Digital Commons Network^™

On Vinyl: Revival & Survival, Thom Leavy

Capstones

As a record collector and journalist, I take stock of what they mean to me while searching to better understand the “Vinyl Revival” of the past decade. I meet and pick at people who’ve worked with the medium at its height, its demise, and today. We talk about what digitization has done and will do to music, and what vinyl means to them.

https://readymag.com/u29439050/onvinyl/

Music From The Harpsichord House, Julie Zhu

Theses and Dissertations

Music from the Harpsichord House is an installation and series of concerts that exists in the binary of in and out of performance. During a concert, the harpsichordist is hidden inside the house and his face is live-projected outside. Fifteen new musical compositions were commissioned for the harpsichord house.

Saving Diy Spaces, Katherine Lavacca

Capstones

Saving DIY Spaces explores the importance of DIY spaces– places for artists to express themselves and connect to their communities– as well as the threat they face from the city’s MARCH task force. Integral performance spaces like Shea Stadium, Market Hotel, Palisades and many more have been shuttered by the city’s MARCH taskforce, a collection of city agencies (department of buildings, NYPD, FDNY, liquor authorities, etc.) within the last decade. According to a study conducted by the Mayor’s Office of Media and Entertainment, 20% of small venues have closed within the last 15 years putting pressure on spaces that are …

On Improvised Music, Computational Creativity And Human-Becoming, Arto Artinian, Adam James Wilson

Publications and Research

Music improvisation is an act of human-becoming: of self-expression—an articulation of histories and memories that have molded its participants—and of exploration—a search for unimagined structures that break with the stale norms of majoritarian culture. Given that the former objective may inhibit the latter, we propose an integration of human musical improvisers and deliberately flawed creative software agents that are designed to catalyze the development of human-ratified minoritarian musical structures.

A Glimpse Into Quiroga’S Musical Roots, Aldemaro Romero Jr.

Publications and Research

“At the music conservatory, I was told that popular music is not music, and that’s one of the things that connected me with your dad, Aldemaro Romero. He could do classical, Bolero, so I felt connected because I felt ‘there’s someone who had the same problem that I did.’ I felt like classical music is, of course, beautiful, but I needed something else.”

That is how Selene Quiroga, an artist recently invited to Baruch College, explains why she crosses the borders between classical and popular music, as she did in a concert titled “Aldemaro Romero: Venezuelan Fiesta” where she performed …

Mus 102 Concert Report, Janice Mahinka

Open Educational Resources

This assignment details the specific information required for a writing assignment based on a formal live music experience of Western art music (excluding ballets, operas, and Broadway musicals) from any period ranging from The Middle Ages/Medieval to the Twenty-first Century. The guidelines include a brief self-critique questionnaire at the end.

Musicalization: Early Childhood Music Access, Discourse, And Praxis In Nyc Charter Schools, 2014-2015, Andrew Aprile

Dissertations, Theses, and Capstone Projects

Over the past two decades, charter schools have become a hallmark of education reform in the United States. Concurrent with this movement is the increasing prominence of high stakes testing. While much research has sought to compare the effectiveness of charter schools and traditional public schools in terms of standardized assessments, scant attention has been paid to the role of arts and music in charter schools, and little has been done to distinguish the distinct strands of the charter school movement. Given what we know about the importance of music education and the growth of charter schools, it was the …

Creating An Unbroken Line Of Becoming In Live Music Performance, Bonnie B. Mcalvin

Dissertations, Theses, and Capstone Projects

The dissertation provides an approach to the pedagogy of musical expression in applied music study. Exercises are provided which support a student’s mastery of the mechanics of grouping, and this mastery is put to work in an adaptation of the work of the great Russian acting teacher, Constantine Stanislavski. Mapping of embodiment schema in the manner of Lakoff and Johnson (1980) is asserted as a useful interface between grouped pitch objects and meaning; mappings are utilized by the instrumental music performer in the same manner as Stanislavski taught his acting students to utilize given circumstances. The discourse situates all of …

