors, relatively little is known about the ability of humans to control them accurately. This dissertation addresses this issue and related concerns, including continuous control performance …

Developing Student Agency In The Choral Classroom: A Case Study, Danielle E. Laird

LSU Master's Theses

This multiple-case study sought to describe how student agency is cultivated within two high school choir programs. Research questions were: (a) In what ways did participating teachers incorporate student agency? (b) How did their students describe their experience? (c) What opportunities/difficulties emerged when students assumed leadership and decision-making roles? (d) Why do participating teachers offer these to students? (e) How do opportunities for student agency serve student learning and program goals? Data collection included semi-structured teacher interviews in two stages, as well as a student questionnaire. Other data included choir handbooks, student leadership information, social media presence, and classroom signs. …

Living Room Orchestra: Designing Embedded Furniture As A Family Of Electronic Musical Instruments, Matthew Scott Blessing

LSU Doctoral Dissertations

Musical Chairs is a project that explores ways to bring more music and sound art into people’s homes in an unobtrusive manner. In a world of embeddable technologies and Internets of Things, the home is getting increasingly “smarter” and not all things are as they once seemed–a refrigerator can tell you the weather, a smart speaker can order a dollhouse. By embedding musicality in everyday home objects, performable sonic beauty can be all around without requiring any dedicated space to hold instruments. One no longer requires a grand piano taking up space in order to host a Salon.

This dissertation …

Jake Runestad, An American Triptych: A Conductor's Guide, Neviton Barros

LSU Doctoral Dissertations

Jake Runestad is a fresh voice within the new wave of successful twenty-first century American choral composers. Among the growing number of very popular works within his expanding opus, Runestad has compiled three of his independently conceived compositions into a cycle he titles, American Triptych. The determination to group these works together in a cycle, Reflections (2016), The Piece of Wild Things (2013), and Come to the Woods (2015), was largely based on a common textual thread since all three authors are naturalist writers – Henry David Thoreau, Wendell Berry, and John Muir.

All three are written for SATB chorus …

"The Rest Is Lagniappe": The Female Secondary Band Director Experience In Louisiana, Margaret M. Webb

LSU Master's Theses

The purpose of this case study is to examine the experience of female secondary band directors in southeastern Louisiana. Six female band directors in Louisiana were interviewed using video-conferencing. Of the six, four were middle school directors and two were high school directors. The semi-structured interviews took place in three phases: 1) musical influences and experiences from birth through college, 2) early teaching experience, and 3) current teaching experience. Data analysis included four phases of coding; open, axial, closed, and selective. Coding uncovered multiple themes in the findings. Themes were categorized as the following: (1) Becoming a Band Director, (2) …

Amour Symphony Thesis, Vanessa C. Williams

LSU Master's Theses

The word Amour means love. Amour Symphony represents God's love to me. Each movement represents growing up as a Christian under the Love of God. Amour Symphony is a four movement symphony for full orchestra. Each movement follows the traditional movements of a symphony. Movement I is Sonata Form. Movement II is Theme and Variation Form. Movement III is Minuet and Trio Form. Movement IV is Sonata Form.