Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Entire DC Network

The Sketches For Mendelssohn's Paulus, Op. 36, Karl Joseph Simmerman Jan 2016

The Sketches For Mendelssohn's Paulus, Op. 36, Karl Joseph Simmerman

LSU Master's Theses

Felix Mendelssohn Bartholdy’s Paulus, Op. 36 (1836) is one of the most important nineteenth-century contributions to the oratorio genre. Current scholarly understanding of the oratorio’s creation rests on three dissertations: Stuart Douglass Seaton identified, transcribed, and discussed some of the sketches for Paulus; Siegwart Reichwald examined the extant autographs for Paulus; and Jeffrey S. Sposato thoroughly documented the collaborative compilation of the libretto. None of these studies, however, provides a thorough examination of all the sketches for Paulus.

This study constitutes the first complete transcription of the sketches for Paulus, basing its methodology on the transcription practices …


The Revision Of Recitatives From Il Trovatore To Le Trouvère, David Lawton Jan 2000

The Revision Of Recitatives From Il Trovatore To Le Trouvère, David Lawton

Verdi Forum

No abstract provided.


Abstracts From The Sarasota Conference On Verdi's Revisions, Martin Chusid, Kathleen Kuzmick Hansell, James Hepokoski, Harold Powers, David Rosen Jan 1997

Abstracts From The Sarasota Conference On Verdi's Revisions, Martin Chusid, Kathleen Kuzmick Hansell, James Hepokoski, Harold Powers, David Rosen

Verdi Forum

No abstract provided.


A New Sketch For Verdi's 'I Due Foscari', David Lawton Jan 1995

A New Sketch For Verdi's 'I Due Foscari', David Lawton

Verdi Forum

No abstract provided.


Abstract: Revising The Revision: Some Thoughts On 'La Forza Del Destino', Roger Parker Jan 1991

Abstract: Revising The Revision: Some Thoughts On 'La Forza Del Destino', Roger Parker

Verdi Forum

Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Greater New York Chapter of the American Musicological Society, Feb. 2, 1991.