A New Approach To The Analysis Of Timbre, Megan L. Lavengood

Dissertations, Theses, and Capstone Projects

Two distinct approaches to timbre analysis exist, each with complementary strengths and limitations. First, music theorists from the 1980s adopt a positivist mindset and look for ways to quantify timbral phenomena, often using spectrograms, while avoiding any cultural dimensions in their work. Second, writings of the past five years focus on the cultural aspects of timbre but make no use of spectrograms. This dissertation builds upon these two approaches by synthesizing them: discussion is grounded in spectrogram analysis, but situated within a broad cultural context, through interactions with listener experience and ethnographic study of music periodicals and other published interviews. …

From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene

Dissertations, Theses, and Capstone Projects

Based on archival and ethnographic fieldwork in the cities of Bogotá and Medellín, this dissertation documents the development of canción protesta (protest song) in Colombia in the 1960s, and tracks its evolution in subsequent decades. At the turn of the 1970s, songwriters affiliated with a grassroots canción protesta movement in Bogotá used music as a vehicle for disseminating leftist political ideology and extolling the revolutionary guerrilla groups that had formed in the Colombian countryside in the preceding years. However, canción protesta was an urban phenomenon that emerged in tandem with other countercultural currents, and their confluence in the late 1960s …

Worlds Of If: Analyses Of The Composed And Improvised Works Of Robert Dick, Melissa Keeling

Dissertations, Theses, and Capstone Projects

Considered one of the most important publications in twentieth-century flute pedagogy, Robert Dick’s seminal method book, The Other Flute (1975),[1] is an extensive catalogue of multiphonic fingerings, microtonal fingerings, glissandi, circular breathing, and other extended techniques. The Other Flute and a handful of his published solos are widely studied, but these works only represent a fraction of Dick’s creative energies.

Equally comfortable in classical, jazz, rock, electronic, and world music, Dick’s oeuvre demonstrates a sophisticated, musical use of contemporary techniques and his pieces have become standard repertoire. Though Dick was not the first flutist to use or notate these …

Is It All Relative? Relative Pitch And L2 Lexical Tone Perception/Tone Language Comprehension By Adult Tone And Non-Tone Language Speakers, Sloane C. Von Wertz

Dissertations, Theses, and Capstone Projects

Languages generally use musical pitch variation of the voice as part of their sound systems (Maddieson, 2011)—pitch variations that can be somewhat reminiscent of music. Music ability and/or training may influence language processing (e.g., Bidelman et al, 2011; Delogue et al, 2010). In particular, studies have concluded that there may be a relationship between absolute pitch and tone language acquisition (e.g., Lee, Lee, and Shi, 2011; Tillmann et al., 2011; Pfordresher and Brown, 2009). Other research has shown that fundamental frequency (F0) and F0 slope are crucial elements upon which native tone language speakers rely in tone perception (Guion and …

The Mystery Of The Schubert Song: The Linked Data Promise, Kimmy Szeto

Publications and Research

Linked open data promises global interconnectedness of a vast amount of data. Web technologies promise to lower the barriers to accessing information and to enable knowledge production of massive scale. But can the web of data answer a music reference question? Starting with a seemingly impossible search for a Schubert song, this article describes how linked data technologies could overcome some limitations of catalog searching. However, technical and conceptual challenges are intertwined in the library community’s effort to publish linked data. Through an analysis of contrasting data models, this article offers a linked data reading of medium of performance and …

Constructing Music Of Rebellion In The Triumphant Empire: Punk Rock In The 1990s United States, David Pearson

Dissertations, Theses, and Capstone Projects

In the late 1980s, the punk scene in the United States was plagued by Nazi skinheads, the macho violence of “straight-edge hardcore,” and musical stagnation. Moreover, Ronald Reagan, the symbol of all that punks detested, was no longer president, the Cold War was coming to an end, and the United States was fast becoming the world’s sole superpower. These dilemmas put punk rock’s viability as a music of rebellion against the dominant order in a state of crisis.

Emerging out of this late 1980s malaise was a new wave of (leftist) political bands that took lyrical aim at the New …

String Quartet No. 2, Ramin Heydarbeygi

Dissertations, Theses, and Capstone Projects

Abstract not provided.

