Digital Commons Network^™

Hearing Tolkien In Vaughan Williams?, Keri Hui

Journal of Tolkien Research

In recent years, musicians and Tolkien readers alike have associated Ralph Vaughan Williams’ music, particularly Fantasia on a Theme by Thomas Tallis (1910), The Lark Ascending (1914), and Fantasia on Greensleeves (1934), with Tolkien’s fantasies. This article explores this tendency to hear Tolkien’s Middle-earth in Vaughan Williams’ musical fantasies, calling attention to the similarities in their shared devotion to the idea of English consciousness, interest in combining ecclesiastical and folk materials, and pastoral vision. A juxtaposition of their approach and philosophies not only helps explain the musical echoes, however, but also confirms an appealing mark of Tolkien’s craft is its …

“800 Years We Have Been Down”: Rebel Songs And The Retrospective Reach Of The Irish Republican Narrative, Seán Ó Cadhla

Articles

From the glamorous, cross-dressing “Rebel, Rebel” of David Bowie, to the righteous Trenchtown “Soul Rebel” of Bob Marley and The Wailers, both varied and various musical articulations of cultural and socio-political rebellion have long enjoyed a ubiquitous presence across multiple soundscapes. As a musicological delineator in Ireland, however, ‘rebel’ conveys a specifically political dynamic due to its consistent deployment as an all-encompassing descriptor for songs detailing events and personalities from the Irish national struggle. This paper sets out to examine the specific musical delineator of “rebel song” from both musicological and politico-ideological perspectives with a view to interrogating its appropriateness …

Ensemble Concerts: University Band And Symphonic Band, April 20, 2022, F. Mack Wood Conductor, Tj Mack Conductor, Lauren Bobarsky Guest Conductor, John Gonzalez Guest Conductor, Seth Marshall Guest Conductor

School of Music Programs

Center for the Performing Arts

April 20, 2022

Wednesday Evening

8:00 p.m.

Guest Artist Recital: Songs Of Travel And Questing: A New Song-Cycle By Stephen Mcneff, Gavan Ring, Louise Thomas

Printed Performance Programs (PDF Format)

No abstract provided.

A Concert For Peace, Chapman University Choir, Chapman University Singers, Temianka String Quartet, Hye-Young Kim

Printed Performance Programs (PDF Format)

No abstract provided.

Nicholas Temperley, Edward Loder, And Retrospect Opera's Raymond And Agnes, Justin Vickers

Faculty Publications - Music

This review-essay chronicles nineteenth-century music specialist Nicholas Temperley's discovery of the obscure score and the long road to the present recording by Retrospect Opera, which navigates Loder's composition of Raymond and Agnes in spite of the puzzling complexities of Edward Fitzball's libretto.

Collective Expressions Of Monacan Indian Nation Identity: A Communicative Arts Genre Study, Gretchen E. Casler-Cline

Masters Theses

This study considers the current communicative arts practices of the Monacan Indian Nation, an Indigenous Virginia tribe of approximately 2500 people located in Amherst County, Virginia. Historically the tribe was a large nation that extended from the falls of the James River near Richmond, Virginia to the Southwestern portions of the state near Roanoke and now the Monacan Indian Nation homeland is at Bear Mountain in Amherst County, Virginia. The study was conducted through interviews and observations at tribal events such as the annual Powwow and culture class, as well as consistent attendance and participation as a musician at St. …

Graduate Recital: Blessed Are Those Who Mourn: A Journey Of Grief And Hope, Sara H. Jackson

Conducting Student Scholarship

This program includes:

Weep, O Mine Eyes (1599)

Sicut Cervus (1604)

“The Trumpet Shall Sound” from Messiah (1741)

“Wie Lieblich sind deine wohnungen” from the A German Requiem (1865-1868)

Great Is Thy Faithfulness (1923)

Over the Rainbow (1939)

Flying Free (1979)

Inscription of Hope (1994)

Keep Your Lamps (2003)

O Love (2016)

Those Who Mourn (2021)

All Things New (2021)

Hope Waits (2021)

Impressions On The American Cowboy: End Of The Trail, Ghost Town And Rough Men, Jude Edmund Markey-Smith

Senior Projects Spring 2022

“Impressions on the American Cowboy” seeks to consider, expose, and investigate the symbol of the cowboy in our culture–– in all of its twisted romance. After reflecting on my personal experiences as well as various historical texts and works of western fiction, I set out to make my own western-themed work. My intention is to comment and explore the so-called “man problem” across disciplines in live performed time and space. This work attempts to think critically about how and why cowboy culture has persisted, and to delve into this particular and troubling projection of masculine consciousness.