Music In Haredi Jewish Life: Liquid Modernity And The Negotiation Of Boundaries In Greater New York, Gordon A. Dale

Dissertations, Theses, and Capstone Projects

In this dissertation I seek to understand tensions regarding boundary maintenance, music, and cultural continuity among the contemporary Haredi (“Ultra-Orthodox”) Jewish community of Greater New York in the context of sociologist Zygmunt Bauman’s theory of liquid modernity. While Bauman suggests that modernity has melted familiar institutions and created an unstable and rapidly shifting world, I argue that for Haredim, the non-liberal religious community and its cultural productions solidify social bonds. While many Haredi Jews strive to continue the musical practices of pre-WWII Europe, some Haredi musicians push or disregard the boundaries of accepted practice by experimenting with Western popular music …

Scholasticism And Formal Structure In Camille Saint-Saëns's Fugues For Keyboard, Pedro Segarra-Sisamone

Dissertations, Theses, and Capstone Projects

Drawing on the treatises of Cherubini (1835), Dubois (1901), and Gedalge (1901), this dissertation examines the relation between the fugue d’école and Saint-Saëns’s compositional practices with reference to his fugal works for piano and organ and sets out to answer the question: To what extent are the formal and tonal structures of Saint-Saëns’s fugues determined by the organizational conventions associated with the fugue d’école? While the scholastic fugue has been described as an artificial construct, this study argues that this tripartite model, with its variants and subtypes, can be considered as the parent model for most fugues composed during the …

Spectacular Politics And Everyday Performance: Tracing Music From Ceauşescu’S Romania To Multicultural America, Benjamin Dumbauld

Dissertations, Theses, and Capstone Projects

Drawing from fieldwork conducted throughout the United States and Canada, this dissertation examines the continued performance of socialist-era music within the Romanian-American community. It addresses why a community largely made up of people who sought to leave the country during the authoritarian regime of Nicolae Ceauşescu continue to perform music tied to that period by tracing the historical performance and reception of multiple genres, ranging from traditional peasant music to folk rock. The dissertation begins by examining the nationalization of Romania’s music industry under the early socialist regime (1944-1965), and locates the difficulties Communist Party members confronted in delineating a …

Jazz And Recording In The Digital Age: Technology, New Media, And Performance In New York And Online, Dean S. Reynolds

Dissertations, Theses, and Capstone Projects

This dissertation is a study of the uses of recording technologies and new media by jazz musicians in New York. It privileges the perspectives of professional musicians, gleaned through interviews and observation of their discourses and practices in live and recorded performances and in online new media spaces. Contrary to scholarly and critical approaches to jazz that privilege live performance, this dissertation argues that mediatization, through use of recording technologies, digital formats and platforms, and social media, is a vital mode of jazz performance in the digital age. Chapter 1 shows how formative encounters with jazz by musicians coming of …

Noodling Changes: The Development Of Xylophone Improvisation In New York City (1916-1942), Jonathan D. Singer

Dissertations, Theses, and Capstone Projects

Red Norvo is cited as the xylophonist who took the instrument from the vaudeville stage to jazz. However, many xylophonists preceding Norvo were avid improvisers. There is an untapped history of xylophone improvisation on record and in pedagogical materials from a generation before Norvo’s appearance on the scene. The purpose of this dissertation is to examine evidence and the development of improvisation and improvisation-oriented music by xylophonists in New York City, the epicenter of recording and radio from the period of 1916-1942. This study includes xylophonists George Hamilton Green, Joseph Green, Harry Breuer, Sammy Herman, and Billy Gladstone, as well …

The Varieties Of Tone Presence: On The Meanings Of Musical Tone In Twentieth-Century Music, Aaron Harcus

Dissertations, Theses, and Capstone Projects

This dissertation is about tone presence, or how musical tone shows up for experience in twentieth-century music. In exploring the subject of tone presence, I rethink notions of “pitch structure” in post-tonal theory and offer an alternative that focuses on the question of what it is to be a musical interval for experience, drawing on a wide range of research from social theory, semiotics, theories of emotion, African American studies, literary theory, usage-based linguistics, post-colonial theory, and phenomenology. I begin by offering a critique of three basic assumptions that constrain understandings of what we mean by pitch structure in post-tonal …

The Peter Nero Collection, Brooklyn College Library And Academic It

Finding Aids

This collection consists of just one item; a musical arrangement by Peter Nero, of “I Want to Hold Your Hand” by The Beatles. It is three pages of 16x17” Forest Brand sheet music paper from Music Writing Supplies in N.Y.C. The arrangement is done in pencil and has many special markings and notes by Peter Nero.

The Transnational Guqin Revival In Flushing, New York, Tyler L. Burba

Theses and Dissertations

Despite the guqin 3,000-year-old history the instrument nearly faced extinction in the Twentieth Century. Since the 2008 Beijing Olympics, which featured the guqin as a cultural symbol of Chinese identity, there has been a revival of the guqin and its traditional repertoire. This study looks at a small guqin community in New York City's Flushing neighborhood, centered around Master Shi-hua Judy Yeh, and how transnational students are taking advantage of transnational organizations, like the New York Guqin School, to ease the transition into life in New York.

"Toccatas And Arias": Analysis And Historical Context Of Vivian Fine’S Last Work For Solo Piano, Manon Hutton-Dewys

Dissertations, Theses, and Capstone Projects

Vivian Fine’s Toccatas and Arias (1987) is an important work both in Fine’s compositional output and in the history of ultramodern music. Through her close associations with Ruth Crawford, Henry Cowell, and others, Vivian Fine was very much a product of the musical scene that developed in New York in the 1920s and early 30s. Toccatas and Arias, Fine’s last piece for solo piano shows that Fine continued to write in the ultramodern/dissonant counterpoint style throughout her life. Its characteristics also demonstrate that, contrary to music-historical writings that suggest such music essentially died out in the mid-twentieth century, Fine …

Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton

Dissertations, Theses, and Capstone Projects

This dissertation examines developments in the production practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a transformed production process, one initiated by Les Paul’s and Sidney Bechet’s overdubbing experiments in the 1940s. The collective sound of instrumentalists and vocalists heard on records no longer resulted from live-to-tape recordings of group performances, but was increasingly the product of constructed …

Between Speech & Song: Clarifying The Sprechstimme Of Schoenberg's Pierrot Lunaire, Sara M. Paar

Dissertations, Theses, and Capstone Projects

Since its creation, the technique of Sprechstimme has fascinated the audiences, performers, and composers of twentieth century music. What is it? How is it done? How should it be notated? At the fore of investigations into these questions has been Arnold Schoenberg’s Pierrot lunaire, the work in which Schoenberg debuted this new technique. Much has been written in regard to Schoenberg’s creation and use of Sprechstimme, as well as his own exploration of the speech/song continuum. Composers, conductors, and performers have all tried to make sense of the notation, instructions, and performances Schoenberg left behind. Despite this, confusion, …

Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman

Dissertations, Theses, and Capstone Projects

Gustave Vogt (1781–1870) was the most famous oboist in Europe during the mid-nineteenth century. Throughout his career he played with the best orchestras in Paris, toured Europe widely, and also taught the next generation of oboists at the Paris Conservatoire from 1802–1853. Although many of the details of his life have been lost to history, he did leave behind a record of the esteem in which he was held. This is preserved physically in the form of an album of short musical compositions honoring Vogt, collected between 1831 and 1859. The album has never been published, and is in the …

Schoenberg's "Phantasy" Form, Lisa A. Tipton

Dissertations, Theses, and Capstone Projects

Scholars have long debated the form of Schoenberg’s Phantasy for Violin and Piano accompaniment, Op. 47, his last instrumental work. The numerous accounts (by Rufer, Lewin, Lester, Hasty, Hyde, and others) have variously proposed a pseudo-sonata, a three-part, and a four-part form. This dissertation suggests that the piece is best thought of as a multi-layered four-part form, in which the thematic pattern ABB¹A¹ is found at every structural level, from the phrase up to the entire work. An intriguing compositional sketch found on the Schoenberg Center’s website inspired the exploration of a four-part form with elements …

Between Rock And Breeze, Lena Schmid

Theses and Dissertations

My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.

Out Of The Shadows: Clara Schumann, Fanny Mendelssohn, And The Will To Persist, Juella Baltonado

Theses and Dissertations

Clara Schumann and Fanny Mendelssohn are known most commonly for their associations with their male counterparts, and often have their identities and accomplishments overshadowed by these men. This thesis shines a light on these women, uncovering the struggles with gender, agency, and societal expectations.